Dr. Harvey Washington Wiley set out to ensure food safety. He selected food tasters to test various food additives and preservatives, letting them know that the substances could be harmful or deadly. The tasters were recognized for their courage, and became known as the poison squad.

Overview: Celebrated novelist David Treuer has gained a reputation for writing fiction that expands the horizons of Native American literature. In Rez Life, his first full-length work of nonfiction, Treuer brings a novelist's storytelling skill and an eye for detail to a complex and subtle examination of Native American reservation life, past and present. With authoritative research and reportage, Treuer illuminates misunderstood contemporary issues like sovereignty, treaty rights, and natural-resource conservation. He traces the convoluted waves of public policy that have deracinated, disenfranchised, and exploited Native Americans, exposing the tension and conflict that has marked the historical relationship between the United States government and the Native American population. Through the eyes of students, teachers, government administrators, lawyers, and tribal court judges, he shows how casinos, tribal government, and the Bureau of Indian Affairs have transformed the landscape of Native American life. A member of the Ojibwe of northern Minnesota, Treuer grew up on the Leech Lake Reservation, but was educated in "mainstream" America. Treuer traverses the boundaries of American and Indian identity as he explores crime and poverty, casinos and wealth, and the preservation of his native language and culture. Rez Life is a strikingly original work of history and reportage, a must read for anyone interested in the Native American story.

"Edward Snowden chose three journalists to tell the stories in his Top Secret trove of NSA documents: Barton Gellman of The Washington Post, Glenn Greenwald of The Guardian and filmmaker Laura Poitras, all of whom would share the Pulitzer Prize for Public Service. Poitras went on to direct the Oscar-winning Citizenfour. Greenwald wrote an instant memoir and cast himself as a pugilist on Snowden's behalf. Gellman took his own path. Snowden and his documents were the beginning, not the end, of a story he had prepared his whole life to tell. More than 20 years as a top investigative journalist armed him with deep sources in national security and high technology. New sources reached out from government and industry, making contact on the same kinds of secret, anonymous channels that Snowden had used. Gellman's reporting unlocked new puzzles in the NSA archive. And as Snowden's revelations faded somewhat from the public consciousness, the machinations he exposed continue still, with many policies unaltered despite societal outrage. Dark Mirror is a true-life spy tale that touches us all, told with authority and an inside view of extraordinary events. Within it is a chilling personal account of the obstacles facing the author, beginning with Gellman's discovery of his own name in Snowden's NSA document trove. Google notifies him that a foreign government is trying to compromise his account. A trusted technical adviser finds anomalies on his laptop. Sophisticated impostors approach Gellman with counterfeit documents, attempting to divert or discredit his work. Throughout Dark Mirror, the author wages an escalating battle against unknown digital adversaries who force him to mimic their tradecraft in self-defense. With the vivid and insightful style that marked Gellman's bestselling Angler, Dark Mirror is an inside account of the surveillance-industrial revolution and its discontents, fighting back against state and corporate intrusions into our most private spheres. Along the way, and with the benefit of hindsight, it tells the full story of a government leak unrivaled in drama since All the President's Men"--

Filmmaker Eva Orner takes us on a personal, gripping and compelling journey to show us how she came to make her documentary about Australia's asylum seeker policies. ' My work as a filmmaker has taken me to some wild, dangerous places ... It's been a crazy, nomadic kind of life, taking me to conflict zones and desperately poor, chaotic, unstable countries. I've been sick, injured, scared and had too many close calls to mention. I spend a lot of time alone, in airports, lugging camera gear, gazing up at flickering departure boards.' But I love it. I love the feeling I get when I am heading into the unknown.' Angry and frustrated with Australia's asylum seeker and refugee policies, Eva Orner, Academy Award®-winning filmmaker, returned home after a decade living in the States to make the documentary Chasing Asylum about the issue. Embarking on a tumultuous eighteen months, Eva travelled to Indonesia, Cambodia, Lebanon, Afghanistan and Iran, spending time with and filming asylum seekers, as well as interviewing politicians, activists and commentators including David Marr and Malcolm Fraser. She smuggled a pen camera into an Indonesian jail to interview a convicted people smuggler, she talked to whistle blowers in Australia, and in Iran she met with the family of the man killed in the Manus Island riot. Chasing Asylum is a compelling insight into a filmmaker's journey, and a very personal story of the cost, risks and rewards of putting yourself on the line for a film and for a cause. The Guardian writes of the film Chasing Asylum: 'The full, muscular weight of the feature documentary format has finally tackled the subject with Chasing Asylum, a viscerally intense expose given gravitas by Academy and Emmy award-winning film-maker Eva Orner ... not just successful, but awfully and unforgettably effective: vital, evocative and gut-wrenching.' 'Eva Orner is no stranger to bravery ... she manifests this steadfastness in relating story after story where pain, violence and horror frame her narrative, interspersed by accounts of the daily life of a filmmaker ... Orner is brave not just emotionally, but also physically, risking imprisonment, illness and violence to uncover the stories of those who have sought refuge ... It is a story that must be told.' Sydney Morning Herald