Belfort, who founded one of the first and largest chop shop brokerage firms in 1987, was banned from the securities business for life by 1994, and later went to jail for fraud and money-laundering, delivers a memoir that reads like fiction. It covers his decade of success with straightforward accounts of how he worked with managers of obscure companies to acquire large amounts of stock with minimal public disclosure, then pumped up the price and sold it, so he and the insiders made large profits while public investors usually lost. Profits were laundered through purchase of legitimate businesses and cash deposits in Swiss banks.

A landmark, bestselling business book and a fascinating behind-the-scenes history of the creation of Danny's most famous eating establishments, Setting the Table is a treasure trove of valuable, innovative insights applicable to any business or organization.

"The original Bloomberg by Bloomberg was published in 1997 and focused primarily on the genesis of the financial software, data, and media company, Bloomberg L.P. Bloomberg began his career at the securities brokerage Salomon Brothers, before forming Bloomberg L.P. in 1981 and spending the next twenty years as its Chairman and CEO. Bloomberg by Bloomberg featured insights and anecdotes from Bloomberg's illustrious career and advice for aspiring entrepreneurs. In 2001, Bloomberg became the 108th Mayor of New York City, and he was reelected for two more terms. Thus, Bloomberg by Bloomberg, Second Edition will feature additional content highlighting Bloomberg's time as mayor of NYC and how it affected his principles"--

"The never-before-told inside story of the rebuilding of the World Trade Center - an epic tale of business, politics, and engineering by the man who spent two decades working to make it happen. After the terrorist attacks of 9/11 destroyed the World Trade Center, New Yorkers and Americans faced a critical set of questions: What should be done with the site? Could the towers be replaced? And how best to memorialize those lost on that day? For Larry Silverstein, a lifelong New Yorker who had signed a lease for the properties just a few months before the attacks, the answer was clear: America had to rebuild as quickly as possible. In The Rising, Silverstein recounts in vivid detail his long battle to construct a new World Trade Center complex and to revitalize the surrounding neighborhood while also memorializing the victims of the attacks. Silverstein made history in 2001 when he signed a 99-year lease on the 10.6 million square foot World Trade Center for $3.25 billion. For the next twenty years, he navigated warring political interests, byzantine city bureaucracies, and resistant insurance companies, as well as the many challenges of designing, engineering, and constructing several new towers in the heart of downtown Manhattan. More than once the entire project almost folded, but today the buildings are nearly complete and the neighborhood is once again a thriving hub that draws hundreds of thousands of people a day. The Rising is a vibrant portrait of the inner workings of New York City in the wake of its most profound tragedy, but it is also a master class in how to succeed in business despite all odds. Full of outsize characters and relentless adversity, this is a riveting book about a remarkable feat of vision and determination"--

IN NEW YORK, IF YOU HAVE A PROBLEM NO ONE ELSE CAN SOLVE, YOU CALL LEONID McGILL Ex-boxer, hard drinker, in a business that trades in cash and favours, McGill's an old-school P.I. working a city that's got fancy all around him. When McGill is approached by a small-time office manager, he declines the case. He has better things to do than track down the man's long lost cousin, who is about to inherit millions. But then McGill's office is broken into, and his potential client is found dead. Soon, McGill finds himself drawn into the underbelly of an establishment family, and a Pandora's box of secrets and lies. Taking you from the moneyed haunts of Uptown to the shady corners of Downtown, Mosley is the Chandler of Obama's America, and one of the finest crime writers in the world.

