A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today. The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

The coast of Maine, a clear summer's day, a 747 plunges into the sea, the witness a small child... On a cold, lonely night in New York, Lonnie Blake, a widower and desolate jazz musician, takes comfort in the arms of Carol, a beautiful woman who has flung herself into his doorway to escape an unknown assailant. For that one night, Carol has given everything Blake has wanted: sex, companionship and, above all, compassion. In the morning she is gone, leaving no clues, just emptiness and longing. Blake cannot forget her for Carol has got under his skin and stirred his soul. He also knows she is deeply troubled, and makes it his business to find out why. The answer is not so simple, for it is not Carol who is in danger but her three year old daughter, Amanda, an ordinary, sweet-faced, dimpled child. Amanda has a gift, an extraordinary ability that Carol is desperate to hide. But others are not so discerning, and will stop at nothing until they get what they want, whatever the consequences... Fast, furious, tightly plotted and brilliantly drawn, this is a superb thriller, up with the very best, from the author of the award winning TRUE CRIME.

"The Yiddish Queen Lear. New York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare's King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds. Woman In The Moon. Set in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich"--Back cover.

"Just when Leah Rubin is enjoying some peace, her mother is back, arguing from the grave. Leah's father, very much alive, sends her pages of bad jokes in lieu of conversation. With her life now in turmoil, burdened by a moody psychiatrist and disapproving daughters, Leah realises the only way forward is back, tackling a long trail of unfinished business. Samovar is a story of unquiet souls, both ghostly and real, wrestling with the silence and pain of their own history. Biting, warm and extremely funny, it is a book both as intimate and as universal as the family itself"--Back cover.