"In this classic work of economic history and social theory, Karl Polanyi tracks the economic and social changes brought about by the "great transformation" of the Industrial Revolution. He pays particular attention to capitalism's rise and its role in fundamentally altering life after the Industrial Revolution. This seminal analysis explains not only the deficiencies of the self-regulating market, but the potentially dire social consequences of untempered market capitalism"-- Provided by publisher.

“Writing this funny requires immense talent.” — AV Club H. Jon Benjamin—the lead voice behind Archer and Bob's Burgers —helps us all feel a little better about our own failures by sharing his own in a hilarious memoir-ish chronicle of failure. Most people would consider H. Jon Benjamin a comedy show business success. But he'd like to remind everyone that as great as success can be, failure is also an option. And maybe the best option. In this book, he tells stories from his own life, from his early days ("wherein I'm unable to deliver a sizzling fajita") to his romantic life ("how I failed to quantify a threesome") to family ("wherein a trip to P.F. Chang's fractures a family") to career ("how I failed at launching a kid's show"). As Jon himself says, breaking down one's natural ability to succeed is not an easy task, but also not an insurmountable one. Society as we know it is, sadly, failure averse. But more acceptance of failure, as Jon sees it, will go a long way to making this world a different place . . . a kinder, gentler place, where gardens are overgrown and most people stay home with their pets. A vision of failure, but also a vision of freedom. With stories, examples of artistic and literary failure, and a powerful can't-do attitude, Failure Is an Option is the book the world doesn't need right now but will get regardless.

Debora L. Spar spent most of her life avoiding feminism. Raised after the tumult of the 1960s, she presumed that the gender war was over. "We thought we could glide into the new era with babies, board seats, and husbands in tow," she writes. "We were wrong." Spar should know. One of the first women professors at Harvard Business School, she went on to have three children and became the chair of her department. Now, she's the president of Barnard College, arguably the most important women's college in the country, and an institution firmly committed to feminism. Wonder Women is Spar's story, but it is also the culture's. Armed with reams of new research, she examines how women's lives have, and have not, changed over the past fifty years-and how it is that the struggle for power has become a quest for perfection. Wise, often funny, and always human, Wonder Women asks: How far have women really come? And what will it take to get true equality for good?

"A collection of diverse viewpoints from over 45 thought leaders in the biotechnology industry and their efforts going forward during the COVID-19 pandemic. Biotechnology in the Time of COVID-19 is the opening chapter of a story of how the biotechnology industry rose to battle the COVID-19 virus-told by the leaders of that industry in their own words. The industry has built over more than forty years, an ecosystem of scientists, entrepreneurs, doctors, investors, venture capitalists, analysts, media, and bankers, all committed to advancing global health. In two months, leaders and companies from this ecosystem pivoted from the work they were carrying on pre-COVID-19 to face the virus. Forty-six seven contributors offer historical, personal, and investor perspectives, views from inside the biotech companies, broad lessons, leadership, and a look to the future. COVID-19 was a crisis anticipated by many, but one for which we were inadequately prepared. That has led to an unnecessary catastrophe. Now is the time to shine a light on those who bring hope that we will push back the virus with science and medicine. This book is a collection of the voices from the front of that fight. All share the commitment to fight and the conviction that science and medicine will prevail. The editor royalties and a portion of publisher revenues will be donated to two nonprofits focused on rare disease research: Global Genes (globalgenes.org) and The Institute for Life Changing Medicines (lifechangingmedicines.org)"--

If you've ever been fired, you're in good company. That's what actress and writer Annabelle Gurwitch discovered when she was fired by her idol Woody Allen, who added, "You look retarded." In confiding her tale of woe to others, she realized there is a world of people out there with similar laugh-out-loud experiences. How did Bob Saget learn he was being phased out of his job on The Morning Program? "One day I showed up and my hosting chair was gone!" A collection of anecdotes from people who've all gotten the ax, the boot, or been canned at some point in their lives, Fired! boasts an all-star cast from Tim Allen to Jeff Garlin and features contributions from people all over the country. Uproariously funny and refreshingly true, this book proves it's not the bounce that counts, it's the bounce back.