In this first post-9/11 account of the career of the man who established himself as America's Mayor in the dark days after America was attacked, Fred Siegel shows how Rudy Giuliani's successes in New York--restoring law and order, cutting taxes and radically reducing the welfare rolls--demonstrated that Gotham was indeed governable (a matter of doubt until his election) and that our major cities might again become vibrant and dynamic places to live after thirty years of middle-class flight. Someone who has worked with Giuliani as well as studied him, Siegel describes this colorful figure as an immoderate centrist, who, like the city he came to embody, evokes contradictory emotions. For some, he was a ruthless autocrat during his years at city hall; for others, he was a heroic figure who took on the vested interests that had dragged the city down. Siegel regards Guiliani as a shrewd tactician and artist of the possible who could have stepped out of the pages of Machiavelli's THE PRINCE. A self-promoting, self-absorbed man, the mayor made his own enormous ego serve the city's well-being. He promoted the virtues of duty and sacrifice, but was sometimes unable to honor these values in his personal life. He was suspicious of those outside his immediate circle, but he also placed this tribal ethos in the service of ideals that transcended New York's ethnic politics and business as usual. THE PRINCE OF THE CITY is at once a fascinating character study, a history of New York over the last forty years, and a classic inquiry into the issue of how cities thrive or die. Siegel's story culminates with a dramatic account of September 11, 2001, revealing how Giuliani's s eight years in office had prepared him and the city to rise to this tragic occasion. Siegel concludes with a look at how Guiliani's successor, Mayor Michael Bloomberg, has handled his legacy and at what the future might hold for America's Mayor.

The economy has hit the PI business hard, and Leonid McGill is getting job offers only from the criminals he's worked so hard to leave behind. So how can he say no to the beautiful young woman who walks into his office with a stack of cash? She's an artist, she tells him, who's escaped poverty via marriage to a rich collector. A rich collector with two ex-wives whose deaths are shrouded in mystery. She says she fears for her life, and needs Leonid's help. Though Leonid knows better than to believe every word, this isn't a job he can afford to turn away. Meanwhile, Leonid's personal life grows ever more chequered: his favourite stepson, Twill, drops out of school for mysteriously lucrative pursuits; his wife takes a new lover, infuriating the old one and endangering the whole family; and Leonid's girlfriend, Aura, is back but intent on some serious conversations... Is the client at his door who she seems and - if his family's misadventures don't kill him first - will sorting out the woman's crooked tale bring Leonid straight to death's door?

This is the first novel of Charles Reznikoff, one of the outstanding American poets of this century. It tells the story of a courageous woman in Russia who emigrates to America and starts a family and business in New York's Lower East Side. Her son, a young poet, opens a bookstore in bohemian Greenwich Village. Into his shop one day comes a beautiful upper-class girl, and the two are immediately drawn to one another.

A classic work on Broadway sharpers, grifters, and con men by the late, great New Yorker journalist A. J. Liebling. Often referred to as “Liebling lowlife pieces,” the essays in The Telephone Booth Indian boisterously celebrate raffishness. A. J. Liebling appreciated a good scam and knew how to cultivate the scammers. Telephone Booth Indians (entrepreneurs so impecunious that they conduct business from telephone booths in the lobbies of New York City office buildings) and a host of other petty nomads of Broadway—with names like Marty the Clutch and Count de Pennies—are the protagonists in this incomparable Liebling work. In The Telephone Booth Indian , Liebling proves just why he was the go-to man on New York lowlife and con culture; this is the master at the top of his form, uncovering scam after scam and writing about them with the wit and charisma that established him as one of the greatest journalists of his generation and one of New York’s finest cultural chroniclers.

An overview of generations of Italians in the Big Apple, weaving together numerous stories from different epochs and different backgrounds. "If you want to learn something about Italian creativity, come to New York. Here, you will find the pride of flying the Italian colors at the Fifth Avenue Columbus Day Parade, the American patriotism of those who perished at Ground Zero, the courage of firefighters and marines on the frontline of the war against terrorism, the babel of dialects at the Arthur Avenue market, portrayals of social change in the writings of Gay Talese, stories of successful business ventures on the TV shows of Maria Bartiromo and Charles Gasparino, political passion in the battles of Mario Cuomo and Rudy Giuliani, creative imagination in the works of Gaetano Pesce, Renzo Piano and Matteo Pericoli, and provocation in the attire of Lady Gaga... The Midtown top managers, whoarrived in the past twenty years, operate in the XXI century, while on Fresh Pond Road in Ridgewood the panelle are still prepared according to the Sicilian recipes transmitted from one generation to the next." (From the "Introduction")

