A hardcover edition of this book was published in 2015... First William Morrow paperback edition published 2016. Second William Morrow paperback edition published 2021."--Title page verso./ Includes the novella How the marquis got his coat back./ Published in 1997, Neil Gaiman's first novel, Neverwhere is the story of Richard Mayhew, a young London businessman with a good heart and an ordinary life, which is changed forever when he discovers a girl bleeding on the sidewalk. He stops to help her -- an act of kindness that plunges him into a world he never dreamed existed. Slipping through the cracks of reality, Richard lands in Neverwhere -- a London of shadows and darkness, monsters and saints, murderers and angels that exists entirely in a subterranean labyrinth. Neverwhere is home to Door, the mysterious girl Richard helped in the London Above. Here in Neverwhere, Door is a powerful noblewoman who has vowed to find the evil agent of her family's slaughter and thwart the destruction of this strange underworld kingdom. If Richard is ever to return to his former life and home, he must join Lady Door's quest to save her world -- and may well die trying.

"In 1983, a wealthy businessman named Carl Fletcher is kidnapped from his driveway in the nicest part of Long Island, brutalized, and held for ransom. He is returned to his wife and kids less than a week later, only slightly the worse for wear, and the family begins the hard work of trying to move on with their lives and resume their prized places in the saga of the American dream, coming to understand that though their money may have been what put them in danger, it is also what guaranteed them their safety in the end. But forty years later, when Carl's mother dies and the family comes home to mourn her, it becomes clear that nobody ever really got over anything. Carl's wife, Ruth, has spent her potential protecting her husband's emotional health. Their three grown children are each a mess: Nathan cannot seem to advance at his law firm and may have made a terrible investment with his trust fund; Beamer, a Hollywood screenwriter, will consume anything-substance, foodstuff, women-in order to numb his own perpetual terror; and Jenny has spent her life so bent on proving that she is not a product of the family's pathology that she comes to define it. Then there's Carl himself, the prickly, still-terrified father, who has been secretly seeking closure to the matter of his kidnapping for years, and the unthinkable act he commits that will alter the family's path forever"--

A best-selling author tells kids everything they ever wanted to know about him--and Goosebumps! What was R.L. Stine like as a kid? How did he start writing books? Where does he get all his scary ideas? These and many more questions are answered in this humorous, fast-paced biography. Photos, line drawings.

From the #1 New York Times bestselling author of Big Summer and “undisputed boss of the beach read” ( The New York Times ) comes another timely and deliciously twisty novel of intrigue, secrets, and the transformative power of female friendship. Daisy Shoemaker can’t sleep. With a thriving cooking business, full schedule of volunteer work, and a beautiful home in the Philadelphia suburbs, she should be content. But her teenage daughter can be a handful, her husband can be distant, her work can feel trivial, and she has lots of acquaintances, but no real friends. Still, Daisy knows she’s got it good. So why is she up all night? While Daisy tries to identify the root of her dissatisfaction, she’s also receiving misdirected emails meant for a woman named Diana Starling, whose email address is just one punctuation mark away from her own. While Daisy’s driving carpools, Diana is chairing meetings. While Daisy’s making dinner, Diana’s making plans to reorganize corporations. Diana’s glamorous, sophisticated, single-lady life is miles away from Daisy’s simpler existence. When an apology leads to an invitation, the two women meet and become friends. But, as they get closer, we learn that their connection was not completely accidental. Who IS this other woman, and what does she want with Daisy? From the manicured Main Line of Philadelphia to the wild landscape of the Outer Cape, written with Jennifer Weiner’s signature wit and sharp observations, That Summer is a “compelling, nuanced novel” (Maureen Corrigan, The Washington Post ) about surviving our pasts, confronting our futures, and the sustaining bonds of friendship.

