"An extraordinary tale…of love, of unthinkable trauma, of a heroic partnership… Redefining for the world what it means to be a fighter.”—People The New York Times bestseller by Gabrielle Giffords and her husband, astronaut and Arizona Senator Mark Kelly—an incredibly inspiring story of adventure, public service, love, and overcoming tragedy. Now a documentary film titled Gabby Giffords Won’t Back Down. The shooting of Gabby Giffords and nineteen others, six of whom were killed, took place in Tuscon, Arizona on January 8, 2011, in the early days of what has become a tragic and devastating escalation of mass shootings across the United States. Gabby had just begun her third term serving in the Arizona House of Representatives and was meeting with her constituents when she was shot in the head. She was evacuated to the hospital in critical condition. Her husband, Mark Kelly, a retired U.S. Navy captain and an astronaut for NASA at the time, flew directly from Houston and dedicated himself to Gabby’s bedside as she fought to survive and recover. This book chronicles the lives of these two extraordinary American figures—the careers that led them to one another; their passion for public service; and the grueling medical challenges and hard-fought journey to Gabby’s significant recovery. In 2013, Gabby and Mark launched Americans for Responsible Solutions, a non-profit and Super-Pac which would later become Giffords, an American advocacy and research organization focused on promoting gun control. That same year, Gabby received the John F. Kennedy Profile in Courage Award in recognition of the political, personal, and physical courage she demonstrated in her public advocacy for policy reforms aimed at reducing gun violence.

From the moment it was first published in The New Yorker, this brilliant work of literary criticism aroused great attention. Janet Malcolm brings her shrewd intelligence to bear on the legend of Sylvia Plath and the wildly productive industry of Plath biographies. Features a new Afterword by Malcolm. From the Trade Paperback edition.

Chronicles the life of Lady Georgiana Spencer, the great-great-great-great-aunt of Diana, Princess of Wales.

A hilarious and ultimately moving memoir of one couple's reliance on complaining, co-dependence, and a healthy supply of Pinot Noir to keep their marriage and sanity intact.

The New York Times bestselling author of Inheritance delivers her most intimate and powerful work: a piercing, life-affirming memoir about marriage and memory, sorrow and love. • "A beautiful book by a writer of rare talent.”— Cheryl Strayed, bestselling author of WILD Hourglass is an inquiry into how marriage is transformed by time—abraded, strengthened, shaped in miraculous and sometimes terrifying ways by accident and experience. With courage and relentless honesty, Dani Shapiro opens the door to her house, her marriage, and her heart, and invites us to witness her own marital reckoning—a reckoning in which she confronts both the life she dreamed of and the life she made, and struggles to reconcile the girl she was with the woman she has become. What are the forces that shape our most elemental bonds? How do we make lifelong commitments in the face of identities that are continuously shifting, and commit ourselves for all time when the self is so often in flux? What happens to love in the face of the unexpected, in the face of disappointment and compromise—how do we wrest beauty from imperfection, find grace in the ordinary, desire what we have rather than what we lack? Drawing on literature, poetry, philosophy, and theology, Shapiro writes gloriously of the joys and challenges of matrimonial life, in a luminous narrative that unfurls with urgent immediacy and sharp intelligence. Artful, intensely emotional work from one of our finest writers.

A rich, rollicking picture of late-eighteenth-century British aristocracy and the intimate story of a woman who for a time was its undisputed leader. Lady Georgiana Spencer, the great-great-great-great-aunt of Diana, Princess of Wales, achieved immediate celebrity at seventeen by marrying one of England's richest and most influential aristocrats, the Duke of Devonshire. Launched into a world of wealth and power, she quickly became the queen of fashionable society. But her public success concealed a personal life fraught with suffering, giving this vibrant story an astonishingly contemporary twist.

Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne's life and an illuminating look at her afterlife in the popular imagination. Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really even look like?! And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and popular culture Bordo probes the complexities of one of history's most infamous relationships. In her inimitable, straight-talking style Bordo dares to confront the established histories, stepping off the well-trodden paths of Tudoriana to expertly tease out the human being behind the myths.

"In the tradition of The Year of Magical Thinking comes a legendary editor's unflinching love song about his radiant wife, Margaret, and her battle with cancer. It was a warm April in Pleasant Valley when Margaret Korda, normally a fearless horsewoman, dropped her horsewhip while she was riding. Such a mild slip was easy to ignore, but when other troubling symptoms accumulated, she confided to her husband, 'Michael, I think something serious is wrong with me.' Within a few rapid weeks, the fiercely independent, former fashion model was diagnosed with brain cancer, while Michael, once reliant on her steeliness, became her caregiver, deciphering bewildering medical reports and packing her beloved toiletries for the hospital. An operation performed by a renowned surgeon allowed Margaret to ride her favorite competition horse Logan go Bragh a few more times, but Margaret's tumors quickly returned-leaving her to grapple with the reality of impending death. In rapturous prose, Korda, a modern- day Orpheus, braids her heroic story with heartrending details of their final year together. Passing, a tender memoir, is a testament to the transcendent possibilities of love"--

