A hardcover edition of this book was published in 2015... First William Morrow paperback edition published 2016. Second William Morrow paperback edition published 2021."--Title page verso./ Includes the novella How the marquis got his coat back./ Published in 1997, Neil Gaiman's first novel, Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he discovers a girl bleeding on the sidewalk. He stops to help her -- an act of kindness that plunges him into a world he never dreamed existed. Slipping through the cracks of reality, Richard lands in Neverwhere -- a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Here in Neverwhere, Door is a powerful noblewoman who has vowed to find the evil agent of her family's slaughter and thwart the destruction of this strange underworld kingdom. If Richard is ever to return to his former life and home, he must join Lady Door's quest to save her world -- and may well die trying.

The Pulitzer Prize-winning playwright, director, and teacher gives us a blunt, irreverent, unsparingly honest guide to acting that overturns conventional truths and tells aspiring actors what they really need to know. David Mamet leaves no acting tenet untouched: How to judge the role, approach the part, work with the playwright. How to concentrate and think about the scene. How to avoid becoming the Paint-by-Numbers Mechanical Actor, the "How'm I Doing?" Ham Actor, the over-the-top "Hollywood Huff" Actor. The right way to undertake auditions and rehearsals. The proper approach to agents, to individual jobs, and to the business in general. The question of talent. --

"Much revived, most recently in a 2010 production transferred to Broadway from London's Menier Chocolate Factory, La Cage Aux Folles remains one of the all time biggest hits, adding new dimension to the boulevard comedy. After twenty years of un-wedded bliss Georges and Albin, two men partnered for better-or-worse get a bit of both when Geroges' son (fathered during a one-night fling) announces his impending marriage to the daughter of a bigoted, right-wing politician. Further complicating the situation is the 'family business': Albin and Georges run a transvestite nightclub in St. Tropez, where Albin is the "star" performer 'Zaza.' Georges reluctantly agrees to masquerade as "normal" when he meets the family of the bride-to-be. But Albin has other plans, with hilarious results." -- From back cover.

The new film from David O. Russell, the award-winning writer and director of Silver Linings Playbook and American Hustle.

A very wealthy businessman buys a plane to carry his fianc�e, a non-US citizen, into Canada. However, an unexpected landing of the plane prompts an investigation into the man's affairs based on his tax payment history. As his assistant tries to help him put things back together, secrets are revealed, and it is discovered the man is a powerful political insider who's been evading tax law. The investigation deepens and his future is even more at risk.

Darren Lemming, the star center fielder of the world champion New York Empires, is young, rich, famous, talented, handsome and so convinced of his popularity that when he casually announces he’s gay, he assumes the news will be readily accepted by everyone. It isn’t. Friends, fans and teammates react with ambivalence, and when the slipping Empires call up the young phenom Shane Mungitt to close their games, the ambivalence turns to violence. Angry, lonely, guilt-ridden and confused, Darren finds some unlikely solace in the form of friendship with his new business manager, Mason Marzac—a brilliant but repressed guy, who, as everyone around him copes with disenchantment, blooms in the ecstatic discovery of baseball. Winner of the 2003 Tony Award.

If the politicians cannot save Russia, then we businessmen must. We have not just the responsibility but the duty to become Russian heroes. 1991. The Fall of the Soviet Union. With the dawning of a new Russia, there are winners and losers, and today's patriot can fast become tomorrow's traitor. As a new generation of oligarchs fights to seize control, we follow billionaire businessman Boris Berezovsky - the 'kingmaker' behind Vladimir Putin - from the president's inner circle to public enemy number one, in this unflinching story of ambition and the dangers of loyalty and love. Peter Morgan's Patriots opened at the Almeida Theatre, London, in July 2022 - back cover.

An alcoholic journalist who's barely seen better days, Paul Kemp has washed up in San Juan, Puerto Rico, writing horoscopes for failing rag El News. But then he meets the impossibly gorgeous Chenault, and Kemp soon finds himself party to shady business deals and experimenting with a hitherto unknown hallucinogen.

On October 12, 1994, Steven Spielberg, Jeffrey Katzenberg, and David Geffen-three of Hollywood's biggest players-announced they would form a new studio to produce feature films, television series, and pop music recordings. It didn't have a name, though Katzenberg's reference to his partners as the "Dream Team" eventually led to the company being dubbed DreamWorks. What the three men were attempting hadn't been done in more than sixty years: create a movie studio that could compete with the already existing major players. In The Dream Team , Daniel Kimmel tells the behind-the-scenes story of DreamWorks' rise-and the end of the dream eleven years later, when most of the company was sold off or shut down. Its plan for 1,087 acres of studio facilities that would include residences and retail operations came to naught. Its animation division was split off and went public. Its principals had already begun to go their own ways. Mr. Kimmel explores DreamWorks' successes: best-picture Oscars for American Beauty and Gladiator ; a near miss (but box office success) for Saving Private Ryan ; a smash animated hit Shrek winning the first Oscar ever for best animated feature and pointing the industry toward computer animation. But he also investigates why an enterprise with such promise failed to reach the heights. Was it the company's diffuse management style, or had the industry changed and consolidated so greatly that it was now impossible for new players to break into the ranks? Mr. Kimmel offers intriguing answers, showing how, more often than not, the guys tilting at windmills usually end up on the ground.

