In his tell-all, legendary Doors guitarist, Robby Krieger, one of Rolling Stone's "100 Greatest Guitarists of All Time," opens up about his band's meteoric career, his own darkest moments, and the most famous black eye in rock 'n' roll. Few bands are as shrouded in the murky haze of rock mythology as The Doors, and parsing fact from fiction has been a virtually impossible task. But now, after fifty years, The Doors' notoriously quiet guitarist is finally breaking his silence to set the record straight. Through a series of vignettes, Robby Krieger takes readers back to where it all happened: the pawn shop where he bought his first guitar; the jail cell he was tossed into after a teenage drug bust; his parents' living room where his first songwriting sessions with Jim Morrison took place; the empty bars and backyard parties where The Doors played their first awkward gigs; the studios where their iconic songs were recorded; and the many concert venues that erupted into historic riots. SET THE NIGHT ON FIRE is packed with never-before-told stories from The Doors' most vital years, and offers a fresh perspective on the most infamous moments of the band's career. Krieger also goes into heartbreaking detail about his life's most difficult struggles, ranging from drug addiction to cancer, but he balances out the sorrow with humorous anecdotes about run-ins with unstable fans, famous musicians, and one really angry monk. SET THE NIGHT ON FIRE is at once an insightful time capsule of the '60s counterculture, a moving reflection on what it means to find oneself as a musician, and a touching tale of a life lived non-traditionally. It's not only a must-read for Doors fans, but an essential volume of American pop culture history.

ONE OF WATERSTONES BEST ENTERTAINMENT BOOKS OF 2024 'Sometimes fate deals up a wild card. There's a lot to be said for one of these wild cards and from what I've learned over the fifty or so years of our friendship, Chris is a card from the unexpected deck' - from the foreword by Debbie Harry Musician, photographer, storyteller, and longtime partner to Debbie Harry, Chris Stein defined the sound of an era, catapulting the icon band Blondie to #1 and selling over 20 million copies of Parallel Lines. In this no-holds-barred autobiography, Stein reveals himself-this time not in songwriting or photography, which he's previously been known for, but in words. From a Brooklyn boyhood, a move across the river to the gritty and fecund East Village in the late 1970s allowed Stein to tap the explosive creativity that defined the era in the city. It was a time when David Bowie and the Ramones were also making music, when Andy Warhol was still alive and promoting Jean-Michel Basquiat's work, when cool was defined not by where you came from but by what you could contribute to culture. UNDER A ROCK is a plunge into that vanished time period, and into the moments that turned the fresh sound and new look of punk and new wave into a giant artistic and commercial sensation. Stein takes us there in this revelatory, propulsive, distinctive memoir.

Under A Rock, the first memoir from Blondie's Chris Stein, is a quintessentially New York story of the golden age of the East Village and the makings of international superstars, with a foreword by Debbie Harry.[Bokinfo]

On paper Steve Katz's career rivals anyone's except the 1960s' and '70's biggest stars: the Monterey Pop Festival with the legendary Blues Project, Woodstock with Blood, Sweat & Tears, and even producing rock's most celebrated speed addict, Lou Reed. There were world tours, and his résumé screams "Hall of Fame" -- it won't be long before BS&T are on that ballot. He has three Grammies (ten nominations), three Downbeat Reader's Poll Awards, three gold records, one platinum record, and one quadruple platinum platter (the second Blood, Sweat & Tears album), not to mention three gold singles with BS&T. All together, he's sold close to 29 million records. He had affairs with famous female folk singers, made love to Jim Morrison's girlfriend Pam when Jim was drunk and abusive, partied with Elizabeth Taylor and Groucho Marx, dined with Rudolf Nureyev, conversed with Martin Luther King, Jr. and Tennessee Williams, hung out with Andy Warhol, jammed with everyone from Mose Allison to Jimi Hendrix, and was told to get a haircut by both Mickey Spillane and Danny Thomas. But his memoir is more Portnoy's Complaint than the lurid party-with-your-pants-down memoir that has become the norm for rock 'n' roll books. It's an honest and personal account of a life at the edge of the spotlight--a privileged vantage point that earned him a bit more objectivity and earnest outrage than a lot of his colleagues, who were too far into the scene to lay any honest witness to it. Set during the Greenwich Village folk/rock scene, the Sixties' most celebrated venues and concerts, and behind closed doors on international tours and grueling studio sessions, this is the unlikely story of a rock star as nerd, nerd as rock star, a nice Jewish boy who got to sit at the cool kid's table and score the hot chicks.