A septuagenarian business owner evaluates her grandchildren as possible successors to her multi-million-dollar beauty empire, including New York movie studio editor Daisy, womanizing sports PR representative Matt, and religious Legal Aid lawyer Raquel.

A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today. The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

Best-selling author Belva Plain follows the enormous success of "Whispers" and "Daybreak" with another explosive novel that explores the realities simmering below the surface of a seemingly admirable Amencan family. In the opening pages of "The Carousel" a woman is looking at an exquisite music box, a silver carousel. She is pensive and reflects upon how this beautiful object has linked the momentous events of a family's life. She has married into that family, the Greys, whose successful business is nationally known. The sun has long shone upon the patriarch, Oliver Grey, his two sons Ian and Clive, and his niece and nephew, Amanda and Dan. Oliver has recently handed over control of the business to his two sons and his nephew. Amanda has a non-voting share. Now the sky has clouded over and terrible storms arise as a series of incidents threatens to destroy the family... Amanda is making furious demands upon the business. Ian's greed and his adultery collide with Clive's jealousy. And the five-year-old daughter of Dan and his wife has been the victim of sexual abuse. The Greys, pillars of their upstate New York community, are being torn apart. And before their ordeal comes to an end someone will be the victim of murder. As she did in the enormously successful "Whispers," Belva Plain tells a timely story of a family with a dark and dirty secret. With the additional touches of mystery--a new territory for Belva Plain --"The Carousel" confirms her place as one of our most compelling and popular writers. "The queen of the family saga writers...Belva Plain is in a class by herself." -- "The New York Times,"

After the tragic death of her young husband, Grace Cameron has developed a flourishing business and raised her daughter Kathy. But everything depends on her, so when Grace begins to feel unwell she ignores the signs. When she does reluctantly see a doctor, she hears the most shattering news -- she is very ill indeed. Though stunned and angry, Grace's overwhelming concern is for twelve-year-old Kathy; there is no logical next-of-kin to care for her. So together the Camerons set out to find a new family, ready for the time when Kathy may find herself alone.

Presented in a series of conversations between grandmother Minnie Bloch and her companions, Alan Cheuse, National Public Radio commentator on All Things Considered, unfolds a layered family portrait of three generations of the Bloch family, whose members are collapsing under everyday burdens and brutal betrayals. Her son Manny is a renowned, almost legendary rabbi. Respected by his congregants and surrounded by family, no one suspects that he yearns for a life of greater personal glory, but when an oracular bird delivers what Manny believes to be a message from his deceased father, he abandons his congregation in pursuit of a life in business and his entire life spirals out of control. As Manny's fortunes rise in the corporate realm, he falls deeper into an affair with a congregant, a Holocaust survivor, his wife sinks deeper into alcoholism and depression and his daughter, traumatized by a sexual scandal at college, makes Manny the target of a plot to shatter his newly found empire. The devoted family matriarch, Minnie, observes and recounts the tragic downfall of her family, unable to save them from themselves.

Thomas Mann meets Mordecai Richler in this outstanding novel of great intellect and humour that already reads like a classic. The Frumkiss family doesn't look much different from any of the others in Toronto's Bathurst Manor. Grandpa survived the Holocaust; Grandma the Second came from Poland at the age of five. Dad's a foot doctor; Mom is dead, and her mother -- Grandma Number One --died while giving birth to her in Kazakhstan. Her three kids -- the oldest is forty-two -- are as frustrated and directionless as most baby boomers with no real financial worries. One's in Toronto, there's one in the suburbs and the third lives in Israel. As far as the Frumkisses know, all that distinguishes them from anybody else is that Grandpa is a famous Yiddish writer who ended up working for the CBC. But Grandpa's death sets off a chain of events that force the Frumkisses to see how different their family is from all the others. The Frumkiss Family Business , Michael Wex's brilliant and hilarious new novel, is a family saga for the twenty-first century, a lovingly accurate portrait of middle-class Canadian life at the turn of the century and of the Toronto neighbourhood that has produced such famous Canadians as Howie Mandel and Wex himself. Imagine Thomas Mann's Buddenbrooks without the stodgy Germans or The Brothers Karamazov with only one brother. Finally, a novel that does for Toronto what Mordecai Richler's books did for Montreal.

Surrounded by cemeteries in the flatlands of New Jersey, the small town of Lud is sustained by the business of death. In fact, with no synagogue and no congregation, Rabbi Jerry Goldkorn has only one true responsibility: to preside over burial services for Jews who pass away in the surrounding cities. But after the Arctic misadventures that led him to Lud, he wouldn't want to live (or die) anywhere else. As the only living child in Lud, his daughter Connie has a different opinion of this grisly city, and she will do anything to get away from it--or at least liven it up a bit. Things get lively indeed when Connie testifies to meeting the Virgin Mary for a late-night romp through the local graveyards.

You are an unarmed man in the wilderness being hunted by men with guns and dogs.The ATM business? That number you pulled on the gullible art world? Those anonymous envelopes slipped under the door? Or deeper? Darker? A disappeared daughter? An absent son? Your name is Hergesheimer. This is your world. Deal with it.