The coast of Maine, a clear summer's day, a 747 plunges into the sea, the witness a small child... On a cold, lonely night in New York, Lonnie Blake, a widower and desolate jazz musician, takes comfort in the arms of Carol, a beautiful woman who has flung herself into his doorway to escape an unknown assailant. For that one night, Carol has given everything Blake has wanted: sex, companionship and, above all, compassion. In the morning she is gone, leaving no clues, just emptiness and longing. Blake cannot forget her for Carol has got under his skin and stirred his soul. He also knows she is deeply troubled, and makes it his business to find out why. The answer is not so simple, for it is not Carol who is in danger but her three year old daughter, Amanda, an ordinary, sweet-faced, dimpled child. Amanda has a gift, an extraordinary ability that Carol is desperate to hide. But others are not so discerning, and will stop at nothing until they get what they want, whatever the consequences... Fast, furious, tightly plotted and brilliantly drawn, this is a superb thriller, up with the very best, from the author of the award winning TRUE CRIME.

The life and times of an instrumental figure in New York City’s recovery from the fiscal and social crises of the 1970s and 1980s, and in the general revitalization of the city over two generations. Lew Rudin was one of New York City’s most influential power brokers in the latter part of the twentieth century, but he was also one of its most indefatigable boosters. Born in the Throgs Neck section of the Bronx on April 4, 1927, Rudin rose to become cochairman, with his brother, Jack, of one of New York’s oldest real estate dynasties, Rudin Management. It is for his civic involvement, however, that he is best remembered. Whether helping to get the New York City Marathon off the ground, or rallying corporate and labor leaders to come to the city’s aid during the fiscal crises of the 1970s, Rudin worked tirelessly on behalf of the city he loved. The Association for a Better New York, which he founded in 1971 in response to growing concerns about the city’s decline, continues to play a vital role in virtually every area of municipal life, from transportation to education. In Mr. New York, Seymour P. Lachman chronicles Rudin’s life and interesting times, and his love affair with the city he never ceased to believe in. Drawing on published materials as well as personal interviews with family members, business associates, and federal, state, and city officials, Lachman paints a portrait of a man who, by the time of his death in 2001, had truly earned the nickname “Mr. New York.” “Lew Rudin’s life is a gift that keeps on giving, through the work, generosity, and friendships of his family and through the inspirational example he set for other successful people: if you do well, you must also do good. Because of Lew, New York is stronger, safer, and cleaner. And because of Lew, my life and the lives of countless others are richer.” — from the Foreword by President Bill Clinton “Presidents, governors, and mayors knew Lew by his first name, and US senators and representatives always returned his calls. There are families in every city that have nobility attached to them. The Wagner family is one of them and the Rudin family is one also. They take the position that the city is bigger than all of us and needs all of us to attend to its needs.” — Mayor Ed Koch “Some people put on airs. Some people are condescending in their positions in life, but not Lew. Lew could be with a queen, with a king, it didn’t matter—it was always Lew. Lew was himself, and that is a remarkable trait.” — Matilda Cuomo “Lew Rudin was a wonderful man. I never had any reservation about doing business with the Rudins. They were elegant. The family has integrity, character, and whatever they did was ethical.” — Kenneth Langone “Lew Rudin in good times and bad times stood out for the good things of New York. He dropped everything to fight the good fight for the city. He was a remarkable person.” — Howard Rubenstein “Lew Rudin was a patriotic, dedicated person and a great public servant.” — Henry Kissinger

"Roger Levy, the protagonist of Alan Furst's fast-moving and funny suspense novel, is an enterprising young man in business for himself. In fact, his is a kind of modern American success story, although it just happens that his business is dealing dope around the various colleges and universities in Pennsylvania. So when he is stopped, his van searched and his "merchandise" discovered by the Pennsylvania police, he has no choice but to appear to cooperate when offered his freedom in exchange for complicity in an apparent CIA murder scheme. Back home in New York the chase is on, and it is only with the help of his lawyer, his street sense and a lot of his own hard-earned cash that Levy is finally able to identify and evade the enemy, uncover the unlikely source of the plot and come away with enough capital to fulfill his own version of the American dream--to retire and live above his own Chinese restaurant, its kitchen available to him twenty-four hours a day. Set in the last days of the sixties, Your Day in the Barrel is at once a fond spoof of the suspense genre and a fiercely contemporary thriller told in the truly original voice of a young writer making his highly auspicious debut." -- Book jacket flap.

