"Much revived, most recently in a 2010 production transferred to Broadway from London's Menier Chocolate Factory, La Cage Aux Folles remains one of the all time biggest hits, adding new dimension to the boulevard comedy. After twenty years of un-wedded bliss Georges and Albin, two men partnered for better-or-worse get a bit of both when Geroges' son (fathered during a one-night fling) announces his impending marriage to the daughter of a bigoted, right-wing politician. Further complicating the situation is the 'family business': Albin and Georges run a transvestite nightclub in St. Tropez, where Albin is the "star" performer 'Zaza.' Georges reluctantly agrees to masquerade as "normal" when he meets the family of the bride-to-be. But Albin has other plans, with hilarious results." -- From back cover.

A very wealthy businessman buys a plane to carry his fianc�e, a non-US citizen, into Canada. However, an unexpected landing of the plane prompts an investigation into the man's affairs based on his tax payment history. As his assistant tries to help him put things back together, secrets are revealed, and it is discovered the man is a powerful political insider who's been evading tax law. The investigation deepens and his future is even more at risk.

The glorious tradition of the Broadway musical from Irving Berlin to Jerome Kern and Rodgers and Hammerstein to Stephen Sondheim. And then . . . Cats and Les Miz. Mark Steyn's Broadway Babies Say Goodnight is a sharp-eyed view of the whole span of Broadway musical history, seven decades of brilliant achievements the best of which are among the finest works American artists have made. Show Boat, Oklahoma!, Carousel, Gypsy, and more. In an energetic blend of musical history, analysis, and backstage chat, Mark Steyn shows us the genius behind the 'simple' musical, and asks hard questions about the British invasion of Broadway and the future of the form. In this delicious book he gives us geniuses and monsters, hits and atomic bombs, and the wonderful stories that prove show business is a business which -- as the song goes --there's no business like.

Simon and Schuster (1951)

(Limelight). "He did what he wanted to do: with his wife Judith Malina he created the Living Theatre . . . Not an ivory tower, however: a headquarters of revolution, a guerrilla theater, though a pacifist one . . . He didn't get the kind of death he wanted . . . but . . . he had had the life he wanted . . . When such a life has been lived, who dares say theater is just a business? Who dares say it is just an art?" Eric Bentley