A literary love story that rivals those celebrated in earlier classics. "St. Louis Post-Dispatch" In Helprin s rhapsodic rendering . . . "In Sunlight and in Shadow" is . . . the romance of life itself. " Los Angeles Times" In the summer of 1946, New York City pulses with energy. Harry Copeland, a World War II veteran, has returned home to run the family business. Yet his life is upended by a single encounter with the young singer and heiress Catherine Thomas Hale, as each falls for the other in an instant. They pursue one another in a romance played out in Broadway theaters, Long Island mansions, the offices of financiers, and the haunts of gangsters. Catherine s choice of Harry over her longtime fiance endangers Harry s livelihood and threatens his life. In the end, Harry must summon the strength of his wartime experience to fight for Catherine, and risk everything. In its storytelling heft, its moral rectitude, the solemn magnificence of its writing and the splendor of its hymns to New York City, ["In Sunlight and in Shadow"] is a spiritual pendant to Winter s Tale and every bit as extraordinary . . . Even the most stubbornly resistant readers will soon be disarmed by the nobility of the novel s sentiments and seduced by the pure music of its prose. "Wall Street Journal" [NO AUTHOR PHOTO] Mark Helprin is the acclaimed author of Winter s Tale, A Soldier of the Great War, The Pacific, Memoir from Antproof Case, Freddy and Fredericka, Ellis Island, and numerous other works. "

Bob Slocum was living the American dream. He had a beautiful wife, three lovely children, a nice house...and all the mistresses he desired. He had it all -- all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until...something happened. Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.

"Allison Weiss has a great job ... a handsome husband ... an adorable daughter ... and a secret. Allison Weiss is a typical working mother, trying to balance a business, aging parents, a demanding daughter, and a marriage. But when the website she develops takes off, she finds herself challenged to the point of being completely overwhelmed. Her husband's becoming distant, her daughter's acting spoiled, her father is dealing with early Alzheimer's, and her mother's barely dealing at all. As she struggles to hold her home and work life together, and meet all of the needs of the people around her, Allison finds that the painkillers she was prescribed for a back injury help her deal with more than just physical discomfort--they help her feel calm and get her through her increasingly hectic days. Sure, she worries a bit that the bottles seem to empty a bit faster each week, but it's not like she's some Hollywood starlet partying all night, or a homeless person who's lost everything. It's not as if she has an actual problem. However, when Allison's use gets to the point that she can no longer control--or hide--it, she ends up in a world she never thought she'd experience outside of a movie theater: rehab. Amid the teenage heroin addicts, the alcoholic grandmothers, the barely-trained "recovery coaches," and the counselors who seem to believe that one mode of recovery fits all, Allison struggles to get her life back on track, even as she's convincing herself that she's not as bad off as the women around her. With a sparkling comedic touch and tender, true-to-life characterizations, All Fall Down is a tale of empowerment and redemption and Jennifer Weiner's richest, most absorbing and timely story yet"--

The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House. Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Maria Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because "that's where the money is." And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins--before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology--when neither man wanted fame or deserved notoriety. Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, "Doc "is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

The startling, witty, highly anticipated second novel from the critically acclaimed author of Atmospheric Disturbances . The story begins in 1618, in the German duchy of Württemberg. Plague is spreading. The Thirty Years' War has begun, and fear and suspicion are in the air throughout the Holy Roman Empire. In the small town of Leonberg, Katharina Kepler is accused of being a witch. Katharina is an illiterate widow, known by her neighbors for her herbal remedies and the success of her children, including her eldest, Johannes, who is the Imperial Mathematician and renowned author of the laws of planetary motion. It's enough to make anyone jealous, and Katharina has done herself no favors by being out and about and in everyone's business. So when the deranged and insipid Ursula Reinbold (or as Katharina calls her, the Werewolf) accuses Katharina of offering her a bitter, witchy drink that has made her ill, Katharina is in trouble. Her scientist son must turn his attention from the music of the spheres to the job of defending his mother. Facing the threat of financial ruin, torture, and even execution, Katharina tells her side of the story to her friend and next-door neighbor Simon, a reclusive widower imperiled by his own secrets. Drawing on real historical documents but infused with the intensity of imagination, sly humor, and intellectual fire for which Rivka Galchen is known, Everyone Knows Your Mother Is a Witch will both provoke and entertain. The story of how a community becomes implicated in collective aggression and hysterical fear is a tale for our time. Galchen's bold new novel touchingly illuminates a society and a family undone by superstition, the state, and the mortal convulsions of history.