Johann Sebastian Bach, irascible and turbulent, writes music of sensuous delight and deep religious fervour. He's touchy, he's fabulously rude, he has impossibly high standards (he stabs a bassoonist for playing badly), and he's constantly in trouble with his patrons. Music is the family business - but the burden of their father's genius weighs heavily on his sons. Wilhelm is brilliant but self-destructive. Tense, industrious Carl is more successful than his father, but knows he is less talented. As the years pass, their rivalry provokes furious arguments about love, God and above all music. What is it for - to give pleasure, like a cup of coffee in the sun, or to reveal the divine order that gives life its meaning? Beautiful, profound and funny, Nina Raine's play Bach & Sons is a gripping family drama and an anthem to the art that draws us together and sings of our common humanity. It premiered at the Bridge Theatre, London, in June 2021, directed by Nicholas Hytner, with Simon Russell Beale playing J. S. Bach.

Crime doesn't pay—or does it? When a con makes you rich, life gets a lot more complicated. For generations, the Voysey family business has been secretly cheating its clients. Edward, a junior partner who plans to take over the company from his aging father, is horrified when he discovers the embezzlement that has been keeping his relatives in the lap of luxury. But nobody wants Edward to dismantle the firm's criminal legacy—not his associates, not the woman he loves, and certainly not his large, pampered family. As the risk of exposure looms larger, and his sense of right and wrong becomes increasingly distorted, Edward comes to fully understand the consequences of his "inheritance." THE VOYSEY INHERITANCE is a witty, impeccably crafted portrait of a family in the midst of a surprisingly modern moral dilemma.

Two “haunting and luminous” (Hedy Weiss, Chicago Sun-Times ) plays from the author of Take Me Out and Three Days of Rain In The Dazzle , Richard Greenberg takes on the story of the Collyer brothers, legendary New York eccentrics who, following their deaths in 1947, were found to have collected more than 136 tons of trash within their grand but crumbling Harlem manse. As depicted by Richard Greenberg, Langley and Homer Collyer are consumed by their obsessions—Homer reveling in telling tall tales, Langley captured by the “dazzle” of images contained within objects—in this “beautiful, disturbing, shockingly funny and profoundly humane play by a masterful dramatist” (Hedy Weiss, Chicago Sun-Times ). Everett Beekin explores the tensions between the safety of family and the yearning for a larger life through the relationships of two sets of Jewish sisters. Set in the 1940s, Act One opens with Anna and Sophie dining in their mother’s Lower East Side tenement, bickering over the presence of their sister Miri’s Gentile suitor, Jimmy. In Act Two, fifty years later, Anna’s daughters Nell and Celia meet on a California beach before the wedding of Nell’s daughter Laurel. Linking the generations is the name Everett Beekin—Jimmy’s business partner and, later, Laurel’s prospective bridegroom Everett Beekin VIII. As the play unfolds, Everett Beekin becomes “a haunted, restless meditation on American rootlessness” (Ben Brantley, The New York Times ). Two “haunting and luminous” (Hedy Weiss, Chicago Sun-Times ) plays from the author of Take Me Out and Three Days of Rain In The Dazzle , Richard Greenberg takes on the story of the Collyer brothers, legendary New York eccentrics who, following their deaths in 1947, were found to have collected more than 136 tons of trash within their grand but crumbling Harlem manse. As depicted by Richard Greenberg, Langley and Homer Collyer are consumed by their obsessions—Homer reveling in telling tall tales, Langley captured by the “dazzle” of images contained within objects—in this “beautiful, disturbing, shockingly funny and profoundly humane play by a masterful dramatist” (Hedy Weiss, Chicago Sun-Times ). Everett Beekin explores the tensions between the safety of family and the yearning for a larger life through the relationships of two sets of Jewish sisters. Set in the 1940s, Act One opens with Anna and Sophie dining in their mother’s Lower East Side tenement, bickering over the presence of their sister Miri’s Gentile suitor, Jimmy. In Act Two, fifty years later, Anna’s daughters Nell and Celia meet on a California beach before the wedding of Nell’s daughter Laurel. Linking the generations is the name Everett Beekin—Jimmy’s business partner and, later, Laurel’s prospective bridegroom Everett Beekin VIII. As the play unfolds, Everett Beekin becomes “a haunted, restless meditation on American rootlessness” (Ben Brantley, The New York Times ).