“From her head down to her gnarly (no longer!) toes, Kathie Lee is pure dame. And she’s served up a cocktail of wit and wisdom with a decidedly salty rim!”—Meredith Vieira Just When I Thought I’d Dropped My Last Egg is Kathie Lee Gifford’s triumphant laugh-out-loud celebration of forging ahead with gusto, even long after we’re old enough to know better. Age, after all, isn’t a number, it’s a state of mind, and being fertile isn’t just about having babies, it’s about being passionate and creative. Writing with the candor of a friend who knows where the bodies are buried, Kathie Lee reveals the truth every woman of a certain age knows but won’t admit: that we love our kids every second of every day but are counting the minutes till they’re ready to go off to college, that even though gravity is a constant force, not all parts of our bodies droop at the same rate, and that life and show business share one simple rule: “Don’t sit by the phone and wait for a man or a job.” Full of warmth, humor, and down-to-earth wisdom, this wonderful book is a delectable read for grown-ups of all ages. Praise for J ust When I Thought I’d Dropped My Last Egg “I’ve been through a couple of calamities with Kathie Lee and nobody handles them better. You could blow her up, cook her and hang her out to dry and she will still survive and have some laughs doing it.” —Regis Philbin “Kathie Lee has always entertained me with her humor, wry wit, and penchant for pinpointing all of our very human foibles with great accuracy and hilarity. Now she does it again. This charming memoir filled with amusing anecdotes about herself and her family, friends, and colleagues brought a smile to my face but also touched me. Her insight is as remarkable as she is.” —Barbara Taylor Bradford “Gifford dishes about everything.” —The Tampa Tribune “Fans will be delighted . . . by the book’s mix of earnest life lessons and self-conscious kookiness.” —Publishers Weekly “Outrageously funny . . . [Gifford’s] quirky sense of humor shines through.” —Wichita Falls Times Record News

"The bestselling author of Girls & Sex and Cinderella Ate My Daughter delivers her first ever collection of essays--funny, poignant, deeply personal and sharply observed pieces, drawn from three decades of writing, which trace girls' and women's progress (or lack thereof) in what Orenstein once called a "half-changed world." Named one of the "40 women who changed the media business in the last 40 years" by Columbia Journalism Review, Peggy Orenstein is one of the most prominent, unflinching feminist voices of our time. Her writing has broken ground and broken silences on topics as wide-ranging as miscarriage, motherhood, breast cancer, princess culture and the importance of girls' sexual pleasure. Her unique blend of investigative reporting, personal revelation and unexpected humor has made her books bestselling classics. In Don't Call Me Princess, Orenstein's most resonant and important essays are available for the first time in collected form, updated with both an original introduction and personal reflections on each piece. Her takes on reproductive justice, the infertility industry, tensions between working and stay-at-home moms, pink ribbon fear-mongering and the complications of girl culture are not merely timeless--they have, like Margaret Atwood's The Handmaid's Tale, become more urgent in our contemporary political climate. Don't Call Me Princess offers a crucial evaluation of where we stand today as women--in our work lives, sex lives, as mothers, as partners--illuminating both how far we've come and how far we still have to go"--

An unsparing, incisive, yet ultimately hopeful look at how we can shed the American obsession with self-reliance that has made us less healthy, less secure, and less fulfilled The promise that you can "pull yourself up by your bootstraps" is central to the story of the American Dream. It's the belief that if you work hard and rely on your own resources, you will eventually succeed. However, time and again we have seen how this foundational myth, with its emphasis on individual determination, brittle self-sufficiency, and personal accomplishment, does not help us. Instead, as income inequality rises around us, we are left with shame and self-blame for our condition. Acclaimed journalist Alissa Quart argues that at the heart of our suffering is a do-it-yourself ethos, the misplaced belief in our own independence and the conviction that we must rely on ourselves alone. Looking at a range of delusions and half solutions--from "grit" to the false Horatio Alger story to the rise of GoFundMe--Quart reveals how we have been steered away from robust social programs that would address the root causes of our problems. Meanwhile, the responsibility for survival has been shifted onto the backs of ordinary people, burdening generations with debt instead of providing the social safety net we so desperately need. Insightful, sharply argued, and characterized by Quart's lively writing and deep reporting, and for fans of Evicted and Nickel and Dimed, Bootstrapped is a powerful examination of what ails us at a societal level and a plan for how we can free ourselves from these self-defeating narratives.

