"For decades, the specter of homosexuality haunted Washington. The mere suggestion that a person might be gay destroyed reputations, ended careers, and ruined lives. At the height of the Cold War, fear of homosexuality became intertwined with the growing threat of international communism, leading to a purge of gay men and lesbians from the federal government. In the fevered atmosphere of political Washington, the secret "too loathsome to mention" paradoxically held enormous, terrifying power. Utilizing thousands of pages of declassified documents, interviews with over one hundred people, and material unearthed from presidential libraries and archives around the country, Secret City: The Hidden History of Gay Washington, from FDR through Clinton is a chronicle of American politics like no other. Beginning with the tragic story of Sumner Welles, Franklin Delano Roosevelt's brilliant diplomatic advisor and the man at the center of "the greatest national scandal since the existence of the United States," award-winning journalist and author James Kirchick illuminates how the idea of homosexuality shaped each successive presidential administration, impacting everything from the creation of America's earliest civilian intelligence agency to the rise and fall of McCarthyism, the struggle for African American civil rights, and the conservative movement. Celebrating the men and women who courageously decided that the source of their private shame could instead be galvanized for public pride, Kirchick offers a reinterpretation of American history told from the perspective of the citizens who lived in its shadows. Sweeping in scope and intimate in detail, Secret City will forever transform our understanding of American history"--

"The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The vast effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Services (OSS) took jobs in the burgeoning postwar structure of university-based military research and the intelligence agencies, bringing infusions of government money into many fields." "Little has been written about the long-term impact of this close association, despite considerable study of the McCarthy period's destructive impact on academic careers. The Cold War and the University is a groundbreaking collection of newly commissioned essays that takes a bold first step toward the reconstruction of this history. In it, some of the country's most prominent intellectuals use their own experiences to explore what happened to the university in the postwar years and why." "In wide-ranging and revealing essays, these writers show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos; they discuss the rise of new fields, such as area studies; and they explore the changing nature of dissent and academic freedom during and since the Cold War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In this riveting account of the explosive relationship between Robert F. Kennedy and J. Edgar Hoover, renowned journalist and author Burton Hersh sets their highly publicized clashes in the context of Joe Kennedy's ongoing manipulation of Congress and his children's careers, and his lifelong connections to organized crime. Theirs was a unique triumvirate, marked by conflict and betrayal, and culminating in a near-Shakespearean tragedy. Based on compelling new research, and told in gripping anecdotal style, Hersh chronicles the complex relationship between the two antagonists, from their early brushes during the McCarthy years to their controversial deaths.

The last quarter century has been an extraordinary and turbulent period in the art world. It was a time of creative intensity during which a handful of artists, like Julian Schnabel, Jeff Koons, Keith Haring, and Jean-Michel Basquiat, managed, in their different ways, to cross over from the rarefied world of high art into popular culture. It was also a time when other promising careers and even whole movements, like Graffiti, spurted to life and then just as suddenly disappeared. During the astonishing boom years of the 1980s, the newly vigorous art market transformed the role of dealers and collectors to give them unprecedented power as tastemakers and the dangerous glamour of Hollywood power agents. And then came the bust. Writer Anthony Haden-Guest has moved within the art world, known the players, and reported on the scene for this entire span of time. True Colors draws on two decades of reporting to deliver an authoritative and deliciously inside account of the contemporary art world that will be the most talked-about book on art since The Shock of the New. Haden-Guest gives vivid portraits of the art world's key players and dramatizes the pivotal moments in the always evolving scene. Skillfully conveying a sense of the intricate geography of the art world, he tells of its clashes of ambition, its intrigues, its power plays. This is how artists survive, or don't survive. True Colors is filled with telling anecdotes and expertly told stories that cohere to give a sense of how the art world works, its current state, and where it may be going.

Jews and the Military is the first comprehensive and comparative look at Jews' involvement in the military and their attitudes toward war from the 1600's until the creation of the state of Israel in 1948. Derek Penslar shows that although Jews have often been described as people who shun the army, in fact they have frequently been willing, even eager, to do military service, and only a minuscule minority have been pacifists. Penslar demonstrates that Israel's military ethos did not emerge from a vacuum and that long before the state's establishment, Jews had a vested interest in military affairs. Spanning Europe, North America, and the Middle East, Penslar discusses the myths and realities of Jewish draft dodging, how Jews reacted to facing their coreligionists in battle, the careers of Jewish officers and their reception in the Jewish community, the effects of World War I on Jewish veterans, and Jewish participation in the Spanish Civil War and World War II. Penslar culminates with a study of Israel's War of Independence as a Jewish world war, which drew on the military expertise and financial support of a mobilized, global Jewish community. He considers how military service was a central issue in debates about Jewish emancipation and a primary indicator of the position of Jews in any given society. Deconstructing old stereotypes, Jews and the Military radically transforms our understanding of Jews' historic relationship to war and military power.