"The primetime television sitcom business of making America laugh is a cut-throat industry swarming with abundant greed, deceit, and deliciously evil players and of course the nave yet creative buffoon who wants to change the world. Life can become a canceled sitcom if one is not careful."--Publisher's website.

Comedy / Characters: 3 male 3 female Scenery: Interior America's premier comic playwright crosses the Atlantic for a suite of hilarious comedies set in a deluxe London hotel a sedate place until these characters check in. In Settling Accounts the suite is occupied by an inebriated Welsh writer who is holding his long time business manager caught absconding with the writer's money at gun point. The villian concocts increasingly farfetched explanations of what he was doing at Heathrow with

""Impromptu Man captures the remarkable impact of a singular genius, J.L. Moreno, whose creations-the best-known being psychodrama-have shaped our culture in myriad ways, many unrecognized. The record will be set straight for all time by this can't-put-down biography, a tribute by Jonathan D. Moreno to his father's masterly legacy." -DANIEL GOLEMAN, author of Emotional Intelligence: Why It Can Matter More Than IQ J.L. Moreno (1889-1974), the father of psychodrama, was an early critic of Sigmund Freud, wrote landmark works of Viennese expressionism, founded an experimental theater where he discovered Peter Lorre, influenced Martin Buber, and became one of the most important psychiatrists and social scientists of his time. ?? A mystic, theater impresario and inventor in his youth, Moreno immigrated to America in 1926, where he trained famous actors, introduced group therapy, and was a forerunner of humanistic psychology. As a social reformer, he reorganized schools and prisons, and designed New Deal planned communities for workers and farmers. Moreno's methods have been adopted by improvisational theater groups, military organizations, educators, business leaders, and trial lawyers. His studies of social networks laid the groundwork for social media like Twitter and Facebook. ?? Featuring interviews with Clay Shirky, Gloria Steinem, and Werner Erhard, among others, original documentary research, and the author's own perspective growing up as the son of an innovative genius, Impromptu Man is both the study of a great and largely unsung figure of the last century and an epic history, taking readers from the creative chaos of early twentieth-century Vienna to the wired world of Silicon Valley. Jonathan D. Moreno, called the "most interesting bioethicist of our time" by the American Journal of Bioethics, is a professor at the University of Pennsylvania and a Senior Fellow at the Center for American Progress. "--

Sol Harkens has it all. A new best seller, a gorgeous model girlfriend, immense success. He's the Mohammad Ali of outspoken atheist celebrities. But not everything is perfect in Sol Harkens' life. After losing his son to cancer he dedicated himself to denying God and parlayed his attacks on Christianity into a lucrative business. But Sol is empty inside. His party lifestyle has isolated him from his ex-wife, Katy, and their two sons. He resents their unrelenting faith and Katy's prayers for his soul. When Sol's self-destructive habits end in a serious car crash, he wakes up to learn he was clinically dead for four minutes. Being dead isn't what bothers him. It's the voice. Five simple words that refuse to let him go: "Daddy, let there be light."

"Welcome to the world of the one per cent, the corporate elite, the C-suite, the kingmakers. A world managed by payoffs, press releases, NDAs, and company policies. What happens to morality in this world when its people have limitless power? When a CEO and his highest executives are on an international business trip to secure a major deal, a sex scandal between employees is unearthed on the news. As the pressure to complete the deal mounts, more damaging secrets come to the surface, endangering the CEO's company, family, and legacy. In this searing look at upper-class privilege, Post-Democracy asks, what does it take to confront corruption?"--

In POT BOUILLE, the well-known French novelist Émile Zola and dramatist William Busnach combine their talents to unmask the hypocrisy that hides behind the façade of a respectable and fashionable Parisian apartment house. The Josserands are struggling to make ends meet, and at the same time to marry off their two daughters to prosperous businessmen. At the heart of this broken family is a weak husband and domineering, spendthrift wife, who between them create two willful children who are doomed to unhappy lives. The sly and adulterous Berthe seduces a shop owner into marriage, and Hortense eventually runs off with the man she loves--knowing he'll never marry her. The result is an unflattering portrayal of a corrupt, immoral society at the heart of French life in the late nineteenth century. Based on one of the great novels of modern literature!

"The Yiddish Queen Lear. New York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare's King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds. Woman In The Moon. Set in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich"--Back cover.

THE STORY: The play takes place on the streets of New York, where this bag lady calls home. On this day, she goes about her business, stuffing her shopping bags with assorted oddments. Suddenly assailed by voices of passersby, she responds to them both humorously and belligerently. She ruminates on the past and present, proclaiming her sovereignty as the quintessential urbanite. She is the city, with all its terrors, loneliness, filth and, in the final essence, its special majesty and unquenchable individuality.