“Don’t thank me for your survival, thank your valiant Stern and Pemper, who stared death in the face constantly.”—Oskar Schindler in a speech to his released Jewish workers in May 1945. Steven Spielberg’s Oscar-winning film Schindler’s List popularized the true story of a German businessman who manipulated his Nazi connections and spent his personal fortune to save some 1,200 Jewish prisoners from certain death during the Holocaust. But few know that those lists were made possible by a secret strategy designed by a young Polish Jew at the Płaszow concentration camp. Mietek Pemper’s compelling and moving memoir tells the true story of how Schindler’s list really came to pass. Pemper was born in 1920 into a lively and cultivated Jewish family for whom everything changed in 1939 when the Germans invaded Poland. Evicted from their home, they were forced into the Krakow ghetto and, later, into the nearby camp of Płaszow where Pemper’s knowledge of the German language was put to use by the sadistic camp commandant Amon Goth. Forced to work as Goth’s personal stenographer from March 1943 to September 1944—an exceptional job for a Jewish prisoner—Pemper soon realized that he could use his position as the commandant’s private secretary to familiarize himself with the inner workings of the Nazi bureaucracy and exploit the system to his fellow detainees’ advantage. Once he gained access to classified documents, Pemper was able to pass on secret information for Schindler to compile his famous lists. After the war, Pemper was the key witness of the prosecution in the 1946 trial against Goth and several other SS officers. The Road to Rescue stands as a historically authentic testimony of one man’s unparalleled courage, wit, defiance, and bittersweet victory over the Nazi regime.

Ingredients: It is the early Sixties. Down the side of a dilapidated synagogue in North-west London, a great partnership is born. Apart, Mal Jones and Solly Princeton are two teenage no-hopers scrabbling about in the dirt. Together they are dynamite: a world-beating team who turn a company selling chicken-soup machines to the Jewish mothers of Edgware into an international hotel and leisure empire. But success is never simple. Before long pressures draw them away from the comforts of their roots. They find themselves cutting corners, taking risks and breaking the law. Finally Mal has to confront his life, his friendship with Solly and where their very different ambitions have led them. Thirty-five years later as sunset ushers in the beginning of Yom Kippur, the Jewish day of atonement, Mal, his fortune gone, picks over the ruins of his past with his niece, Natasha. He tells her the story of the Sinai Corporation, of his best friend and business partner, Solly, and at last begins to ask himself: how far must you go before you lose faith in yourself?

"The novel is more than an important literary work and cultural document. It forms part of the traditional ritual of renewal of the American Way." -Sam B. Girgus "It is one of the best fictional studies of Jewish character available in English, and at the same time an intimate and sophisticated account of American business culture." --Isaac Rosenfeld The Rise of David Levinsky, written by the celebrated founder and editor of the Jewish Daily Forward, is an early Jewish-American treasure. According to the scholar Sam B. Girgus, "The novel is more than an important literary work and cultural document. It forms part of the traditional ritual of renewal of the American Way." Originally published in 1917, Abraham Cahan's realistic novel tells the story of a young Talmudic scholar who migrated from a small town in Russia to the melting pot of turn-of-the-century New York City. As the Jewish "greenhorn" rises from the depths of poverty to become a millionaire garment merchant, he discovers the awful price of assimilation.

Kenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it "Sharply observant."--Farran Smith Nehme, Wall Street Journal A New Yorker Best Book of the Year One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg's shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.

A tragic family history told in a collection of imaginary letters to a famed collector, Moïse de Camondo. 63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal’s forebears, the Ephrussi, first encountered in his bestselling memoir, The Hare with Amber Eyes . Like the Ephrussi, the Camondos were part of belle epoque high society. They were also targets of antisemitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son, Nissim, to inherit. But when Nissim was killed in the First World War, it became a memorial and, upon the Count’s death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. De Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a series of haunting letters addressed to the Count, he tells us what happened next.

Calvin Trillin, the celebrated New Yorker writer, offers a rich and engaging biography of his father, as well as a literate and entertaining fanfare for the common (and decent, and hard-working) man. Abe Trillin had the western Missouri accent of someone who had grown up in St. Joseph and the dreams of America of someone who had been born is Russia. In Kansas City, he was a grocer, at least until he swore off the grocery business. He was given to swearing off things—coffee, tobacco, alcohol, all neckties that were not yellow in color. Presumably he had also sworn off swearing, although he was a collector of curses, such as "May you have an injury that is not covered by workman's compensation." Although he had a strong vision of the sort of person he wanted his son to be, his explicit advice about how to behave didn't go beyond an almost lackadaisical "You might as well be a mensch." Somehow, though, Abe Trillin's messages got through clearly. The author's unerring sense of the American character is everywhere apparent in this quietly powerful memoir, Messages from My Father .

