The world-renowned novelist, poet and singer/songwriter inspired generations of writers, musicians and artists. For decades, Leonard Cohen tenaciously supplied the world with melancholy but urgent observations on the state of the human heart. With equal parts gravitas and grace, he teased out a startlingly inventive and singular language, depicting both an exalted spirituality and an earthly sexuality. His interweaving of the sacred and the profane, of mystery and accessibility, was such a compelling combination it became seared into memory. Situated between monograph and devotional exercise, this visually striking publication documents a unique exhibition and pays homage to a global star's enormous cultural achievements. Visual artists, filmmakers, performers and musicians from around the world revisit Cohen's words, songs, and biography with new perspectives. Cohen himself makes an appearance as a visual artist with a projection of his many self-portraits. Co-curators John Zeppetelli and Victor Shiffman discuss the two years that went into bringing the ambitious event to fruition, from its original conception as a celebration to its final form of a tribute suffused in elegy. Cohen biographer Sylvie Simmons reviews Cohen's career from early promise to unexpected paths, through set-backs, and onto its astounding culmination. Chantal Ringuet draws upon specific moments in Cohen's life from early childhood to his last writings where he seems to be reciting his own Kaddish, the Jewish prayer for the dead. Also featured are artist statements from each of the 40 participants.

Elie Nadelman: Classical Folk is a fully illustrated catalogue that focuses on the figural sculpture of Elie Nadelman (1882-1946) reappraising the artist's distinct position within twentieth-century American sculpture. It details the artist's years in the United States (1914-1946), when he merged classical and folk art sources to create a unique fusion of past and present, traditional and modern, and high and low. The essays provide multiple perspectives on Nadelman's art. Curator Suzanne Ramljak examines Nadelman's achievements in the classical figural tradition, while an essay by Avis Berman examines the artist's involvement with folk art. Klaus Kertess writes on Nadelman's late plasters, and Valerie Fletcher focuses on the materials and working processes of the artist. Finally, the text is complemented by an illustrated chronology of the artist's biography with artistic milieus by Cynthia Nadleman, the artist's biographer and granddaughter.