n a novel as darkly comic and audaciously ambitious as was Catch-22, Joseph Heller has dared to write the sequel to his American classic, using many of Catch-22's characters, now older if not wiser, to deftly satirize the realities and the myths of America in the half century since they fought World War II. In 1961, Joseph Heller's remarkable first novel made its way immediately into the American psyche and came to symbolize the absurdity of war and of life. Catch-22 was recognized overnight as a classic and has sold nearly ten million copies in the United States alone. It remains perhaps the funniest - and the most serious - novel ever written about war, "an apocalyptic masterpiece, " in the words of one reviewer. Now, thirty-three years later, Joseph Heller has written the sequel. You don't have to have read Catch-22 (But then, who on earth hasn't?) to enjoy Closing Time, which is a fully independent companion work, a comic masterpiece in its own right, in which Heller spears the inflated balloons of our national consciousness - the absurdity of our politics, the decline of society and our great cities, the greed and hypocrisy of our business and culture - with the same ferocious humor that he used against the conventional view of warfare. His characters are those of Catch-22, coming to the end of their lives and the century, as is the entire generation that fought in World War II: Yossarian, and Milo Minderbinder, the chaplain, and such newcomers as little Sammy Singer and giant Lew, all linked, this time in uneasy peace and old age, fighting, not the Germans this time, but The End. Closing Time is outrageously funny and totally serious, and as brilliant and successful as Catch-22itself, a fun-house mirror that captures, at once grotesquely and accurately, the truth about ourselves.

In 1907 novelist James Joyce was engaged as Svevo's English tutor in Trieste, and in the process they developed a friendship. When Joyce read Svevo's novel La coscienza di Zeno (Confessions of Zeno), he was so impressed with it that he encouraged the writer to publish it, and later helped to promote it. While Joyce became enthralled with the latest novelistic techniques -particularly the stream of consciousness and indirect free style- to get inside the mind of his characters, Svevo accomplished the same thing without the new tools. Zeno's consciousness is not the flowing of a stream, but the cascading, torrential avalanche of details that is the essence of humanness in all aspects: from low double entry bookkeeping, business, and economics, to manipulations of the Stock Market, to moral dilemmas, and raw passions. Italo Svevo's Confessions of Zeno belongs to the comic tradition of Don Quixote and Tristram Shandy, though not in the realist manner, but rather in a psychological vein. After reading a few pages the reader will have no doubt that he is confronting a paradoxical juxtaposition between things of the mind and things themselves. Zeno -the narrator and eponymous hero- on the surface is a hypochondriac, neurotic, quirky, solipsistic, self-examining and self-serving bourgeois; deep down, however, he is love and goodness incarnate, not by design but by the whims of life. Although Svevo wrote many other works, his opus magnum will remain his Confessions of Zeno. While Proust and others wrote lengthy psychological novels, by their sheer length and density, they become soporific. Not so with Zeno, which is intriguing, suspenseful, engaging-never boring, a magnificent tour de force.

"A story of secrets, loss, and the betrayals of memory: a lyrical novel of an aging woman confronting her romantic past under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of WWII, impressionable young Elle Ranier comes to the island when her new husband, Simon, is dispatched by his industrialist father to find the source of the mysterious lights. There they will live for decades, raising a family while employing much of the island's population in a quixotic campaign to find and exploit the elusive minerals rumored to lurk offshore. Fifty years later, as Simon's business is shuttered in disarray, Elle looks back at her life on the mysterious island--and at a secret she herself has guarded for decades. As her memory recedes, her life seems a tangle of questions: How did the business survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of the other man they brought to the island--handsome, raffish Gabriel, who risked everything to follow the light to its source? With echoes of We Are Not Ourselves and even Jean Rhys's Wide Sargasso Sea, The Stars Are Not Yet Bells is a darkly romantic story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind"--

1929. Edna Ferber, Pulitzer Prize-winning author of Show Boat and Giant, gives us a ripping good read with Cimarron, the story of wandering Yancey Cravat, a pioneer newspaper editor and lawyer. Cravat settles in Osage, a muddy town thrown together overnight when the Oklahoma territory opens in 1889. To this place he brings his wife Sabra, a woman both conventional and well-bred. Against all odds, Sabra develops a brilliant business sense. She makes a success of the newspaper, a success that ultimately leads her to Congress. Through Sabra's eyes we see the violent frontier collide with resentful Indians, the sodbusters tame the prairie, and the sudden fortune of a lucky few. See other titles by this author available from Kessinger Publishing.

