Our fates lie in our genes and not in the stars, said James Watson, co-discoverer of the structure of DNA. But Watson could not have predicted the scale of the industry now dedicated to this new frontier. Since the launch of the multibillion-dollar Human Genome Project, the biosciences have promised miraculous cures and radical new ways of understanding who we are. But where is the new world we were promised? Now updated with a new afterword, Genes, Cells and Brains asks why the promised cornucopia of health benefits has failed to emerge and reveals the questionable enterprise that has grown out of bioethics. The authors, feminist sociologist Hilary Rose and neuroscientist Steven Rose, examine the establishment of biobanks, the rivalries between public and private gene sequencers, and the rise of stem cell research. The human body is becoming a commodity, and the unfulfilled promises of the science behind this revolution suggest profound failings in genomics itself.

Are there parallels between the "moment of insight" in science and the emergence of the "unknowable" in religious faith? Where does scientific insight come from? Award-winning biologist Robert Pollack argues that an alliance between religious faith and science is not necessarily an argument in favor of irrationality: the two can inform each other's visions of the world. Pollack begins by reflecting on the large questions of meaning and purpose--and the difficulty of finding either in the orderly world described by the data of science. He considers the obligation to find meaning and purpose despite natural selection's claim to be a complete explanation of our presence as a species--a claim that calls upon neither natural intention, nor design, nor Designer. Next, the book focuses on matters of free will, from the choice of a scientist to accept evidence, to the choice of a religious person to accept a revelation, to a patient's loss of free will in medical treatment. Here Pollack addresses questions of ethics and offers a provocative comparison of two difficult texts whose contents remain incompletely understood: the DNA "text" of the human genome and the Hebrew record of Jewish written and oral law. In closing, Pollack considers the promise of genetic medicine in enabling us to glimpse our own future and offers a reconsideration of the possible utility of the so-called placebo effect in curing illness. Whether refuting a DNA-based biological model of Judaism or discussing the Darwinian concept of the species, Pollack, under the banner of free inquiry, presents a genuine, vital, and well-argued assay of the intersection of science and religion.

"Bioart is a new art form that has emerged from the cultural impact and increasing accessibilty of contemporary biotechnology. Signs of Life is the first book to focus exclusively on art that uses biotechnology as its medium, defining and discussing the theoretical and historical implications of bio art and offering examples of work by prominent artists. Bio art manipulates the processes of life; in its most radical form, it invents or transforms living organisms. It is not representational; bio art is in vivo. (A celebrated example is Eduardo Kac's own GFP Bunny, centered on Alba, the transgenic green rabbit.) The creations of bio art become a part of evolution and, provided they are capable of reproduction, can last as long as life exists on earth. Thus, bio art raises unprecedented questions about the future of life, evolution, society, and art. The contibutions to Signs of Life articulate the critical theory of bio art and documents its fundamental works. The writers - who include such prominent scholars as Barbara Maria Stafford, Eugene Thacker, and Dorothy Nelkin - consider the culture and aesthetics of biotechnology, the ethical and philosophical aspects of bio art, and biology in art history. The section devoted to artworks and artists including George Gessert's "Why I Breed Plants," Oron Catts and Ionat Zurr's "Semi-Living Art," Marc Quinn's "Genomic Portrait," and Heather Ackroyd and Dan Harvey's "Chlorophyll Apparitions.". --

The essays in this anthology deal with the growing interconnections between moral philosophy and research that draws upon neuroscience, developmental psychology, and evolutionary biology. The essays in this anthology deal with the growing interconnections between moral philosophy and research that draws upon neuroscience, developmental psychology, and evolutionary biology. This cross-disciplinary interchange coincides, not accidentally, with the renewed interest in ethical naturalism. In order to understand the nature and limits of moral reasoning, many new ethical naturalists look to cognitive science for an account of how people actually reason. At the same time, many cognitive scientists have become increasingly interested in moral reasoning as a complex form of human cognition that challenges their theoretical models. The result of this collaborative, and often critical, interchange is an exciting intellectual ferment at the frontiers of research into human mentality. Sections and Contributors Ethics Naturalized, Owen Flanagan, Mark L. Johnson, Virginia Held - Moral Judgments, Representations, and Prototypes, Paul M. Churchland, Andy Clark, Peggy DesAutels, Ruth Garrett Millikan - Moral Emotions, Robert M. Gordon, Alvin I. Goldman, John Deigh, Naomi Scheman - Agency and Responsibility James P. Sterba, Susan Khin-Zaw, Helen E. Longino, Michael E. Bratman A Bradford Book