Ben Hecht: 1001 Afternoons in Chicago is a compilation of more than 60 columns written for the Chicago Daily News that Hecht's editor called "journalism extraordinary; journalism that invaded the realm of literature." The hardboiled audacity and wit that became Ben Hecht's signature as Hollywood's most celebrated screen-writer are conspicuous in these vignettes. Most of them are comic and sardonic, some strike muted tragic or somber atmospheric notes. . . . The best are timeless character sketches that have taken on an added interest as shards of social history. Ben Hecht's collection, as presented in 1001 Afternoons in Chicago, is a timeless caricature of urban American life in the jazz age. From the glittering opulence of Michigan Avenue to the darkest ruminations of an escaped convict, from captains of industry to immigrant day laborers, Ben Hecht captures 1920s Chicago in all its furor, intensity, and absurdity. Hecht's book offers scruffy time capsules of an earlier Chicago, an era that is long gone but still recognizable to readers'' imaginations. Michigan Avenue, Lake Michigan, street names such as Dearborn and Adams and LaSalle and Wabansia, places such as the Art Institute of Chicago--they''re all here. In Ben Hecht's words, Chicago is a razzle-dazzle of dreams, tragedies, fantasies, and his tales capture gorgeous scraps of it, vivid vignettes starring businessmen and hobos and cops and socialites and janitors. . . . Thanks to 1001 Afternoons in Chicago, Chicago of 1922 and the Chicago of 2009 bump into each other, shake hands, exchange greetings. Then, this being Chicago, they go for a drink and talk about old times.

Tales of adventure, misadventure, love and loss - this collection of non-fiction short stories from the Australian rock legend turned writer is vintage Jimmy. Outrageous, witty, warm and wise, Killing Time shares more than forty yarns reflecting an epic life - from an encounter with a soul legend in Memphis, a night in a haunted studio in upstate New York, and a doomed haircut in Thailand to a madcap misunderstanding in a Japanese ski resort, a family feud on a remote coral atoll, and an all-too-revealing appearance for a Sydney charity. PRAISE FOR KILLING TIME: "A moving and deeply felt kaleidoscope of life, love, family, music, friendship and the fragility of time. Barnes proved his storytelling mettle with his memoirs. But in Killing Time he has refined his unique voice with this wildly entertaining suite of tales, anecdotes, observations and reflections that can have you laughing out loud on one page and moved to tears on the next. It is all here, the joys and fears of parenthood, the search for your sense of place, fortune-tellers, the loss of beloved pets, bad golf, ghosts, backstage stories, celebrities, the homeless, and the wonder of being alive, all told with searing honesty. What sets Barnes's writing above the rest is that it comes from an authentic and soulful place. His work cannot help but ring true, like the strike of a tuning fork." Matt Condon "Jimmy Barnes is never a bystander. Stories happen to him. He not only remembers every circumstance, he has the ability to distil the moment in a way that's both poetic and uncontrived. He's funny, chaotic, insightful and heartbreaking. Jimmy is truly a natural-born storyteller. It's like writing has just been waiting for him to arrive. And now, he's here." Mandy Nolan

