James Rhodes' passion for music has been his absolute lifeline. It has been the thread that has held him together through a life that has encompassed pain, conflict and turmoil. Listening to Rachmaninov on a loop as a traumatised teenager or discovering an Adagio by Bach while in a hospital ward - such exquisite miracles of musical genius have helped him survive his demons, and, along with a chance encounter with a stranger, inspired him to become the renowned concert pianist he is today. This is a memoir like no other: unapologetically candid, boldly outspoken and surprisingly funny - James' prose is shot through with an unexpectedly mordant wit, even at the darkest of moments. An impassioned tribute to the therapeutic powers of music, Instrumental also weaves in fascinating facts about how classical music actually works and about the extraordinary lives of some of the great composers. It explains why and how music has the potential to transform all of our lives.

The author relates the remarkable story of his pianist mother and her sister, child prodigies who escaped certain death when the Nazis invaded Ukraine, adopted new identities, and came under the protection of a Nazi commander who heard them play.

The struggles and triumphs of the man behind the Newport Jazz and Folk Festivals, the New Orleans Jazz and Heritage Festival, and music festivals all over the world.

Book by Smith, Willie

"Good Things Happen Slowly is [Fred Hersch's] memoir. It's the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and ground-breaking; and a profound exploration of how Hersch's two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career."--Jacket.

"A clear picture of a musician of rare integrity." — The Musical Times . Highly readable reminiscences, musical philosophy of great pianist: his experiences as a child prodigy in turn-of-the-century Vienna, concert career, thoughts on great conductors and composers of the day, preferences in the repertoire, much more. Also includes "Reflections on Music," address delivered at University of Manchester, 1933. Introduction by Edward Crankshaw. 20 illustrations. Index.

At age twenty-one, while she was working with the legendary Nadia Boulanger in France, concert pianist Carol Rosenberger was stricken with paralytic polio—a condition that knocked out the very muscles she needed in order to play. But Rosenberger refused to give up. Over the next ten years, against all medical advice, she struggled to rebuild her technique and regain her life as a musician—and went on to not only play again, but to receive critical acclaim for her performances and recordings. Beautifully written and deeply inspiring, To Play Again is Rosenberger’s chronicle of making possible the seemingly impossible: overcoming career-ending hardships to perform again.

Memoirs of Filar, a Jewish pianist born in Warsaw in 1917. Describes his youth as a child prodigy, including his early successes despite anti-Jewish discrimination. Pp. 50-115 relate his experiences in the Holocaust. At the outbreak of the war he fled to Lvov, but he returned to Warsaw after the German occupation in 1941. He entered the ghetto, where he first played with the Jewish symphony orchestra, but was soon sent for forced labor. When his parents and several of his six siblings were deported, he and his brother Joel joined a resistance group. They fought during the uprising, but were then caught and deported, first to Majdanek and then to Skarżysko-Kamienna, Buchenwald, and Schlieben. After surviving a death march, they were liberated at Nixdorf. His parents and two siblings perished in the Holocaust. After the war Filar lived in Germany; in 1950 he emigrated to the U.S., where he became a concert pianist and played in Carnegie Hall in 1952.

Artur Schnabel's Music, Wit, and Wisdom is an expanded and revised version of the twelve lectures he delivered at the University of Chicago in 1945. Often regarded as his autobiographical statement, the book combines memoir, musical philosophy, cultural criticism, and reflections on the role of the artist in society.

Andras Schiff is one of the most important pianists of our time. This stimulating account of his life and work, told in two parts, takes readers on an intimate journey from Schiff's childhood in Hungary through to the present day. In conversationw with Martin Meyer, Schiff discusses a diverse range of topics from his experiences with anti-Semitism and communist rule to his musical training with maestros such as Pál Kadosa and Ferenc Rados, as well as his thoughts on playing techniques and musical interpretation. In a collection of Schiff's writings we are enthralled by a guided tour of Bach's 'Goldberg' Variations, sobered by Schiff's public defiance against nationalistic and racist attitudes - to the extent that he refused to perform in Haider's Austria or Orban's Hungary - and delighted by the playful 'Ten Commandments' for concertgoers. More than a memoir, this is a seminal compilation of the thoughts and experiences of one of the greatest musicians of our time, of his inimitable art of making music out of silence.

The Polish-born, British-based pianist André Tchaikowsky (1935-82) saw himself principally as a composer- one of several conflicting elements in his personality, charted by the diaries he kept between 1974 and 1982. André Tchaikowsky was only 46 when he died, internationally renowned as a pianist - and he made the headlines after his death when he left his skull to the Royal Shakespeare Company for use in performances of Hamlet. Yet for all his facility at the keyboard Tchaikowsky's real passion was composition. The internal conflict between pianist and composer compounded an already complex character. A Polish Jew and Holocaust survivor, Tchaikowsky was also a homosexual. The diaries he kept between 1974 and his death chronicle the struggles that ran through his life. Debt kept driving him back to the concert platform when his true wish was to find the time to compose. His spirited writing details the joys and vicissitudes of his life with striking candour. The diaries are introduced and annotated by Anastasia Belina-Johnson, who also provides a chronology of Tchaikowsky's life and a survey of his music. Includes a CDof the pianist in recital. Anastasia Belina-Johnson is Head of Classical Music at the Leeds College of Music.

Rosalyn Tureck was the first twentieth-century artist to make the Goldberg Variations and all-Bach recitals popular, earning recognition and praise for bringing Bach to the world. Now we have an autobiography by Ms. Tureck (1913-2003), the renowned keyboard artist and scholar who dedicated her life to the works of Johann Sebastian Bach.

August 1939. On her summer break from her studies at the Royal Academy of Music, the exquisitely talented young South African pianist, Olda Mehr, and her parents, leave London to visit relatives in Eastern Europe.

Vladimir Horowitz (1903-1989) was the measure of pianistic prowess for most of the twentieth century. Not since Liszt and Paderewski has any pianist created such a legend. When Horowitz condescended to perform, lines formed days in advance. His recordings, the most listened-to discography in history, are unique documents in the art of piano playing. Horowitz, the incomparable colorist, conjured in the mind's ear the spectrum of an orchestra with the expressive beauty of the greatest singing.