The bestselling, beloved writer of romantic comedies like You've Got Mail tells her own late-in-life love story in her "resplendent memoir," complete with a tragic second act and joyous resolution. Delia Ephron had struggled through several years of heartbreak. She'd lost her sister, Nora, and then her husband, Jerry, both to cancer. Several months after Jerry's death, she decided to make one small change in her life -- she shut down his landline, which crashed her internet. She ended up in Verizon hell. She channeled her grief the best way she knew: by writing a New York Times op-ed. The piece caught the attention of Peter, a Bay Area psychiatrist, who emailed her to commiserate. Recently widowed himself, he reminded her that they had shared a few dates fifty-four years before, set up by Nora. Delia did not remember him, but after several weeks of exchanging emails and sixties folk songs, he flew east to see her. They were crazy, utterly, in love. But this was not a rom-com: four months later she was diagnosed with AML, a fierce leukemia. In Left on Tenth, Delia Ephron enchants as she seesaws us between tears and laughter, navigating the suicidal lows of enduring cutting-edge treatment and the giddy highs of a second chance at love. With Peter and her close girlfriends by her side, with startling clarity, warmth, and honesty about facing death, Ephron invites us to join her team of warriors and become believers ourselves.

Bestselling author Ruth Reichl embarks on a clear-eyed and openhearted investigation of her mother's life, piecing together the journey of a woman she comes to realize she never really knew. Looking to her mother's letters and diaries, Reichl confronts the painful transition her mother made from a hopeful young woman to an increasingly unhappy older one and realizes the tremendous sacrifices she made to make sure her daughter's life would not be as disappointing as her own. Book jacket.

"This long-awaited biography establishes Shirley Jackson as a towering figure in American literature and revives the life and work of a neglected master. Still known to millions only as the author of the "The Lottery," Shirley Jackson (1916-1965) remains curiously absent from the American literary canon. A genius of literary suspense, Jackson plumbed the cultural anxiety of postwar America better than anyone. Now, biographer Ruth Franklin reveals the tumultuous life and inner darkness of the author behind such classics as The Haunting of Hill House and We Have Always Lived in the Castle. Placing Jackson within an American Gothic tradition of Hawthorne and Poe, Franklin demonstrates how her unique contribution to this genre came from her focus on "domestic horror" drawn from an era hostile to women. Based on a wealth of previously undiscovered correspondence and dozens of new interviews, Shirley Jackson, with its exploration of astonishing talent shaped by a damaged childhood and a troubled marriage to literary critic Stanley Hyman, becomes the definitive biography of a generational avatar and an American literary giant."--

“A very personal remembrance of Nora Ephron’s life and loves, and her ups and downs” ( USA TODAY ) by her long-time and dear friend Richard Cohen in a hilarious, blunt, raucous, and poignant recollection of their decades-long friendship. Nora Ephron (1941–2012) was a phenomenal personality, journalist, essayist, novelist, playwright, Oscar-nominated screenwriter, and movie director ( Sleepless in Seattle ; You’ve Got Mail ; When Harry Met Sally ; Heartburn ; Julie & Julia ). She wrote a slew of bestsellers ( I Feel Bad About My Neck: And Other Thoughts on Being a Woman ; I Remember Nothing: And Other Reflections ; Scribble, Scribble: Notes on the Media ; Crazy Salad : Some Things About Women ). She was celebrated by Hollywood, embraced by literary New York, and adored by legions of fans throughout the world. Award-winning journalist Richard Cohen, wrote this about She Made Me Laugh : “I call this book a third-person memoir. It is about my closest friend, Nora Ephron, and the lives we lived together and how her life got to be bigger until, finally, she wrote her last work, the play, Lucky Guy , about a newspaper columnist dying of cancer while she herself was dying of cancer. I have interviewed many of her other friends—Mike Nichols, Tom Hanks, Steven Spielberg, Meryl Streep, Arianna Huffington—but the book is not a name-dropping star turn, but an attempt to capture a remarkable woman who meant so much to so many other women.” With “the nuanced perspective of a confidant” ( The Washington Post ), She Made Me Laugh “is a fine tribute to a fascinating woman” ( Houston Chronicle ): “Nora would be pleased” ( People , “Book of the Week”).

Two Lives is Janet Malcolm's stunning portrait of a legendary couple: Gertrude Stein, the modernist master, and Alice B Toklas, the 'worker bee' who ministered to Stein's needs throughout their forty-year expatriate 'marriage'. As Malcolm pursues the truth of the couple's charmed life in a village in Vichy France her subject becomes the larger question of biographical truth. 'The instability of human knowledge is one of our few certainties,' she writes. The portrait of their relationship that emerges is unexpectedly charged. The two world wars Stein and Toklas lived through together are paralleled by the private war that went on between them. This war, as Malcolm learned, sometimes flared into bitter combat. Janet Malcolm is at her finest in this extraordinary work of literary biography and investigative journalism.