On December 5, 2004, the still-developing blogosphere took one of its biggest steps toward mainstream credibility, as Nobel Prize - winning economist Gary S. Becker and renowned jurist and legal scholar Richard A. Posner announced the formation of the Becker-Posner Blog. In no time, the blog had established a wide readership and reputation as a reliable source of lively, thought-provoking commentary on current events, its pithy and profound weekly essays highlighting the value of economic reasoning when applied to unexpected topics. Uncommon Sense gathers the most important and innovative entries from the blog, arranged by topic, along with updates and even reconsiderations when subsequent events have shed new light on a question. Whether it's Posner making the economic case for the legalization of gay marriage, Becker arguing in favor of the sale of human organs for transplant, or even the pair of scholars vigorously disagreeing about the utility of collective punishment, the writing is always clear, the interplay energetic, and the resulting discussion deeply informed and intellectually substantial. To have a single thinker of the stature of a Becker or Posner addressing questions of this nature would make for fascinating reading; to have both, writing and responding to each other, is an exceptionally rare treat. With Uncommon Sense, they invite the adventurous reader to join them on a whirlwind intellectual journey. All they ask is that you leave your preconceptions behind.

Explores the structural and political relations of the Atlantic trade in the 18th century

This collection of essays by Alexander Gerschenkron, who has been called “the doyen of economic history in the United States,” is a companion volume to the author’s highly acclaimed Economic Backwardness in Historical Perspective. The essays range over a wide variety of subjects, but the major theme, as in Gerschenkron’s previous book, is the conditions of industrial development, particularly in regard to nineteenth-century Europe. The book is divided into three parts. In Part I, Methodology, the essays are: “On the Concept of Continuity in History,” “Some Methodological Problems in Economic History,” and “Reflections on Ideology as a Methodological and Historical Problem.” Part II, Problems in Economic History, deals with “The Typology of Industrial Development as a Tool of Analysis,” “The Industrial Development of Italy: A Debate with Rosario Romeo,” “The Modernization of Entrepreneurship,” “Russia: Agrarian Policies and Industrialization, 1861–1914,” and “City Economies Then and Now.” In Part III, The Political Framework, the essays are: “Reflections on the Economic Aspects of Revolution,” “The Changeability of a Dictatorship,” and “The Stability of Dictatorships.” A series of appendices presents reviews and review articles by Gerschenkron.

It was July 23, 1892, and Alexander Berkman was planning to die. He just had some business to attend to first. Dressed in a new suit and a black derby hat, Berkman burst into the Pittsburg office of Henry Clay Frick, the notoriously anti-union manager of the Carnegie Steel Company. From his pocket, Berkman produced a pistol. This pocket-sized book collects the shorter works of one of the world's most influential anarchists.

The topical essays of Too Soon to Tell reveal Calvin Trillin at his barbed and irrepressible best. Dealing with matters of the family, he tells the tale of a couple who were at first pleased that their twenty-six-year-old son had finally moved out ("If Jeffrey's going to find himself, it would probably help for him to look somewhere other than his own room") and then realized that they had lost the ability to videotape. Grappling with educational issues, he discusses whether the presence of Michael Milken as a lecturer at the UCLA business school means that its religion department will get around to employing Jim Bakker ("Church Management 101: Imaginative Ideas in Religious Fund-Raising"). In the field of world affairs, he deals with the role of astrologers ("The planets are perfect for trading arms for hostages and saying you didn't") and whether the language laws in Quebec really require the hiring of a mime who doesn't speak French rather than a mime who doesn't speak English. Trillin's short takes send us back to life refreshed and delighted.