The discovery of gold at Sutter's Mill in Coloma on January 24, 1848, initiated one of the largest migrations in US history. Between 1849 and 1855, hundreds of thousands of migrants arrived in Northern California hoping to find gold in the foothills of th

"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?

"This novel has a laugh track; Adler's a good storyteller and has an ear for the rhythms of a good joke." -Jewish Journal18-year-old Mickey Fine and 17-year-old Mutzie Feder desperately want to escape their drab lives in 1937 Brooklyn. He wants to be a world-famous comic and she is longing to have the glamorous life she sees embodied by her idol on the silver screen, Jean Harlow. Mickey gets his chance when he is hired to be the resident social director and comedian, otherwise known as a "tumler" at the famed Catskills resort, Gorlicks Greenhouse. Mutzie gets her opportunity when she is chosen to be "the number one girl" of notorious hit-man "Pittsburgh Phil" Strauss or "Pep". That summer, Pep travels with Mutzie, his Murder Incorporated cohorts and their families for an extended holiday at Gorlicks. As the season progresses and Strauss has to leave on weekdays for "business reasons", Mickey and Mutzie begin to fall hard for each other. As their feelings grow, so do Pep's suspicions. They must find a way out before Pep marks them both for death.

"Jews experienced antisemitism the moment they landed on what would become the United States. When they first arrived in New Amsterdam in 1654, Peter Stuyvesant tried but failed to deport them. As historian Pamela S. Nadell tells in Antisemitism, an American Tradition, this was only antisemitism's beginning on our shores, as negative European stereotypes about Jews rooted into American soil. Compared with the Old World, with its expulsions, Inquisitions, ghettos, and Holocaust, America's Jews have a different history -- but one where antisemitism, even if it has had fewer dramatic eruptions, is deeply embedded. Jews in America faced restrictions on holding office and getting financial credit. Universities set quotas to limit the number of Jews attending and businesses refused to hire them. Jews endured verbal and physical attacks, and their synagogues and cemeteries, continuing to this day, were vandalized and desecrated. Antisemitism, an American Tradition investigates the depths of this fraught history and its recent manifestations: white nationalists chanting "Jews will not replace us" in Charlottesville, Virginia, and a gunman murdering eleven worshipers of Pittsburgh's Tree of Life synagogue building. Nadell also shows Jews responding to prejudice and hate. America's Jews created advocacy organizations. They turned to the courts to safeguard their constitutional rights. They made common cause with allies to confront all types of hate. They even used their fists when needed. At a time when prejudice, discrimination, and hate against Jews is flaring across the country, Antisemitism, an American Tradition argues that we must understand the past. This momentous work reveals how antisemitism -- and resistance to that hatred -- endures, representing not a rupture from America's history, but a centuries-old legacy." -- Book jacket.

"Katz lives up to her first novel's potential in this moving, funny, wholly original picaresque about a nice Jewish girl. . . . The pasts and common destiny of two remarkable women--related with perfect timing in Sofia's convincing Yiddish-tinged English--come together beautifully in this nicely crafted, emotionally satisfying, and well-researched historical fiction."-- Publishers Weekly " The Escape Artist , a brilliant work of historical fiction . . . fast-paced and gorgeously written novel" -- Liberty Press Set in the brothels and gangster dens of Jewish Buenos Aires at the beginning of the twentieth century, The Escape Artist catapults us into the lives of Sofia Teitelbaum and Hankus Lubarsky. Sofia, a nice Jewish girl from Poland, is lured away from home by Tutsik Goldenberg, a wealthy traveling businessman who claims to be a lonely Argentine diamond merchant in search of a wife. Upon arriving in Buenos Aires, Tutsik dumps Sofia at his sister's brothel. Hankus, also a nice Jewish girl from Poland, is passing as a man. Having escaped the pogroms of Poland that killed her family, she lives her life as a handsome and mysterious magician and escape artist. When Tutsik spots the talented juggler and acrobat Hankus he envisions success as his manager, seeing Hankus as the means to get out from under his sister's thumb. Sofia and Hankus fall in love and their attempts to walk the tightrope of love, freedom, and independence are quickly put to the test. Sex, deception, magic, and love are the main ingredients of this tour de force novel by Lambda Literary Award winner Judith Katz. In The Escape Artist , Katz reveals that all human interactions consist of love and hate, deception and candor, altruism and self-interest. This is as true in our lives today as it was in an immigrant community at the turn of the last century. Judith Katz is the author of two published novels, The Escape Artist and Running Fiercely Toward a High Thin Sound , which won a Lambda Literary Award for Best Lesbian Fiction. She has received Bush Foundation, McKnight Foundation, and National Endowment fellowships for fiction.

