"Quiara Alegria Hudes was the sharp-eyed girl on the stairs while her family danced in her grandmother's tight South Philly kitchen, "frizzy hair cut short, bangs teased into stiff clouds, sweat glistening in the summer fog, pamper-butt babies weaving between legs." Quiara was awed by her aunts and uncles and cousins, but haunted by the secrets of the family and the unspoken stories of the barrio -- even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering of powerful orishas with tragic wounds and she vowed to tell their stories--but first she'd have to get off the stairs and join the dance; she'd have to find her langauge. This is an inspired exploration of home, family, memory, and belonging, narrated by the obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty"--

"An obsessive genealogist and descendent of one of the most prominent Jewish families since the American Revolution, Blanche Moses firmly believed her maternal ancestors were Sephardic grandees. Yet she found herself at a dead end when it came to her grandmother's maternal line. Using family heirlooms to unlock the mystery of Moses's ancestors, Once We Were Slaves overturns the reclusive heiress's assumptions about her family history to reveal that her grandmother and great-uncle, Sarah and Isaac Brandon, actually began their lives as poor Christian slaves in Barbados. Tracing the siblings' extraordinary journey throughout the Atlantic World, Leibman examines artefacts they left behind in Barbados, Suriname, London, Philadelphia, and, finally, New York, to show how Sarah and Isaac were able to transform themselves and their lives, becoming free, wealthy, Jewish, and-at times-white. While their affluence made them unusual, their story mirrors that of the largely forgotten population of mixed African and Jewish ancestry that constituted as much as ten percent of the Jewish communities in which the siblings lived, and sheds new light on the fluidity of race-as well as on the role of religion in racial shift-in the first half of the nineteenth century"--

This is the remarkable story of Barack Obama's journey to the White House, as told by the greatest cultural recorders in the world, the staff of The New York Times. From the first mention of Barack Obama in its pages (when he was elected president of the Harvard Law Review), to his electrifying speech at the 2004 Democratic Convention, to the days and months of the hardfought, innovative campaign for Presidency, The New York Times has documented, recorded, and analyzed Obama in all the ways that he has irrevocably changed this country. In twelve rich chapters, filled with award-winning photos and graphics, as well as text from Nobel Prize and Pulitzer€”winning columnists like Paul Krugman and Thomas Friedman, and seasoned political reporters like Adam Nagourney, The New York Times tells Obama's unlikely and incredible journey from the beginning all the way to his inauguration as President of the United States. Jill Abramson, the managing e

Banat, a concert violinist and teacher, describes the life of this virtuoso violinist, who is thought to be the earliest black European composer, born on his father's plantation on Guadeloupe