The incredible true account of Kamila Sidiqi who, when her father and brother were forced to flee Kabul, became the sole breadwinner for her five siblings. Armed only with grit and determination, she picked up a needle and thread and created a thriving business of her own and held her family together.

Chronicles the life of Lady Georgiana Spencer, the great-great-great-great-aunt of Diana, Princess of Wales.

A collection of 180 personal, true-life accounts from NPR's National Story Project reflects the work of men and women of all ages, backgrounds, and walks of life and is accompanied by a look at the role of storytelling in our lives.

A rich, rollicking picture of late-eighteenth-century British aristocracy and the intimate story of a woman who for a time was its undisputed leader. Lady Georgiana Spencer, the great-great-great-great-aunt of Diana, Princess of Wales, achieved immediate celebrity at seventeen by marrying one of England's richest and most influential aristocrats, the Duke of Devonshire. Launched into a world of wealth and power, she quickly became the queen of fashionable society. But her public success concealed a personal life fraught with suffering, giving this vibrant story an astonishingly contemporary twist.

"In the early 1960s, most middle-class American women in their twenties had their lives laid out for them: marriage, children, and life in the suburbs. Most, but not all. Breathless is the story of a girl who represents those who rebelled against conventional expectations. Paris was a magnet for those eager to resist domesticity, and like many young women of the decade, Nancy K. Miller was enamored of everything French--from perfume and Hermès scarves to the writing of Simone de Beauvoir and the New Wave films of Jeanne Moreau. After graduating from Barnard College in 1961, Miller set out for a year in Paris, with a plan to take classes at the Sorbonne and live out a great romantic life inspired by the movies. After a string of sexual misadventures, she gave up her short-lived freedom and married an American expatriate who promised her a lifetime of three-star meals and five-star hotels. But her husband turned out to be a con man whose promises were lies, and she had to leave Paris and her dreams behind. Upon returning to New York, with more than half of her twenties behind her, Miller was determined to start over. In an era of Vietnam anti-war protests, student unrest, and sexual liberation, she sought to become a new woman: autonomous and creative at a time when women were only expected to look pretty and smile. This stunning memoir chronicles a young woman's coming-of-age tale, and offers a glimpse into the intimate lives of girls before feminism"--

As told to anthropologist Marjorie Shostak, this life history of a woman of a hunting-gathering people of South Africa's Kalahari Desert reveals a person of wisdom, humor, courage, practicality, romantic yearnings, sorrow, and dignity

Dorothea Lange's photographs define how the American Depression is remembered; this evocative biography defines her creative struggles and enduring legacy.

Millions of Studs Terkel fans have come to know the prizewinning oral historian through his landmark books—“The Good War”, Hard Times, Working, Will the Circle Be Unbroken?, and many others. Few people realize, however, that much of Studs’s best work was not collected into these thematic volumes and has, in fact, never been published. P.S. brings together these significant and deeply enjoyable writings for the first time. The pieces in P.S. reflect Studs’s wide-ranging interests and travels, as well as his abiding connection to his hometown, Chicago. Here we have a fascinating conversation with James Baldwin, possibly Studs’s finest interview with an author; pieces on the colorful history and culture of Chicago; vivid portraits of Studs’s heroes and cohorts (including an insightful and still timely interview with songwriter Yip Harburg, known for his “Brother, Can You Spare a Dime”); and the transcript of Studs’s famous broadcast on the Depression, the very moving essence of what was to become Hard Times. A fitting postscript to a lifetime of listening, P.S. is a truly Terkelesque display of Studs’s extraordinary range of talent and the amazing people he found to talk to.

An actor treads the line between reality and fiction every time he plays a part, and for James Franco, that exploration isn’t limited to the screen—he’s also a visual artist with several exhibitions under his belt as well as the author of the widely praised story collection Palo Alto. In A California Childhood he plays with the concept of memoir through personal snapshots, sketches, paintings, poems, and stories. “I was born in 1978 at Stanford Hospital and spent my first eighteen years in a single house at the end of a cul-de-sac in Palo Alto,” Franco writes in his introduction. Steve Jobs’s daughter and the grandson of one of the Hewlett-Packard founders may have both been in his graduating class, but just across the freeway from his home turf lay East Palo Alto, which in 1992 had the highest murder rate per capita in the country. For Franco, the terrain of his upbringing is fraught with the complication of a city divided. But within that diversity, universal aspects of adolescence rise to the surface, and those are the subjects at the heart of Franco’s work. Ultimately this is a portrait of a childhood brightened by California sunshine, but with trouble waiting in the shadows. At turns funny, dark, and emotional, the journey of this book delivers an undeniable immediacy. And at the end, the reader is left wondering just where the boundary lies between Franco’s art and his true life.

