"A play of monologues and ensemble pieces about women, clothes and memory covering all the important subjects--mothers, prom dresses, mothers, buying bras, mothers, hating purses and why we only wear black."--Page 4 of cover.

Chronicles the mother-daughter relationship of culinary author Ruth Reichl, now editor-in-chief of Gourmet magazine, and her late mother, Miriam. Miriam Brudno, who bowed to societal and familial pressure to become a wife and a mother over pursuing a fulfilling career, cheered her daughter on and pointed out that Ruth had an obligation, both to herself and to her mother, to use her life well.

"A memoir of mothers and daughters -- and mothers as daughters -- traced through four generations, from Paris to New York and back again. For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Mauscreator Art Spiegelman, and even more than most mothers, hers -- French-born New Yorker art director Françoise Mouly -- exerted a force over reality that was both dazzling and daunting. As Nadja's body changed and "began to whisper to the adults around me in a language I did not understand," their relationship grew tense. Unwittingly, they were replaying a drama from her mother's past, a drama Nadja sensed but had never been told. Then, after college, her mother suddenly opened up to her. Françoise recounted her turbulent adolescence caught between a volatile mother and a playboy father, one of the first plastic surgeons in France. The weight of the difficult stories she told her daughter shifted the balance between them. It had taken an ocean to allow Françoise the distance to become her own person. At about the same age, Nadja made the journey in reverse, moving to Paris determined to get to know the woman her mother had fled. Her grandmother's memories contradicted her mother's at nearly every turn, but beneath them lay a difficult history of her own. Nadja emerged with a deeper understanding of how each generation reshapes the past in order to forge ahead, their narratives both weapon and defense, eternally in conflict. Every reader will recognize herself and her family in this gorgeous and heartbreaking memoir, which helps us to see why sometimes those who love us best hurt us most"--

Vivian Gornick's relationship with her mother is difficult. At the age of forty-five, she regularly meets her mother for strolls along the streets of Manhattan. Occasionally they'll hit a pleasant stride, fondly recalling a shared nostalgia or chuckling over a mutual disgust, but most often their walks are tinged with contempt, irritation, and rages so white hot her mother will stop strangers on the street and say, "This is my daughter. She hates me". Weaving between their tempestuous present-day jaunts and the author's memories of the past, Gornick traces her lifelong struggle for independence.

"A Gallery Book. Gallery Books has a great book for every reader"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"Elissa and Rita have forever struggled to find their place in each other's worlds. Rita, an overreaching, makeup-addicted, narcissistic Manhattan singer couldn't be more different from Elissa, her gay, taciturn New England writer daughter. Stuck in an outrageous maelstrom of codependency, mother and daughter cannot seem to extricate themselves from the center of each other's lives. Motherland is their universal story: a kaleidoscopic journey built on the ferocity of mother-daughter love, moral obligation, and the possibility and promise of healing. Having survived a harrowing childhood at the hands of her mother, Elissa is finally settled in Connecticut with her wife of almost twenty years. After much time, therapy, and wine, Elissa is at last in a healthy place, orbiting around her mother, but keeping far enough away from her to preserve the independent, quiet life she has built for herself. All of this is suddenly at risk when Rita, whose days are spent traversing the streets of Manhattan from Bergdorf's to Bloomingdale's and back again, suffers an incapacitating fall that leaves her fully dependent on her only child. Forced to confront her mother's desperate need for beauty, her view of the world through a medley of men, her lost days in the spotlight, addiction, and the money that has mysteriously disappeared in the name of maintaining her youth, Elissa must navigate the waters of their shared history, obligation, the problems of caregiving and age, and the frenetic, co-dependent love that has defined their obsessive relationship. Motherland asks the universal mother-daughter question: How much love is too much love?"--

"There's a little Jewish mother in every mother," as comedienne Judy Gold reveals in her achingly hilarious and poignant book For a Jewish girl who remembers the first book ever read to her as a child was the pop-up version of The Diary of Anne Frank, learning how to be a Jewish mother who wasnt a carbon copy of HER Jewish mother wasnt easy. Here, Emmy Awardwinning comedienne Judy Gold asks, "Are there any Jewish mothers out there like me, or are they all, G-d forbid, like my mother" In 25 Questions for a Jewish Mother, she incorporates her own adventures in Jewish motherdom and her memories of growing up Jewish in suburban New Jersey -- communicating with her mother by putting Ann Landers articles on the fridge ("Dear Ann, My mother wont let me walk alone to school and Im 16! Please help." "Dear Ann, The crossing guard drinks. Please help.") -- with the voices of the fifty other Jewish mothers, she and her co-author, Kathleen Moira Ryan, interviewed. They asked homemakers, lawyers, Holocaust survivors twenty-five questions, including: --Who's your favorite Jewish mother (Judy's is Barbra Streisand.)? --How many times a day do you talk to your children or mother (for Judy, it's anywhere from one to the high double digits)? --Are Jewish mothers really more paranoid (or, "Why do I have to write an entire itinerary with names, addresses, and phone numbers every time I leave the house")? And so on. The culmination of these extraordinary stories confirms that there is ultimately something strong, courageous, and loving in every Jewish mother -- a hopeful -- and very funny -- message to mothers and their children everywhere.

Sardonically funny and moving, Skating to Antarctica is a book about a journey into darkness and light, the colour white, fantasy and memory, families and sanity

"In the mid-20th century, the Heldmans were tennis royalty. Julie was a volatile and gutsy tennis star, twice ranked number 5 in the world. Her mother Gladys was broadly admired for her unique magazine, World Tennis, and for engineering the women's tennis revolution. No one guessed that Gladys's hidden emotional abuse was the source of Julie's powerful drive. Driven is a highly readable insider's account of a pivotal time in women's tennis history; an in-depth look at Gladys's complex character; and the revealing story of Julie's interior journey, both on and off the court."--Page 4 of cover

[A] searing memoir. . . . An enduring, indeed universal, story. Robert Taylor, The Boston Globe Summoned with her mother to Gestapo headquarters in 1943, fourteen-year-old Cordelia Edvardson was given a terrible choice: to acknowledge her secret Jewish heritage and suffer the consequences or to see her mother charged with treason. Burned Child Seeks the Fire is the true story of the love between this mother and daughter, and a piercing example of the tragedies wrought by Nazi Germany. "A lacerating, beautifully translated memoir." Publishers Weekly , starred review "Mesmerizing. . . . [Has] the concise unreality of a horrifying fairy tale." Thomas Frick, Los Angeles Times Book Review "Behind [Edvardson's] deceptively simple prose is a complex and tragic story." Judith Bolton-Fasman, Newsday "Cordelia Edvardson's defiant tone challenges us to eschew simplified encounters with the literature and experiences of Holocaust survivors." Paul H. Hamburg, Jewish Book World "To see the horrors of the Holocaust through a child's eye is to experience hell. Cordelia Edvardson's astonishing story captures, with a terrifying reality, a child's response to the myriad atrocities of the Nazis and their murderous regime. Burned Child Seeks the Fire is compelling, horrifying, poetic in its intensity." Deborah Peifer, Bay Area Reporter

"Through drawings, paintings, and poetic, prayerful affirmations grounded firmly in the Jewish experience, the author offers a creative response to her mother's final illness and death"--