In At Large and At Small , Anne Fadiman returns to one of her favorite genres, the familiar essay—a beloved and hallowed literary tradition recognized for both its intellectual breadth and its miniaturist focus on everyday experiences. With the combination of humor and erudition that has distinguished her as one of our finest essayists, Fadiman draws us into twelve of her personal obsessions: from her slightly sinister childhood enthusiasm for catching butterflies to her monumental crush on Charles Lamb, from her wistfulness for the days of letter-writing to the challenges and rewards of moving from the city to the country. Many of these essays were composed "under the influence" of the subject at hand. Fadiman ingests a shocking amount of ice cream and divulges her passion for Häagen-Dazs Chocolate Chocolate Chip and her brother's homemade Liquid Nitrogen Kahlúa Coffee (recipe included); she sustains a terrific caffeine buzz while recounting Balzac's coffee addiction; and she stays up till dawn to write about being a night owl, examining the rhythms of our circadian clocks and sharing such insomnia cures as her father's nocturnal word games and Lewis Carroll's mathematical puzzles. At Large and At Small is a brilliant and delightful collection of essays that harkens a revival of a long-cherished genre.

"Astute and provocative....Blends the sophistication of recent feminist theory with highly textured details fro the lives of independent and ambitious women." THE NEW YORK TIMES BOOK REVIEW Drawing on the experience of celebrated women, from George Sand and Virginia Woolf to Dorothy Sayers and Adrienne Rich, Heilbrun examines the struggle these writers undertook when their drives made it impossible for them to follow the traditional "male" script for a woman's life. Refreshing and insightful, this is an homage to brave women past and present, and an invitation to all women to write their own scripts, whatever they may be.

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

It was Christmas Eve 1927 and Prohibition was at its height when Diana and Lionel Trilling, that distinguished literary pair, were introduced to each other. They met at a Manhattan speakeasy. Both were 22. Lionel was a graduate student at Columbia, taking his first tentative steps to a literary career. Diana hoped to be a singer. Soon after their marriage in 1929, the stock market crashed. Their families were in financial ruin. Not until the forties did Lionel attain literary recognition and Diana launch her career as fiction critic of the Nation. A long arduous decade had been lost to illness, financial hardship, grueling family responsibility. Also to the lure, and rejection, of Communism. The Beginning of the Journey takes its title from Lionel Trilling's famous novel, The Middle of the Journey. An uncommonly personal account of the upbringing, education, and marriage of two remarkable individuals, it is also a probing portrait of life among the group now so widely referred to as "the New York intellectuals." Mary McCarthy, Dwight Macdonald, William Phillips, Phillip Rahv, Edmund Wilson, James Agee, Sidney Hook, Randall Jarrell, Allen Ginsberg: these are but a few of the well-known figures whom we come to see through the eyes of someone who lived at the center of America's Bloomsbury. Although Mrs. Trilling chiefly deals with the intellectual culture of our century, the range of her memoir is not limited to this single section of society. The Beginning of the Journey speaks to questions of a kind which transcend social lines but which have been largely ignored by our literary biographers. What was it like, what was it really like, to be a woman in this predominantly male universe? What did it feel like to be as respected a critic as Diana Trilling but married to a man so much more celebrated than herself? What did a woman of her generation sacrifice for marriage and motherhood?

In this engrossing biography, acclaimed novelist Muriel Spark recreates Mary Wollstonecraft Shelley's turbulent life and career and persuasively defends the enigmatic writer's place among the giants of literary history.

"Sharona Muir's Heredity and Other Inventions radiate like elements discovered late at night after years of searching ... a rocket in a museum in another country is both public knowledge and family secret; a daughter's umbilical cord in her father's lab sparks questions about the uses of love; the body of an airplane holds the imagined gestures of humans in their fi nal moments of life ... Muir renders the physical world so unfl inchingly that the metaphysical blows back, in equal and opposite reaction ... these poems are an act of postmortem collaboration: daughter as witness to history, using language to weld and spark familial bonds and to summon up their mysteries." --Rebecca Klaver, author of Empire Wasted "... Muir has a gift for conjuring beauty in the least expected places, dazzling audiences with rich imagery ... While the speaker's narrative is particular to her unique experience, in many ways this chapbook's poems transcend place and time, and resonate with all who have looked to the past for a way of understanding the present." --Mary Biddinger, author of Small Enterprise