"A classic memoir of self-invention in a strange land : Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible"--

A celebration of the relationships that bring us strength, purpose, and joy Ties That Bind honors the people who nourish and strengthen us. StoryCorps founder Dave Isay draws from ten years of the revolutionary oral history project’s rich archives, collecting conversations that celebrate the power of the human bond and capture the moment at which individuals become family. Between blood relations, friends, coworkers, and neighbors, in the most trying circumstances and in the unlikeliest of places, enduring connections are formed and lives are forever changed. The stories shared in Ties That Bind reveal our need to reach out, to support, and to share life’s burdens and joys. We meet two brothers, separately cast out by their parents, who reconnect and rebuild a new family around each other. We encounter unexpected joy: A gay woman reveals to her beloved granddaughter that she grew up believing that family was a happiness she would never be able to experience. We witness lifechanging friendship: An Iraq war veteran recalls his wartime bond with two local children and how his relationship with his wife helped him overcome the trauma of losing them. Against unspeakable odds, at their most desperate moments, the individuals we meet in Ties That Bind find their way to one another, discovering hope and healing. Commemorating ten years of StoryCorps, the conversations collected in Ties That Bind are testament to the transformational power of listening.

Growing is a portrait of a young man sent straight out from university to help govern Ceylon. It is doubtful that any Empire at any time has been served by such an intelligent, dutiful, hardworking and incorruptible civil servant as the young Leonard Woolf. He was determined to do what was good but discovered for himself that colonial rule, be it ever so high-minded, is fated to do wrong. Growing is also a deeply affectionate account of the mystery, magic and savage beauty of Ceylon at the turn of the century, an island whose diverse beliefs and cultures Woolf had the time and wit to explore in detail.

From the time she made aliyah, Ruchoma Shain, author of the best-selling "All for the Boss" , kept up a lively correspondence with her children in America. In these beautiful letters, filled with her hallmark warmth, sincerity, and irrepressible humor, she vividly describes her experiences in getting adjusted to life in Israel and in celebrating the festivals Eretz Yisrael-style. She shares with her children her excitement over starting a new career as an author at the age of 68, and poignantly mourns her beloved husband's passing. Inspiring, touching, informative, hilarious Mrs. Shain's letters and anectdotes are all these things and more.

The Macdonald sisters -- Alice, Georgiana, Agnes and Louisa -- started life among the ranks of the lower-middle classes, with little prospect of social advancement. But as wives and mothers they made a single family of the poet Rudyard Kipling, the Pre-Raphaelite painter Edward Burne-Jones, Edward Poynter, President of the Royal Academy, and the Prime Minister, Stanley Baldwin. In telling their remarkable story, Judith Flanders displays the fluidity of Victorian society, and explores the life of the family in the 19th century.

An Academy Award-nominated screenwriter and a mystery novelist, Roger L. Simon is the only American writer to pull off the amazing trick of being profiled positively in both Mother Jones and National Review in one lifetime. The stunning story of his political odyssey is told in this memoir, where Simon recounts his migration from financier of the Black Panther Breakfast Program to pioneer blogosphere mogul beloved by the right as a 9/11 Democrat. But Simon is beholden to neither right nor left in this tale of Hollywood chic run amuck, as he talks out of school about his adventures with, among many others, Richard Pryor, Warren Beatty, Timothy Leary, Richard Dreyfuss, Woody Allen, and Julian Semyonov, the Soviet Union's version of Robert Ludlum and also a KGB colonel who tempted Simon to join the KGB himself. Among the topics covered along the way: Is there a new blacklist in Hollywood, this one targeting conservatives? Simon's red-carpet tours of the People's Republic of China, Cuba, and the Soviet Union with Hollywood screenwriters and famous mystery novelists. Why Al Gore's documentary on global warming didn't deserve the Oscar on artistic grounds alone; and why the Academy's voting system is so corrupt. And, as they say, there is much, much more besides.

