One of the most influential, admired, and innovative women of our time: fashion designer, philanthropist, wife, mother, and grandmother, Diane von Furstenberg offers a book about becoming the woman she wanted to be. Diane von Furstenberg started out with a suitcase full of jersey dresses and an idea of who she wanted to be—in her words, “the kind of woman who is independent and who doesn’t rely on a man to pay her bills.” She has since become that woman, establishing herself as a global brand and a major force in the fashion industry, all the while raising a family and maintaining “my children are my greatest creation.” In The Woman I Wanted to Be , von Furstenberg reflects on her extraordinary life—from childhood in Brussels to her days as a young, jet-set princess, to creating the dress that came to symbolize independence and power for an entire generation of women. With remarkable honesty and wisdom, von Furstenberg mines the rich territory of what it means to be a woman. She opens up about her family and career, overcoming cancer, building a global brand, and devoting herself to empowering other women, writing, “I want every woman to know that she can be the woman she wants to be.”

The book that inspired the award-winning documentary, Janis Ian: Breaking Silence. Grammy Award-winning songwriter, singer and author, Janis Ian took the stage at age fifteen with a revolutionary song about interracial relationships, "Society's Child." It was 1966 and the country responded with both hostility and accolades. The song went to #1, and Janis was caught in the maelstrom of a divided country. Terrified by the hatred directed at her, she left the music industry, only to return a few years later with the worldwide hit "At Seventeen." The story never ends-her songs are currently used by artists as diverse as Bette Midler, John Mellencamp, and Celine Dion; and she is considered one of the pre-eminent acoustic guitarists of our era by such notables as Chet Atkins. In "Society's Child," you'll journey with Janis as she spends time with luminaries of the century-Bob Dylan, Jimi Hendrix, Aretha Franklin-singers and songwriters who both influenced and befriended her. Her book takes an unblinking look at the music business, her own remarkable path through it, and what was really happening backstage-with honesty and integrity. Connect with Janis on her website, janisian.com, and read this inspiring autobiography of one woman's unbreakable spirit.

Today everyone – whether they know it or not – is in the emotional transportation business. More and more, success is won by creating compelling stories that have the power to move partners, shareholders, customers, and employees to action. Simply put, if you can’t tell it, you can’t sell it. And this book tells you how to do both. Historically, stories have always been igniters of action, moving people to do things. But only recently has it become clear that purposeful stories – those created with a specific mission in mind – are absolutely essential in persuading others to support a vision, dream or cause. Peter Guber, whose executive and entrepreneurial accomplishments have made him a success in multipleindustries, has long relied on purposeful story telling to motivate, win over, shape, engage and sell. Indeed, what began as knack for telling stories as an entertainment industry executive has, through years of perspiration and inspiration, evolved into a set of principles that anyone can use to achieve their goals. In Tell to Win, Guber shows how to move beyond soulless Power Point slides, facts, and figures to create purposeful stories that can serve as powerful calls to action. Among his techniques: *Capture your audience’s attention first, fast and foremost *Motivate your listeners by demonstrating authenticity *Build your tell around “what’s in it for them” *Change passive listeners into active participants *Use “state-of-the-heart” technology online and offline to make sure audience commitment remains strong To validate the power of telling purposeful stories, Guber includes in this book a remarkably diverse number of “voices” – master tellers with whom he’s shared experiences. They include YouTube founder Chad Hurley, NBA champion Pat Riley, clothing designer Normal Kamali, “Mission to Mars” scientist Gentry Lee, Under Armour CEO Kevin Plank, former South African president Nelson Mandela, magician David Copperfield, film director Steven Spielberg, novelist Nora Roberts, rock legend Gene Simmons, and physician and author Deepak Chopra. After listening to this extraordinary mix of voices, you’ll know how to craft, deliver -- and own – a story that is truly compelling, one capable of turning others into viral advocates for your goal. From the Hardcover edition.

This memoir is by the man who created the Broadway hits "Hello Dolly!," "Mame," and "La Cage Aux Folles." The self-described "Mr. Show Business, the razzmatazz musical comedy writer, a cheerful man whose life is dedicated to making people smile and feel good and leave the theater humming a show tune," Jerry Herman takes readers on a sentimental journey, retracing his steps toward big-time success and occasional disappointment. Though Herman relates losing his lover to AIDS, and tells of his own HIV status, of plagiarism disputes, and of in-fighting with Broadway producers, his tone remains conversational and cheerfully upbeat.

Kenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it "Sharply observant."--Farran Smith Nehme, Wall Street Journal A New Yorker Best Book of the Year One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg's shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.

"Growing up in Beverly Hills, Diller was neglected by his parents, abused by his brother, and overwhelmed by insecurity. Diller began his career in the mailroom of the William Morris Agency and had one of the most extraordinary ascents in show business history, inventing the TV Movie of the Week for ABC at age twenty-seven, becoming CEO of Paramount Pictures at age thirty-two, and launching the Fox TV network at age forty-four. . . . Diller shares his provocative and at times counterintuitive insights about advancing in a company; becoming a manager and a leader; and the value of confrontation. He describes his relentless quest for good ideas along with what he learned from the bad ones. For the first time, Diller also tells the story of his unconventional and very private personal life, describing relationships with men and the woman he calls his 'unique and complete love,' designer Diane von Furstenberg. Diller writes, 'I would have secrets, but I would tell no lies'"--

"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?

Molly Picon began as a child actor in the Yiddish Theatre at age six. Picon went on to appear in many films, beginning with silent movies. In 1934, Picon had her own musical comedy radio show, Picon went on to appear in many TV shows and her final role was as Roger Moore's mother in cameo appearances in the comedies Cannonball Run and its sequel Cannonball Run II. In "So Laugh a Little" the famous Yiddish actress, has written a funny and poignant book describing her life journey all the while paying homage to the many life lessons learned from her grandmother. Molly's grandmother came to Philadelphia from Russia and helped raise Molly and encourage her in her career in show business. Part autobiography, part common-sense wisdom, this book will engage and entertain you through every chapter. Starting with Molly's early start in Yiddish to her later success in her own stage show and on to many TV and film roles, Molly shares life advice that is just as important to hear today as it was when the book was originally published in 1962.