These powerfully vivid stories from a great writer offer enormous pleasure, recognition and discovery. Ranging through the unreliable layers of family archaeology, they uncover earlier, vulnerable selves, moments of innocence or shame, and unfinished business, illumined by shocking flashes of unpredictable violence and pain, or glints of sly humour. In the brilliant cornerstone story the stuff of dreams is both real and imagined—rumoured fields of cannabis picked in secret by migrant workers, or a nightmare encounter on a dark city street. In “Night Training” a military recruit is scarred by his own complicity in a bizarre nightly ritual. From the image of a small boy entranced by his mother’s GI escort, yet still hoping for the return of a father missing in action, to “Sally’s Story” in which a comfort girl looks for comfort of her own, here are men and women in search of connection, or equally wary of it—whether with each other or with past selves. David Malouf evokes, like no other writer, dark shadows beneath the bright sun.

Creating a sensation around the world, Twelve established its seventeen-year-old author as a powerful voice of the new millennium. The chilling novel follows prep school dropout White Mike through the week between Christmas and New Year's 1999, as he takes a year off to deal an alluring new drug to his privileged peers on Manhattan's Upper East Side. The kids of Twelve have it all; Chris and Claude and Hunter and Laura have the best, and most, of everything, but are constantly looking for something more exotic, and more dangerous. But Twelve is not a coming-of-age story, because these kids never had a childhood--their parents are off on holiday in Bali or business in Brussels, leaving hired help to look the other way as the kids stay home alone in their multimillion-dollar town houses, partying with drugs and sex and, in the end, much worse. From page one, the pace is set toward an apocalyptic climax. In the penultimate party scene, when we thought we couldn't be surprised, we are shocked. And throughout the book, where there is an excess of everything but hope, we are filled with that very emotion as White Mike struggles for nothing less than his soul.

"Enthralling...A hymn to the sacred connection among all species."— O , The Oprah Magazine An unforgettable woman proves that a person's eccentricities can also be her greatest gifts. When Isabelle Nieto comes to Mexico to take over the family business, a failing tuna cannery on the coast, she finds a wild young girl wandering the beaches near her family's home. So begins a miraculous journey for autistic savant Karen Nieto, who finds freedom not only in the love and patient instruction of her aunt Isabelle, but eventually at the bottom of the ocean swimming among the creatures of the sea. Her gifts with animals are finally put to good use at the family's fishery, and her plan to revolutionize the company is brilliant: Consolation Tuna will become the first humane tuna fishery on the planet. Greenpeace approves and fame and fortune follow, and Karen is swept on a global journey that defies even her wildest expectations. As intimate as it is profound, as clear-eyed as it is warmhearted, Sabina Berman's Me, Who Dove into the Heart of the World plunges us to inspiring depths, and we resurface with a new wonder for our world —and for all the creatures living in it.