"Winner of the Nike Prize, Poland's most prestigious literary award Joanna Olczak-Ronikier is one of Poland's most admired dramatists, screenwriters, and authors. In the Garden of Memory, her most acclaimed work, traces the lives of four generations of her own family-Polish Jews who were members of one of the country's most illustrious clans, noted for its achievements in business, politics, and culture-as they lived, struggled, and (mostly) survived through the turbulent twentieth century. Rich with tales of bravery as well as poignant, sometimes comic anecdotes of everyday life, the book follows the family members as they scattered around the world to European spas, tsarist prisons, Soviet war camps, and the Royal Air Force. Tracing their roots to a renowned Austrian rabbi, the family members included an array of amazing characters. One became an industrial magnate who founded the Citroën automobile company in France; another was a Communist revolutionary who ended up being arrested, tortured, and executed by Stalin's police. One worked as an undercover agent, another as a zoologist in France. One became a notable Polish publisher, another a leading Freudian psychiatrist. Inevitably, the tragic history of the Second World War and its catastrophic impact on European Jews looms darkly over the narrative, yet remarkably enough only two members of the clan were killed in the Holocaust. Today the survivors have continued the family journey around the world, including in the United States. Beautifully translated by Antonia Lloyd-Jones, In the Garden of Memory is ultimately the uplifting account of a family that never gave up hope and never gave in"--

Berlin! Berlin! is a satirical selection from the "man with the acid pen and the perfect pitch for hypocrisy," as New York author and Tucholsky-expert Peter Wortsman writes. This book os a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modelled after one of Tucholsky's real-life gilrfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book. In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time. He poured scorn on the reactionary institutions of the old regime, the follies of the Weimar Republic, and the peculiarities of the German character. - William Grimes, The New York Times Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart. That's Tucholsky in a nutshell. - Anne Nelson, author of "The Red Orchestra" and "The Guys" Kurt Tucholsky was one of the most brilliant German-Jewish writers of his time. Today's Berliners adore him as one of their greatest sons. The world has yet to discover his genius. -Peter Schneider, author of "The Wall Jumper" and "Eduard's Homecoming" A selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. - Peter Wortsman, author of "Ghost Dance in Berlin" . . . a small, fat Berliner, who wanted to stop a catastrophe with his typewriter. -Erich Kästner, author of "Emil and the Detectives"

Drawing heavily on the reminiscences of the Brownsville boys themselves, and skillfully integrating these with material from newspapers, books, and commentary of the time, Sorin creates an original and compelling picture of the communal and individual vitality that allowed an unusual and heartening social achievement.

The #1 national bestseller now revised and updated with a new Epilogue. Now aged 75, Peter C. Newman at last tells the story of his stranger-than-fiction life. Try to keep up as we follow his many lives: as a pampered child in a Czech chateau; a Jewish kid in short pants being machine-gunned by Nazi fighter planes on the beach at Biarritz, en route to the last ship to escape from France in 1940; as a refugee on an Ontario farm; as an outsider on a scholarship at Upper Canada College; as a Financial Post journalist, then an author whose Renegade in Power made Canadian politics dramatic and disrespectfully exciting for the first time; as the man who revealed the secrets of the rulers of the Canadian business world in The Canadian Establishment , and other huge business success stories, including The Establishment Man , on Conrad Black; or the millionaire who turned his back on business books and tackled Canadian history ( Company of Adventurers and other triumphs), in a career where his work has dominated the bestseller lists in politics, business, history, and current affairs. In the midst of all this were his years at the Toronto Star and Maclean’s where, as editor, he took the magazine weekly – a huge accomplishment. He is still a legend there, where his columns continue to run. He knew and wrote about every prime minister from Louis St. Laurent to Paul Martin and every prominent Canadian – hero or villain – in between. Yet his most interesting character is – Peter C. Newman. Incredibly, this central figure known to millions of Canadians sees himself as a perennial outsider. In personal terms, the rich little Czech boy whose nannies never stayed talks frankly about his marriages and the women he has known before his ultimate marriage to his beloved Alvy. His enthusiasms – from jazz to the Canadian Navy, not to mention his adventures on his beloved sailboat – make for a rich portrait of an astonishingcharacter, one who never stops being controversial.

Originally Published by Scholars Press Now Available from Duke University Press In this interdisciplinary work, Martin H. Krieger examines the entrepeneur in terms of modes and ideal figures drawn from religion and classical studies. In so doing, he provides a means or vocabulary with which entrepreneurs can articulate their experience of risk, commitment, and judgment. In addition, by establishing a comparison between the entrepreneur and the figures he utilizes from religious and classical literature, Krieger generates surprising new ways to look at the careers of such traditional figures as St. Augustine, Moses, Oedipus, Antigone, and the characters of Shakespeare's The Tempest. Both an exercise in the humanities and in the pragmatic world of business, Krieger's work offers an intriguing methodology for how humanistic learning can be applied to the real world concerns of the entrepreneur. A teaching and self-study guide to Entrepreneurial Vocation is included as an appendix for those wishing to adopt the text as a classroom resource.