The first full-length portrait of the marriage of Abraham and Mary Todd Lincoln in more than fifty years, The Lincolns is a fascinating new work of American history by Daniel Mark Epstein, an award-winning biographer and poet known for his passionate understanding of the Civil War period. Although the private lives of political couples have in our era become front-page news, the true story of this extraordinary and tragic first family has never been fully told. The Lincolns eclipses earlier accounts with riveting new information that makes husband and wife, president and first lady, come alive in all their proud accomplishments and earthy humanity. Epstein gives a fresh close-up view of the couple’s life in Springfield, Illinois (of their twenty-two years of marriage, all but six were spent there). We witness the troubled courtship of an aristocratic and bewitching Southern belle and a struggling young lawyer who concealed his great ambition with self-deprecating humor; the excitement and confusion of the newlyweds as they begin their marriage in a small room above a tavern, and the early signs of Mary’s instability and Lincoln’s moodiness; their joyful creation of a home on the edge of town as Lincoln builds his law practice and makes his first forays into politics. We discover their consuming ambition as Lincoln achieves celebrity status during his famed debates with Stephen A. Douglas, which lead to Lincoln’s election to the presidency. The Lincolns’ ascent to the White House brought both dazzling power and the slow, secret unraveling of the couple’s unique bond. The Lincolns dramatizes certain well-known events with stunning new immediacy: Mary’s shopping sprees, her defrauding of the public treasury to increase her budget, and her jealousy, which made enemies for her and problems for the president. Yet she was also a brilliant hostess who transformed the shabby White House into a social center crucial to the Union’s success. After the death of their little boy, not a year after Lincoln took office, Mary turned for solace to spirit mediums, but her grief drove her to the edge of madness. In the end, there was little left of the Lincolns’ relationship save their enduring devotion to each other and to their surviving children. Written with enormous sweep and striking imagery, The Lincolns is an unforgettable epic set at the center of a crucial American administration. It is also a heartbreaking story of how time and adversity can change people, and of how power corrupts not only morals but affections. Daniel Mark Epstein’s The Lincolns makes two immortal American figures seem as real and human as the rest of us.

From his extraordinary beginnings-his mother went into labor while gambling at a French casino-to escaping Nazi Germany, Fascist Italy, and ultimately hoping to conquer New York City, John Gruen writes a subtly revealing self-portrait in Callas Kissed Me...Lenny Too! As a boy unable to speak a single word of English, Gruen was determined to make a successful life for himself in America. Anxious to know what his adopted country was truly about, he ventured to the Midwest to attend the University of Iowa, where he emerged, five years later, as a more-or-less Americanized graduate student on his way to a PhD scholarship to the prestigious Institute of Fine Arts at New York University, and as the 20-year-old husband of ravishing fellow student and painter Jane Wilson. The story of the Gruens' life in New York City, from the 1950s to the present, explores a complex marriage and two parallel journeys of artistic growth. Gruen worked as a composer, photographer, and journalist; Wilson developed as a distinguished painter, though often supported the two with work as a fashion model. Life was always on the move for the couple. Though hardly well-connected and certainly not wealthy, the Gruens knew everyone during their many years in the artistic milieu of which they were an active part. From the many apartments they occupied in New York City to the countless dinner parties, nights at the Cedar bar, and weekends at their Hamptons barn, their life was a nonstop social whirlwind. There were chance encounters with Salvador Dalí, evenings spent pretending to be Chekhov characters at home with E.E. Cummings and Marion Morehouse, working vacations to Italy with the Leonard Bernsteins, and a long working visit to Gian Carlo Menotti's baronial Scottish estate. Their ever-expanding circle of acquaintances and friends also included Rudolf Nureyev, Maria Callas, Willem De Kooning, Francis Bacon, Judy Garland, Tennessee Williams, Bette Davis, Samuel Beckett, Lucien Freud, Andy Warhol, Robert Rauschenberg, Jasper Johns, and so many others. It was all quite head-spinning, at times producing hugely complicated situations, but throughout it all, John Gruen and Jane Wilson built successful careers based on hard work and a steady conviction that life should be lived to the fullest.

Greenwich Village in the 1950s was a haven to which young poets, painters, and jazz musicians flocked. Among them was Hettie Cohen, who'd been born into a middle-class Jewish family in Queens and who'd chosen to cross racial barriers to marry the controversial black poet LeRoi Jones. Theirs was a bohemian life in the awakening East Village of underground publishing and jazz lofts, through which drifted such icons of the generation as Allen Ginsberg, Thelonious Monk, Jack Kerouac, Frank O'Hara, Billie Holiday, James Baldwin, and Franz Kline.

A distinguished poet’s moving memoir of his wife, who died in a car accident in 2005. It is both a record of present grief and a portrait of a marriage that lasted more than fifty years.

Solotaroff was one of the notable intellectuals of his generation, the founder of the New American Review, editor and friend of Philip Roth, and editor-in-chief at HarperCollins. Solotaroff reveals himself here as a thinking man with a big heart and gaping wounds of love that are not disconnected from the contributions he has made to American culture throughout his career. Solotaroff turns back to the earliest pages of his romance with Lynn, remembering his first sighting of her emerging from the water as if from a dream. Yet the image, as he penetrates the intervening layers of sorrow and disappointment, is almost impossibly distant, fragile. First Loves reenacts the blurring of a perfect conception in the mind of a man who would devote his life to precision of thought and word. This opposition, of romantic and intellectual passion, drives the narrative and eventually brings it to crisis. First Loves could be described as a very private feat of honesty from a public intellectual. Solotaroff’s willingness to admit the failures, personal and professional, alongside the triumphs of his career gives a three-dimensional intensity to the emotions on the page. Working with all of the gritty and romantic elements of his storied life, Solotaroff manages to avoid a tone too heroic or honey-dipped; he manages simply to tell the tale.