"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

What It Means to Serve the Public In a vigorous defense of public life, Senator Joseph Lieberman, renowned as one of our most articulate and respected politicians, defines the duty, the honor and the privilege of public life in the face of Americans' perennial cynicism about it. Drawing widely from his own experience as a politician and his pride in public service, Lieberman makes a passionate, hopeful argument for the value of public life -- its place and necessity in our democracy and our need for more Americans to embrace it if we are to sustain our self-government.

One of a handful of Jews in the WASPish enclave of Greenwich, Connecticut, and still under 100 pounds in his junior year of high school, Tabb was routinely kicked around by the other kids?one blind, another one with one arm?as well as his father. "Playing Right Field" refers to an early experience of the author and his brother, Lloyd, who played Little League together; they were forced to share one team t-shirt between the both of this because his father the multi-millionaire was too cheap to buy one of each of them. George and Lloyd chose right field because hardly any balls ever got hit out there and they thought it would be safe and provide them with lots of space. The book will include many stories, all true ? and some very hard to believe. Each story has a strong sense of morality, and the book will be fun as well as very educational. Using the idea of "right field", the book will trace Tabb's growing sense of isolation and rebellion from birth through near the end of tenth grade.