This is the story of a rare sort of American genius, who grew up in grinding poverty in Camden, Maine. Nothing could save the sensitive child but her talent for words, music, and drama, and an inexorable desire to be loved. When she was twenty, her poetry would make her famous; at thirty she would be loved by readers the world over. Edna St. Vincent Millay was widely considered to be the most seductive woman of her age. Few men could resist her, and many women also fell under her spell. From the publication of her first poems until the scandal over Fatal Interview twenty years later, gossip about the poet's liberated lifestyle prompted speculation about who might be the real subject of her verses. Using letters, diaries, and journals of the poet and her lovers that have only recently become available, Daniel Mark Epstein tells the astonishing story of the life, dedicated to art and love, that inspired the sublime lyrics of Edna St. Vincent Millay.

In these powerful essays Jacqueline Rose delves into the questions that keep us awake at night, into issues of privacy and publishing, exposure and shame. Do some women writers - Christina Rossetti, Anne Sexton, Sylvia Plath - have a special talent for self-revelation? Or are they simply more vulnerable to the invasions of biography? Turning to psychoanalysis, Rose explores its affinity with modernism and asks what it can tell us about the limits of knowledge, both about the most intimate and baffling components of experience and about the furthest, hallucinatory, reaches of the mind. These fine studies move deftly between public, political and private, unconscious worlds. Offering new links between feminism, psychoanalysis, literature and politics, On Not Being Able to Sleep provides a resonant and thought provoking collection for the present day.

Maya Angelou -- Janis Ian -- Suzanne Malveaux -- Brooke Shields -- Lynn Goldsmith -- Joyce Carol Oates -- Heidi Kuhn -- Lisa Gay Hamilton -- Sally Fisher -- Carol Channing -- Taina Bien Aime -- Marlee Matlin -- Martha McPhee -- J.K. Rowling -- Susan Stamberg -- Gloria Feldt -- Patti La Belle -- Carol Moseley Braun -- Anne Glauber -- Jamie Lynn Sigler -- Regina King -- Esther Hautzig -- Kate Spade -- Lisa Bernhard -- Margaret Hilary Marshall -- Lesléa Newman -- Kate Winslet -- Carole L. Glickfeld -- Eva Hoffman -- Judy Martin-- Zane -- Suzanne Somers -- Kate Michelman -- Jyl Lynn Felman -- Rue McClanahan -- Julia Stiles -- Judy Woodruff -- Nina Totenberg -- Luisah Teish -- Lillian Vernon -- Tatum ONeal -- Beverly Sills -- Vanessa Williams -- Suze Orman -- Ruth Knafo Setton -- Esta Soler -- Sylvia Boorstein -- Helen Hunt -- Kitty Carlisle Hart -- Cora Weiss -- Lily Tomlin -- Tawni ODell -- Helen Gurley Brown -- Ma Jaya -- Maria Shriver -- Meryl Streep.

The work emphasizes recent decades, and includes prayers, poems, ethical wills, sermons, sisterhood minutes, excerpts from women's organizational handbooks, and speeches to Jewish women's organizations.

Examines the personal values and philosophies of Edith Stein, Simone Weil, Anne Frank, and Etty Hillesum in relation to the pressures and conditions under which they lived in the Nazi era. All had "strong Christian affinities." Under the challenge of terror they were "Christians by choice, Jews by decree." Each responded to her Jewishness in a distinct way: Stein felt close to the Jews; Weil had a hateful attitude toward them and tried to obliterate herself as a Jew; Frank and Hillesum both affirmed their Jewish identities. In the face of Hitler, each, in her own way, resisted.

Joseph Epstein demonstrates time and again his talent for taking nearly any subject and polishing it into a gem of sparkling wit and fascination. In Narcissus Leaves the Pool, he displays his signature verve and charm in sixteen agile, entertaining pieces. Among his targets in this collection are name-dropping, talent versus genius, the cult of youthfulness, and the information revolution.

A memoir of spiritualism and self-discovery from the acclaimed, award-winning author At fifty, Alix Kates Shulman, author of the celebrated feminist novel, Memoirs of an Ex-Prom Queen , left a city life dense with political activism, family and literary community, and went to live alone on an island off the coast of Maine. On a windswept beach, in a cabin with no plumbing, power, or telephone, she found that she was learning to live all over again. In this luminous, spirited book, she charts her subsequent path as she learned not simply the joys of meditative solitude, but to integrate her new awareness into a busy, committed, even hectic mainland life. “A ten-year voyage of discovery . . . Shulman's honesty and sense of inquiry carry us with her all the way--could even, if we were willing, change our lives.” — San Francisco Sunday Examiner & Chronicle