One of the most influential, admired, and innovative women of our time: fashion designer, philanthropist, wife, mother, and grandmother, Diane von Furstenberg offers a book about becoming the woman she wanted to be. Diane von Furstenberg started out with a suitcase full of jersey dresses and an idea of who she wanted to be—in her words, “the kind of woman who is independent and who doesn’t rely on a man to pay her bills.” She has since become that woman, establishing herself as a global brand and a major force in the fashion industry, all the while raising a family and maintaining “my children are my greatest creation.” In The Woman I Wanted to Be , von Furstenberg reflects on her extraordinary life—from childhood in Brussels to her days as a young, jet-set princess, to creating the dress that came to symbolize independence and power for an entire generation of women. With remarkable honesty and wisdom, von Furstenberg mines the rich territory of what it means to be a woman. She opens up about her family and career, overcoming cancer, building a global brand, and devoting herself to empowering other women, writing, “I want every woman to know that she can be the woman she wants to be.”

Pages clean and unmarked. Slight wear from time on shelf like you would see on a major chain. Immediate shipping.

From the hit animated film, The LEGO(R) Moviei>, Everything Is Awesome" is the infectious dance theme that is intertwined throughout the story of Emmet, an ordinary, "follow the rules" LEGO(R) character who becomes the key to saving the world from the evil President Business. Featuring a driving bass line, this familiar gleeful theme is a sure winner! (2:15)"

Kenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it "Sharply observant."--Farran Smith Nehme, Wall Street Journal A New Yorker Best Book of the Year One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg's shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.

The Rothschild family, famed as financiers, has exerted a huge impact on Western social and political history over nearly two centuries. Less well-known, but also of significance, is their influence on the landscape, for many members of the family have been passionate gardeners. They have created gardens and parklands that have become an important part of the heritage of several countries. and as they are today. Readers visit European gardens frequented by kings and rulers. There is also a glimpse into private gardens today, including Miriam Rothschild's own beautiful conservation garden, home to birds, beasts and butterflies. parklands to formal parterres. At the turn of the century, Alice de Rothschild spent the equivalent of nearly half-a-million pounds annually on her gardens and grounds near Grasse, France. Rothschilds have always enjoyed producing fruit and vegetables. Baron Edmond, for example, used to delight guests at his households in Paris or Boulogne by inviting them to pick fresh fruit straight from dwarf trees brought into the dining room. illustrate the developments in the family's styles and scale of gardening. The author conveys the competitiveness and drive for perfection that has typified the family's behaviour in gardening, as well as in business. This quest has led several Rothschilds to become plant specialists, and botanical gardens worldwide have benefitted from their collections. Like a Dove and The Butterfly Gardener.

Simon and Schuster (1951)

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2013 Reprint of 1950 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Powdermaker's study of the Hollywood film industry was an early example of anthropological research on contemporary American society. Her observations of the tensions between business and art in the film world led her to suggest that the social relations of the filmmaking process significantly affect the content and meaning of movies. Chapters include: Chapter 1 - Habitat and People, Mythical and Real Chapter 2 - Mass Production of Dream Chapter 3 - Taboos Chapter 4 - Front Office Chapter 5 -Men Who Play God Chapter 6 - Lesser Gods, but Colossal Chapter 7 -The Scribes Chapter 8 - Assembling the Script Chapter 9 - The Answers Chapter 10 - Directors Chapter 11 - Acting, in Hollywood Chapter 12 - Stars Chapter 13 - Actors are People Chapter 14 - Emerging from Magic Chapter 15 - Hollywood and the U.S.A.

'Thames & Hudson's new, affordable, covetable 'Pocket Perspectives': beautifully illustrated essays by canonical writers' Financial Times A manifesto for the future of architectural practice and the necessity of good design to modern life, by renowned British architect Richard Rogers. Written in what architect Richard Rogers regarded as a moment of crisis in modern architecture, this essay considers how the way we build - and live - might change for the better. Poor design, monotony and inhuman scale are, Roger argues, not the results of a lack of talent nor the failures of the Modern Movement, but of a surrender to exploitative economic systems and inconsiderate business interests. Best known for his work on the Pompidou Centre in Paris, the European Court of Human Rights in Strasbourg and the Lloyd's building and Millennium Dome in London, Rogers was perhaps the most original and inventive architect of his time, and was a frequent commentator on the contemporary scene. As a practitioner, he was in the best position possible to appreciate how economic forces can create - or frustrate - good design. A succinct summary of his design philosophies, Richard Rogers on Modern Architecture continues to be a powerful manifesto.