Whether you're a savvy mom of teens or a new mom trying to get baby to sleep, this book is for you. A must read for every mom who ever said: "Stop rocking on the chair!" Not your average poetry book, Ode to Chores is a clever and entertaining view of parenting, motherhood, children, pets, and the life and times of moms on call 24/7. ------------------ The Inspiration For This Book The whole thing started because I was lonely. I spent hours every day with my little kids, which I really loved for a while, but my husband was gone A LOT, and when he came home, he was all talked out. He just wanted to spend a little time with his two boys roughhousing and eating Oreo Thins. Plans with friends were few and far between because we were all busy shuffling kids to school and activities when we weren't working jobs, or doing house projects, or stumping for our chosen elected officials, or reconnecting with our significant others. In the meantime, exhausted at the end of every day, I still wanted to be an artist, a writer, and a musician. I'd been on stage for 25 years and suddenly the only singing I was doing was lullabies at 3 AM in a rocking chair trying to get my little muffin to sleep. . . just for a little while. . . sleep muffin, sleep. Somewhere along the way, I put down my pen and found myself deep in the stuff of kids. Then, one evening after an especially frustrating dinner with the boys, I sent everyone off to their rooms, flipped over an envelope lying in the mess on the dining room table, and wrote the poem Stop Rocking on the Chair. I was surprised at how satisfying it was to say it on the page. From there I started writing these "mom poems" all the time. As I did, I felt less and less alone. I was not only writing about my experience but a thread of experience that connected to moms all over the world and through time. The common language of motherhood reconnected me to my creativity and other people at the same time. I first thought I wrote this book for myself, but it turns out I wrote this book for you. I hope it brings you joy and even makes you cry. I hope it brings mothers together and inspires you to make some art and put it out into the world, so we can all have a moment of connection together. Call me. We'll have coffee. ------------------ About the Author Brenda Kahn is a poet, memoirist and an international recording artist who has shared the stage with Bob Dylan, David Byrne, and Jeff Buckley. She has expertise in changing both guitar strings and diapers. She is a writer of songs, poetry, memoir, and excuse notes for sick kids. She can paint and spackle like nobody's business and will also perform a cover of Bessie Smith's Ain't Nobody's Business if you request it at a live show. She lives in South Salem, NY with her husband and two boys, her golden retriever (Barley Patches), her two cats (Fluffy and Colby) and Ekko the crested gecko. Learn more about Bren at www.brendakahn.com Stay connected and support her work at www.BrendaKahn.com/Patreon

We have been called a nation of villagers, and Mr. Strunsky in these sketches discourses in a friendly way on some of our village characteristics. He writes from the point of view of the man who has an uptown apartment, with rent just a trifle higher than he can afford, in Belshazzar court, and who travels daily to his place of business in Park Row via the subway. Occasionally the point of view of Emmeline is called in by way of reinforcement or contrast. In general it is with the street, the show, the game, and the night life of the city that he is concerned, but now and again it is the young son Harold who offers a fruitful subject for meditation.* * * * *"His book has that quality which is becoming rare: it is companionable." --Bookman"By his very lightness of style and his gentle grace of humor he makes 'Belshazzar court' a genuine interpretation of a place, a people and a life whose spirit has been utterly missed by many an ultra serious and portentous analyst. --Boston Transcript"Few have the power or the inclination to see In the complexities of modern city life the simplicity and kindliness of human nature, essentially the same everywhere, but that is the chief charm of these essays." --Dial"The rare quality of the book Is not so much the humor as the suggestive quality of the thought." --Nation"Delightful essays about New York City." --Library Bulletin

Berlin! Berlin! is a satirical selection from the "man with the acid pen and the perfect pitch for hypocrisy," as New York author and Tucholsky-expert Peter Wortsman writes. This book os a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modelled after one of Tucholsky's real-life gilrfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book. In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time. He poured scorn on the reactionary institutions of the old regime, the follies of the Weimar Republic, and the peculiarities of the German character. - William Grimes, The New York Times Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart. That's Tucholsky in a nutshell. - Anne Nelson, author of "The Red Orchestra" and "The Guys" Kurt Tucholsky was one of the most brilliant German-Jewish writers of his time. Today's Berliners adore him as one of their greatest sons. The world has yet to discover his genius. -Peter Schneider, author of "The Wall Jumper" and "Eduard's Homecoming" A selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. - Peter Wortsman, author of "Ghost Dance in Berlin" . . . a small, fat Berliner, who wanted to stop a catastrophe with his typewriter. -Erich Kästner, author of "Emil and the Detectives"

"This is a beautiful book, full of ideas that could help restore America’s genius for freedom and promise.” — Thomas Moore, New York Times bestselling author of Care of the Soul A lifelong Emerson lover, teacher, and spiritual seeker reveals how American philosopher Ralph Waldo Emerson’s twelve essential teachings hold the answer to living an authentic and fulfilling life, one that is in har[Bokinfo]

maintaining his family on his small salary