WINNER OF THE PEN/ JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY NEW YORK TIMES BESTSELLER “This book is a must for everyone interested in illuminating the idea of unexplainable genius.” —QUESTLOVE Equal parts biography, musicology, and cultural history, Dilla Time chronicles the life and legacy of J Dilla, a musical genius who transformed the sound of popular music for the twenty-first century. He wasn’t known to mainstream audiences, even though he worked with renowned acts like D’Angelo and Erykah Badu and influenced the music of superstars like Michael Jackson and Janet Jackson. He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play. In Dilla Time , Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way. Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself.

The "American Idol" judge the public loves to be shocked by now gives the low-down on the musical fame game in this witty, wicked look at what it takes to become a rock star.

Heavy Tales is the detailed, never before told story as lived by Jonny Zazula of how he founded Megaforce Records out of a flea market in New Jersey with his wife, Marsha and built a dynasty unmatched by others, forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in heavy metal history, giving it its Golden Era. Jonny Zazula was a renegade youth who went from living on the New York City streets, to later working on Wall Street, and then moving unexpectedly towards the music business. In the winter of 1982, while working in a flea market, he received an unexpected demo tape from underground, unsigned band Metallica. Eager and determined to have the music heard by the entire world, Jonny Z and Marsha founded Megaforce Records in 1983, and soon after released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal - but that's just the start. Heavy Tales details the stories of how Jonny Z worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Mercyful Fate, Raven, Overkill, Exciter, Stormtroopers of Death, Method of Destruction, Ace Frehley, King's X, Ministry, Mindfunk, Nudeswirl, Warren Haynes, Disco Biscuits and others, and how one night in 1984, he jokingly created Rap Metal before anyone else conceived the idea. With the foreword written by Chuck Billy, plus over 100 rare photographs unearthed from the MegaVault and photographer friends, Heavy Tales is the definitive American story of a family man with a dream, determined to prove to the world that heavy metal belonged on the stage, on the radio and in your living room.

A comprehensive examination of Jewish influence and participation in the American popular music business, that weaves together cultural, political, musical and economic history.

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

The Jazz Book of Two Lifetimes NEA Jazz Master saxophonist Dave Liebman and pianist Richie Beirach have enjoyed a fifty-year friendship on and off the bandstand. They've performed with Miles Davis, Elvin Jones, Stan Getz, Chet Baker, Freddie Hubbard, and their own bands. Ruminations and Reflections takes readers on a rollicking journey through their musical lives. Along the way, they share their views on jazz education, prominent musicians, and musical preparation. Liebman and Beirach pay tribute to their musical mentors, tour their discography, and suggest essential recordings to study. The book's conversational style will delight students, professionals, and music lovers alike. "We really don't have an exact name for musicians like Dave and Richie. Across decades of recordings and concerts, their aspirations obliterate the definitions of any single genre. This volume reveals the deep insight and wisdom required to resolve their shared quest for meaning in music. Both are master players who continue to strive for what goes beyond and what lies beneath. Reading their words and following their stories in this wonderful book affirms the feeling that they share on the bandstand as one of the great long-term partnerships in this music." - Pat Metheny A masterclass in the art and skill of jazz Ruminations and Reflections is more than just a jazz biography, it is a masterclass in how to improvise, jazz theory, how to listen to jazz, and the business of being a musician in today's world. Never shy, these two friends share fascinating and revealing stories of growing into their musical selves, late night hangs with legendary musicians, and the jazz life. Known for their virtuosity and playing free, Liebman and Beirach share their secrets for preparing for the ultimate exercise of musical improvisation. Both musicians use their deep devotion to classical music as a basis for improvisation, crossing genres and boundaries to create spontaneous and beautiful musical experiences. As veteran educators, Dave and Richie share their wisdom and life lessons to keep the legacy of jazz improvisation and free jazz alive. Jazz musicians and students will find value in their masterful analysis of duo playing, comping, and musical leadership. For fans of jazz masters and legends Ruminations and Reflections showcases never before told anecdotes and opinions about musical legends including, John Coltrane, Bill Evans, McCoy Tyner, Jack DeJohnette, Wayne Shorter, Michael Brecker, Randy Brecker, Chick Corea, Lee Konitz, Sonny Rollins, Herbie Hancock, and Wynton Marsalis. Jazz fans will delight in the in-depth analysis of over twenty of this duo's best recordings, providing insight and history to this important discography. A journey through modern jazz history Jazz aficionados will enjoy the personal accounts of their formative years in Brooklyn, developing a passion for music that has lasted a lifetime. A road trip through Brooklyn and Manhattan sets the scene for reminiscences about the New York City jazz scene today and in days gone by. Jazz clubs like Birdland and the Village Vanguard come to life with tales of the musicians who played there. Ruminations and Reflections chronicles the intersection of jazz and rock and roll in the fertile early 1970's New York loft scene. Beirach and Liebman were pioneers in the jazz fusion era and recount tours, jam sessions, and recordings with their bands Lookout Farm and Quest. They continue to marvel audiences in any musical setting. Along their journey, Liebman and Beirach have created a legacy of excellence and dedication to fans, fellow musicians, and the music. This book is a celebration of musical lives well-lived and a gift to us all.

FROM THE POET the Chicago Tribune calls the new voice of Chicago, comes L-vis Lives!, a bold new collection of poetry and prose exploring the collision of race, art, and appropriation in American culture. L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, and Eminem, and meet some of history's more obscure whiteboy heroes and anti-heroes: legendary breakdancers, political activists, and music impresarios. A story of both artistic theft and radical invention, L-vis Lives! is a poetic novella on all of the possibilities and problems of post-racial" American culture-where Black art is still at times only fully accepted in a white face, and every once in a while an L-vis" comes along to step in to the void. i am a hero to most. the great hope of something other. a complex back-story. something other than the business of my father. Bland's antonym. jim crow's black sheep. the forgotten son left to rise in the darkness among the dis carded in the wild of working class, single mother hoods. a hero who transcends who translates the dis satisfactions of the plains; kids of kurt cobain, method man amphetamine, the odd Iowan who digs dirt and lights beyond the pig yard, spits nebraskan argot, hero to the heart land, middle brow(n) america "--