Mrs. Bloch, gathering with her friends at the local soda fountain each day tells the story of her son, a former rabbi and now a successful businessman

After a trip home to Moravia reveals that his father is not a businessman but actually a great composer, unsuccessful musician Leib Goldkorn returns to New York to launch a production of his father's opera "Rubezahl" to disastrous results.

Every city and every state needs a Richard Ravitch. In sixty years on the job, whether working in business or government, he was the man willing to tackle some of the most complex challenges facing New York. Trained as a lawyer, he worked briefly for the House of Representatives, then began his career in his family's construction business. He built high-profile projects like the Whitney Museum and Citicorp Center but his primary energy was devoted to building over 40,000 units of affordable housing including the first racially integrated apartment complex in Washington, D.C. He dealt with architects, engineers, lawyers, bureaucrats, politicians, union leaders, construction workers, bankers, and tenants—virtually all of the people who make cities and states work. It was no surprise that those endeavors ultimately led to a life of public service. In 1975, Ravitch was asked by then New York Governor Hugh Carey to arrange a rescue of the New York State Urban Development Corporation, a public entity that had issued bonds to finance over 30,000 affordable housing units but was on the verge of bankruptcy. That same year, Ravitch was at Carey's side when New York City's biggest banks said they would no longer underwrite its debt and he became instrumental to averting the city's bankruptcy. Throughout his career, Ravitch divided his time between public service and private enterprise. He was chairman of the Metropolitan Transportation Authority from 1979 to 1983 and is generally credited with rebuilding the system. He turned around the Bowery Savings Bank, chaired a commission that rewrote the Charter of the City of New York, served on two Presidential Commissions, and became chief labor negotiator for Major League Baseball. Then, in 2008, after Governor Eliot Spitzer resigned in a prostitution scandal and New York State was in a post-financial-crisis meltdown, Spitzer's successor, David Paterson, appointed Ravitch Lieutenant Governor and asked him to make recommendations regarding the state's budgeting plan. What Ravitch found was the result of not just the economic downturn but years of fiscal denial. And the closer he looked, the clearer it became that the same thing was happening in most states. Budgetary pressures from Medicaid, pension promises to public employees, and deceptive budgeting and borrowing practices are crippling our states' ability to do what only they can do—invest in the physical and human infrastructure the country needs to thrive. Making this case is Ravitch's current public endeavor and it deserves immediate attention from both public officials and private citizens.

Town and Gown is the story of the birth in the 1960s and survival through the 1970s of an inner city college, York College of the City University of New York, in Jamaica, Queens. Created as a liberal arts college to provide increased access to minority students, it was placed in a mainly minority neighborhood, where it received exceptionally strong support from a middle class African American community seeking access to quality higher education for its children and a business community striving to overcome the effects of “white flight.” Operating in rented quarters without a permanent campus and regarded as academically illegitimate owing to its location, the college was regarded as expendable in hard times. From 1971 to 1979 critics both inside and outside of the City University, such as Governor Nelson Rockefeller and Mayor Edward Koch, questioned the school’s right to exist, especially during the New York City and State Fiscal Crisis of 1975 and 1976. Undaunted, the college and its diverse supporters rallied and won. An amazing groundswell of support from Southeast Queens, and intense political pressure, saved it. Though the fight was often bitter, York College and Jamaica would not be denied. The college moved onto its permanent campus as a new Jamaica Center emerged.

"The Yiddish Queen Lear. New York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare's King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds. Woman In The Moon. Set in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich"--Back cover.