The well-known columnist and commentator offers a funny and poignant memoir of his youth as a Jew growing up in Boston and of the influences that molded him, from the Boston Latin school, to the candy store, to jazz

The story of two women—one a hunter-gatherer in Botswana, the other an ailing American anthropologist—this powerful book returns the reader to territory that Marjorie Shostak wrote of so poignantly in the now classic Nisa: The Life and Words of a !Kung Woman. Here, however, the ground has perceptibly shifted. First published in 1981, Nisa served as a stirring introduction to anthropology’s most basic question: Can there be true understanding between people of profoundly different cultures?Diagnosed with breast cancer, and troubled by a sense of work yet unfinished, Shostak returned to Botswana in 1989. This book tells simply and directly of her rediscovery of the !Kung people she had come to know years before—the aging, blunt, demanding Nisa, her stalwart husband Bo, understanding Kxoma, fragile Hwantla, and Royal, translator and guide. In Shostak’s words, we clearly see !Kung life, the dry grasslands, the healing dances, the threatening military presence. And we see Shostak herself, passionately curious, reporting the discomforts and confusion of fieldwork along with its fascination. By turns amused and frustrated, she describes the disappointments—and chastening lessons—that inevitably follow when anthropologists (like her younger self) romanticize the !Kung.Throughout, we observe a woman of threatened health but enormous vitality as she pursues the promise she once discovered in the !Kung people and, above all, in Nisa. At the core of the book is the remarkable relationship between these two women from different worlds. They are often caught off guard by the limits of their mutual understanding. Still, their determination to reach out to each other lingers in the reader’s mind long after the story ends—providing an eloquent response to questions that Nisa so memorably posed.

"A down-to-earth, inspiring book about the American promise fulfilled." -President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." -Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs-the Bronx-through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball; where J. Crew's CEO Millard ("Mickey") Drexler found his ambition; where Neil deGrasse Tyson and Dava Sobel fell in love with science; and where local music making inspired singer-songwriter Dion DiMucci and hip-hop's Grandmaster Melle Mel. The parks, the pickup games, the tough and tender mothers, the politics, the gangs, the food-for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, Mary Higgins Clark, and many other leading artists, athletes, scientists, and entrepreneurs-experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a filmlike portrait of the Bronx from the early twentieth century until today.

Jerome Charyn's three-part memoir of his boyhood in the Bronx has all the imagery and color of an enchanting and entertaining novel -- someone has said that it captures the author's world so accurately that it can't possibly be true. Bronx Boy , like The Dark Lady of Belorusse and The Black Swan , both selected by The New York Times as Notable Books of the Year, is a tour de force of memory and imagination. In this third and final installment, the higher truths of a masterly writer's art render moot the question of exactly where the real world ends and Charyn's imagined world begins. Still known as "Baby" although a younger brother has come along, young Charyn makes pocket money delivering eggs, belongs to a group of 12-year-old wannabe gangsters that meet in a soda shop run by an ex-con, and spends afternoons telling stories to the adoring wife of a wealthy Russian émigré. He becomes famous for his black-and-tans -- a concoction of coffee ice cream, seltzer, milk, chocolate sauce, crushed pecans -- and "a touch of bitterness that may have been the Bronx." So famous, indeed, that he walks away the winner of an annual black-and-tan contest sponsored by the real-life top gangster called "The Little Man" -- Meyer Lansky. In Charyn's hands, the often ridiculed Bronx is a magic place, as full of odd and wonderful characters as a three-ring circus. And at the center of it all, young "Baby," not as lucky in love as he would like to be, drinking it all in, putting his own extraordinary take on it. Charyn looks back at this with his singular vision, and records it all for us with the skill of the fine writer he is. This is a delightful and often moving story of a childhood that could only have been lived in New York in the fifties, a New York experience that could only have taken place in the Bronx of those days, a growing-up saga that could only have been captured by this singular author.