Cultural historian Rosenbaum gives readers a way of rethinking the greatest works of the human imagination, as he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare's enchantment and illumination--the astonishing language itself. He takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the mind of Shakespeare. He makes ostensibly arcane textual scholarship seductive, and he shows us great directors as Shakespearean scholars in their own right. This book offers a thrilling opportunity to engage with Shakespeare's work at its deepest levels.--From publisher description.

Drawing on modern historical scholarship, rather than speculation, this book links the plays and poetry closely to the life of their author and sets the whole chronicle against the vivid tapestry backdrop of Shakespeare's world and time.

Stephen Greenblatt's Renaissance Self-fashioning is a study of sixteenth-century life and literature that spawned a new era of scholarly inquiry. Greenblatt examines the structure of selfhood as evidenced in major literacy figures of the English Renaissance- More, Tyndale, Wyatt, Spenser, Marlowe, and Shakespeare- and finds that in the early modern period new questions surrounding the nature of identity heavily influenced the literature of the era. Now a classic text in literary studies, Renaissance Self-Fashioning continues to be of interest to students of the Renaissance, English literature, and the new historicist tradition. This edition is enhanced with the addition of a preface by the author on the book's creation and influence.

Presents a very detailed account, including the English and European context, of the Lopez Affair, involving Dr. Roderigo Lopez, who gained wealth via international trade and became physician to Queen Elizabeth I. At the same time, he was a spy, with multiple masters, in England and abroad. His downfall and execution on the false charge of attempted regicide stemmed from political rivalry in England. His high status was related to the advantages, such as widespread contacts, that stemmed from his Converso background. Contemporary stereotyped attitudes toward Jews were reflected in Marlowe's "Jew of Malta" and Shakespeare's "The Merchant of Venice."

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its apparent rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare - the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.