Reissued with a new afterword Leonard Cohen is back! With a #1 bestselling poetry collection, The Book of Longing, flying off bookshelves; Lian Lunson’s acclaimed documentary, Leonard Cohen: I’m Your Man, in theatres this summer (the DVD will release this fall); and the superb soundtrack in music stores everywhere, Leonard Cohen proves he is Canada’s most enduring icon. Now, in the newly reissued Various Positions, Ira Nadel peels back the many layers to reveal the man and explain the fascinating relationship between Leonard Cohen’s life and his art. This book is a remarkable and rare look at Leonard Cohen, up close and personal. For nearly forty years, Leonard Cohen has endured the ups and downs of an international career that has alternately identified him as the "Prince of Bummers" and Canada's most respected poet and performer. Now, author Ira Nadel brings us closer to understanding these conflicting descriptions and allows us to enter Cohen's private world. He peels back the many layers to reveal the man and explain the fascinating relationship between Cohen's life and his art. This is a remarkable and rare look at Leonard Cohen, up close and personal. From the Trade Paperback edition.

The man behind "I Could Have Danced all Night" and "Almost Like Being in Love", lyricist Alan Jay Lerner (1918-1986) is widely regarded as one of the most important figures of the American musical stage. In penning the lyrics to some of the most well-known and beloved Broadway shows, including Brigadoon, Paint Your Wagon, My Fair Lady, and Camelot, Lerner worked and corresponded with some of the greatest luminaries of popular entertainment over a career which spanned four decades, from performers like Rex Harrison and Julie Andrews to composers like André Previn, Leonard Bernstein, Charles Strouse, Andrew Lloyd Webber, and especially Frederick Loewe. In this rich collection of correspondence, most of it published for the first time, author Dominic McHugh sheds new light on Lerner's working relationships with these legendary figures. McHugh's extensive commentary reveals Lerner's turbulent partnerships with Loewe and Lane, his affection for Harrison, and his reverence for Burton. Particular emphasis is placed on Lerner's aborted projects with composers like Richard Rodgers and Arthur Schwartz. Especially valuable is the correspondence from his final years, in which he worked on a movie version of The Merry Widow, a BBC TV series about musicals, and a musical version of My Man Godfrey, none of which came to fruition. The collection ends with a poignant final exchange between Lerner and Andrew Lloyd Webber, with whom he was to have written The Phantom of the Opera. Overall, this important and lively book reveals the highs and lows of the career of one of America's wittiest and most romantic lyricists.

THE SUNDAY TIMES BESTSELLER '. . . a compelling memoir. Breezy and unpretentious, The Sanest Guy in the Room is a delightful collection of memories, insider information and after-dinner anecdotes' The Times 'Brilliant stories and wonderful behind-the-scenes glimpses of a life and career in show-business . . . It's bloody brilliant . . . Read it!' Michael Ball Don Black is the songwriter's songwriter, a composer's dream collaborator, and the man behind some of the twentieth century's greatest musical numbers. Black made his first foray into the glittering world of showbiz as a stand-up, before realising his error and focusing on his lifelong passion instead - music. Shirley Bassey, Michael Jackson, Quincy Jones, Henry Mancini and Barbra Streisand are just some of the artists Black has worked with over the years - not to mention his frequent collaborator, West End legend Andrew Lloyd Webber - in what can only be described as a remarkable musical career. Yet, never one to court fame, Black has always remained what Mark Steyn coined as 'the sanest guy in the room'. Interwoven with the stories behind songs such as 'Diamonds are Forever' and 'Born Free' are vignettes of Black's life with his beloved wife Shirley, who died in March 2018, after almost sixty years of marriage. Black writes movingly about how the enormity of his grief changed his life, and how the dark days are slowly turning into dark moments. The Sanest Guy in the Room is a rich and delightful paean to a life lived through song. It reveals the essence of Black's craft, looks at those who have inspired him and allows us to understand what made those icons tick. It is also a poignant tribute to Shirley, his biggest inspiration. Told with wit, warmth and great humour, this is Don Black's astonishing musical journey and an insight into a life behind the lyrics.

"A frank personal account by the Grammy and Academy Award-winning songwriter traces the story of her life in and out of the recording studio, from her formative relationships to her collaborations with some of today's leading composers and music artists,"--NoveList.

In this philosophical biography, Liel Leibovitz looks at what it is that makes musician/philosopher/poet Leonard Cohen an enduring international figure in the cultural imagination. Born into a Canadian religious Jewish family, for years a reclusive lyricist on the Greek island of Hydra, known for his bold political commentary, his devotion to Buddhist thought and his later despair over contemporary Zionism, Cohen hardly follows the rules of a conventional rock star. Yet the prophetic themes of his music, often filled with pessimism and apocalyptic visions, prove redemptive to an audience that spans generations, from those who listened in the 1960's to today. As Leonard Cohen requires, this is a passionate and personal evocation of a man who appeals to the inner spirit of his fervent followers.

"In 21-Hit Wonder, Sam Hollander has collected anecdotes from his weird waltzes around the banquet of pop to help aspiring songwriters and other creatives learn about survival, endurance, scheming, hustle, and the importance of laughing even on the worst days of the journey"--

P.F. Sloan was one of the most prolific and influential geniuses to emerge from the golden age of the 60s. From his little studio at Dunhill Records, Sloan was a veritable hit-machine, writing and playing guitar for The Mamas & The Papas (that's Sloan's infectious guitar lick on 'California Dreamin'), Barry McGuire (the brilliant and controversial 'Eve Of Destruction'), Johnny Rivers (the iconic 'Secret Agent Man'), The Turtles, The Grass Roots, Herman's Hermits, The Fifth Dimension, The Searchers, and more. P.F. Sloan was everywhere. And then he disappeared. With a foreword by British singer-songwriter Rumer and an afterword by Creed Bratton, the Grass Roots guitarist turned star of The Office, What's Exactly The Matter With Me? is a revelatory memoir of an extraordinary life through the most fascinating years of American and British musical and pop culture. Beginning with a chance meeting with Elvis Presley, this is the story of a boy whose only love was music--of dreams, success, destruction, and miraculous resurrection. Along the way we encounter The Beatles, The Rolling Stones, The Byrds, Bob Dylan, Buffalo Springfield, The Beach Boys, and more, as well as UFOs and psychiatric hospitals. This is the dangerous ride and inspiring story of one of the greatest songwriters in popular music--and also one of the most elusive and mysterious.