The triumphant follow-up to the bestsellingBee Season,Wickett’s Remedyis an epic but intimate novel about a young Irish-American woman facing down tragedy during the Great Flu epidemic of 1918. Wickett’s Remedyleads us back to Boston in the early part of the 20th century and into the world of Lydia, an Irish-American shop girl yearning for a grander world than the cramped confines of South Boston. She seems to be well on her way to the life she has dreamed of when she marries Henry Wickett, a shy medical student and the scion of a Boston Brahmin family. Soon after their wedding, however, Henry shocks Lydia by quitting medical school and creating a mail-order patent medicine called Wickett’s Remedy. And then just as the enterprise is getting off the ground, the Spanish Influenza epidemic of 1918 begins its deadly sweep across the world, drastically changing their lives. In a world turned almost unrecognizable by swift and sudden tragedy, Lydia finds herself working as a nurse in an experimental ward dedicated to understanding the raging epidemic — through the use of human subjects. Meanwhile, we follow the fate of Henry’s belovedWickett’s Remedyas his one-time business partner steals the recipe and transforms it into QD Soda, a wildly popular soft drink. Based on years of research and evoking actual events,Wickett’s Remedyperfectly captures the texture of the times and brings a colourful cast of characters vividly to life, including a sad and funny chorus of the dead. With wit and dexterity, Goldberg has fashioned a novel that is both charming and grand.Wickett’s Remedyannounces her arrival as a major novelist. South Boston belonged to Lydia as profoundly and wordlessly as her thimble finger. Her knowledge of its streets was more complete than any atlas, her mental maps reflecting changes that occurred from season to season, day to day, and hour to hour. Each time she left 28 D Street — one among a row of identical triple-decker houses, the tenements lining the street like so many stained teeth — her route reflected this internal almanac. . . . For ten years this was enough. Then in fifth grade, Lydia saw a city map and realized her entire world was a mitten dangling from Boston’s sleeve. Across the bridge lay Washington Street — the longest street in all New England — which began like any other but then continued north, a single determined thread of cobblestone that wove itself through every town from Boston to Providence. Once Lydia saw Washington Street she knew she could not allow it to exist without her. —excerpt fromWickett's Remedy From the Hardcover edition.

With her characteristic brilliance, Nobel Prize winner Nadine Gordimer follows the inner lives of characters confronted by unforeseen circumstances. An earthquake offers tragedy and opportunity in the title story, exposing both an ocean bed strewn with treasure and the avarice of the town's survivors. ?Mission Statement? is the story of a bureaucrat's idealism, the ghosts of colonial history, and a love affair with a government minister that ends astoundingly. And in ?Karma, ? Gordimer's inventiveness knows no bounds: in five returns to earthly life, a disembodied narrator, taking on different ages and genders, testifies to unfinished business and questions the nature of existence. Revelatory and powerful, these are stories that challenge our deepest convictions even as they dazzle us with their artful lyricism.

They are two sworn enemies with a single obsession: a woman on the run from them both. Scott Weiss is a private detective. John Foy is a professional killer. The woman is Julie Wyant, a hooker with the face of an angel. Julie spent one night with Foy--a night of psychopathic cruelty that Foy called love. Desperate to get away from him, she vanished without a trace. And Foy wants her back. There's only one man who can find her: Weiss, the best locate operative in the business. She's begged him not to look for her, fearing he'll bring the killer in his wake. But Weiss can't stay away. Now, from a town called Paradise, through a wilderness that feels like hell, Weiss searches for Julie--and the killer follows, waiting for his chance. They are two expert hunters matching move for move--until it ends on Damnation Street.

First published in the US in 1932, The Sleepwalkers is about three protagonists "sleepwalking", that is, living between vanishing and emerging ethical systems just as the somnambulist exists in a state between sleeping and waking. Together they present a panorama of German society and its progressive deterioration of values that culminated in defeat and collapse at the end of World War I. The novel explores what Broch described as "the loneliness of the I" in its three parts. The protagonists of the first two parts of the book are represented as holding to certain sets of values. Broch describes the struggles they undergo as their codes for living, or values, prove inadequate to the realities of the social environment they find themselves in. Joachim von Pasenow in the first part is "the romantic". In the second part, August Esch tries to live according to the motto "business is business". Eventually, in the third part, the amoral Huguenau's only standard for behavior is his personal profit. He follows this maxim in all his actions, swindling and murdering without remorse. Ultimately, he reaches a point of zero values without remorse and his dealings bring him finally to the zero point of values. Although Broch doesn't hold Huguenau up as someone to admire, he does present him as the inevitable harbinger of fascism. As one reviewer noted, "His characters are sleepwalkers because their own lives are shaped by the forces of the nightmare reality in which they live."