The classic book that shaped two generations’ view of the movie business and introduced the archetypal Hollywood player Sammy Glick. He’s got a machete mouth and a genius for double-cross. As Budd Shulberg—author of the screenplay On the Waterfront —follows Sammy’s relentless upward progress, he creates a virtuoso study in character that manages to be hilariously appalling yet deeply compassionate. “Sammy Glick remains at the top of the Hollywood sleaze heap, a hustler nonpareil…. What Makes Sammy Run? Is still the quintessential novel about “the all-American heel.’” – Moredcai Richler, GQ

A bestseller in 1933, and subsequently adapted into two beloved and controversial films, Imitation of Life has played a vital role in ongoing conversations about race, femininity, and the American Dream. Bea Pullman, a white single mother, and her African American maid, Delilah Johnston, also a single mother, rear their daughters together and become business partners. Combining Bea’s business savvy with Delilah’s irresistible southern recipes, they build an Aunt Jemima-like waffle business and an international restaurant empire. Yet their public success brings them little happiness. Bea is torn between her responsibilities as a businesswoman and those of a mother; Delilah is devastated when her light-skinned daughter, Peola, moves away to pass as white. Imitation of Life struck a chord in the 1930s, and it continues to resonate powerfully today. The author of numerous bestselling novels, a masterful short story writer, and an outspoken social activist, Fannie Hurst was a major celebrity in the first half of the twentieth century. Daniel Itzkovitz’s introduction situates Imitation of Life in its literary, biographical, and cultural contexts, addressing such topics as the debates over the novel and films, the role of Hurst’s one-time secretary and great friend Zora Neale Hurston in the novel’s development, and the response to the novel by Hurst’s friend Langston Hughes, whose one-act satire, “Limitations of Life” (which reverses the races of Bea and Delilah), played to a raucous Harlem crowd in the late 1930s. This edition brings a classic of popular American literature back into print.

The only forensic psychiatrist writing suspense, Keith Ablow is being hailed as the heir to Thomas Harris. Keith Ablow's novels delve deep into that dark and deadly place that Ablow, one of the nation's leading forensic psychiatrists, knows best: the psyche of a killer. Ablow has explored the catacombs of the criminal mind to find out what makes them tick, and he brings that expertise to his new novel, a chilling and emotionally compelling story of the lengths to which one man will go to leave his own life behind. In Murder Suicide , Ablow and his alter-ego, Dr. Frank Clevenger, return to take on a murder case like no other. John Snow is a brilliant inventor who has made millions from his genius in aeronautics. He has everything a man could desire: wealth, family, even a beautiful mistress. But he also has a brain disease, a rare form of epilepsy, that threatens his most valuable possession -- his mind. Only one doctor may be able to cure it surgically, but at a terrible cost, one that Snow reveals to no one: Snow will have no memory whatsoever of his past - of its emotional entanglements or its secrets. He will be abandoning everyone he has ever known. But the night before he is scheduled to undergo the operation, he is found near the Massachusetts General Hospital, dead of a gunshot wound. Did he commit suicide, as the police suspect - or was he murdered? Forensic psychiatrist Dr. Frank Clevenger delves into Snow's complex past and tortured relationships to unlock the identity of Snow's killer: Was it the wife who can never forgive what he's done to their child and their marriage, the son who loathes him, the beautiful mistress who loves him so deeply but can never have him, or the business partner intent on taking control of his inventions? Only Frank Clevenger can unlock the door to Snow's startling past. And only Keith Ablow can take readers even further into the mind of a killer.

Ruth Rothwax, the proprietor of a successful letter-writing business, struggles to balance her work and home life while seeking support from the women in the neighborhood.

After a trip home to Moravia reveals that his father is not a businessman but actually a great composer, unsuccessful musician Leib Goldkorn returns to New York to launch a production of his father's opera "Rubezahl" to disastrous results.