Exile, Statelessness, and Migration explores the intertwined lives, careers, and writings of a group of prominent Jewish intellectuals during the mid-twentieth century―in particular, Theodor Adorno, Hannah Arendt, Walter Benjamin, Isaiah Berlin, Albert Hirschman, and Judith Shklar, as well as Hans Kelsen, Emmanuel Levinas, Gershom Scholem, and Leo Strauss. Informed by their Jewish identity and experiences of being outsiders, these thinkers produced one of the most brilliant and effervescent intellectual movements of modernity. Political philosopher Seyla Benhabib's starting point is that these thinkers faced migration, statelessness, and exile because of their Jewish origins, even if they did not take positions on specifically Jewish issues personally. The sense of belonging and not belonging, of being ?eternally half-other,? led them to confront essential questions: What does it mean for the individual to be an equal citizen and to wish to retain one's ethnic, cultural, and religious differences, or perhaps even to rid oneself of these differences altogether in modernity? Benhabib isolates four themes in their works: dilemmas of belonging and difference; exile, political voice, and loyalty; legality and legitimacy; and pluralism and the problem of judgment. Surveying the work of influential intellectuals, Exile, Statelessness, and Migration recovers the valuable plurality of their Jewish voices and develops their universal insights in the face of the crises of this new century.

In this new edition of his landmark book, John Gross traces the shifting fortunes of the men who shaped literary opinion in England during the Victorian, Edwardian, and contemporary eras. He brings together famous or forgotten critics and editors-prophets, aesthetes, statesmen, dons, radicals, social climbers, idealists, gossipmongers, and literary lions-and explores not only their critical ideas but also their personalities, careers, social backgrounds, and politics. He looks at "the higher journalism;" the expansion of the reading public, the byways of British liberalism, and the rise of literature as an academic subject, and the impact of modernism. In all a remarkable survey, to which Mr. Gross has now added updates on several literary careers, the new style of critics who have evolved from the universities, and the dominant role of the media. "A brilliant account of English literary culture which is as engaging as it is illuminating"-Lionel Trilling. "Extremely readable.... The book is strewn with marvelous bits: deft aperçus, biographical portraits of great subtlety and force, wit, commonsensical intelligence everywhere. It is a book that no one who cares about the state of literature can afford to neglect."-Joseph Epstein.

"In 1926, Harvard athletic director Bill Bingham chose former Crimson All-American Arnold Horween as coach of the university's moribund football team. The pair instilled a fresh culture, one based on merit rather than social status, and in the virtues of honor and courage over mere winning. Yet their success challenged entrenched ideas about who belonged at Harvard and, by extension, who deserved to lay claim to the American dream. Zev Eleff tells the story of two immigrants' sons shaped by a vision of an America that rewarded any person of virtue. As a player, the Chicago-born Horween had led Harvard to its 1920 Rose Bowl victory. As a coach, he faced intractable opposition from powerful East Coast alumni because of his values and midwestern, Jewish background. Eleff traces Bingham and Horween's careers as student-athletes and their campaign to wrest control of the football program from alumni. He also looks at how Horween undermined stereotypes of Jewish masculinity and dealt with the resurgent antisemitism of the 1920s"--

At the end of the millennium, the leading British industry magazine, The Bookseller, selected the ten people who had most influenced its century. Tom Maschler—described as "the most important publisher in Britain; the most innovative, adventurous, and newsworthy"—was one of them. It went on to say that for nearly 20 years, "he made publishing glamorous." Over the course of his career, Maschler launched the careers of Thomas Pynchon, Joseph Heller, Gabriel García Márquez, Julian Barnes, Ian McEwan, Martin Amis, and Bruce Chatwin, among others. From the party where Norman Mailer stabbed his wife to the porch where Ernest Hemingway shot himself, this frank and fascinating memoir affords a rare glimpse into the golden days of British publishing. An extraordinary literary memoir by one great publishers of the 20th century.

At the dawn of the Reagan era Martin Bauman, nineteen, clever, ambitious and insecure, is enrolled at a prestigious college with a hard-won place under the tutelage of the legendary and enigmatic Stanley Flint, a man who can make or break writing careers with the flick of a weary hand. Martin is poised on the threshold of the writing life, his twin desires to get into print and to find his way out of the closet. Moving through the century's most licentious decade - the decade of cocaine, wild parties, huge advances and the tragic comedown of AIDS - Martin matures from brilliant student to apprentice in a Manhattan publishing house to fully fledged member of the New York literary brat pack. Yet despite his apparent success, his emotional and creative desires refuse, stubbornly, to be satisfied and his every achievement is haunted by the austere and troubling image of literary perfection, his elusive mentor, Stanley Flint. Subtle, erotic, honest and funny, David Leavitt's deliciously sharp, multi-layered dissection of literary and sexual mores lays bare the life of the artist, in all his venal, envious, self-loathing, poignant glory.

Significantly deepening our understanding of two key figures from the modernist period, The Humane Particulars collects the letters between William Carlos Williams and Kenneth Burke. Written during forty-two years of close friendship and literary debate, these nearly 250 letters span two long lives, two complicated personalities, and two brilliantly productive careers. The animated exchange between a canonical poet and the leading American rhetorical critic of the twentieth century offers a more complete vision of their outlooks and their contributions to the shape and tenor of the modernist scene. Set in context by James H. East's introduction and explanatory notes, the letters begin just after Burke and Williams's initial meeting in 1921 during a tramp through a New Jersey swamp and surrounding meadowlands. Their written exchange follows the maturing of their friendship and professional regard. The correspondence shows that Williams and Burke were fast friends during the experimental twenties, preoccupied by individual and divergent projects in the thirties and early forties, and reunited as enthusiastic correspondents after the Second World War. The letters refer to happy times spent together - walks in the woods, picnics and swimming, and visits to Burke's farm in Andover, New Jersey. They reveal, among other interesting personal matters, Burke's fascination with Williams's double life as physician and poet, Burke's hypochondria, and Williams's at times chastising medical advice to Burke. But, more important, the letters preserve the continual wrangling over the origin and nature of literary form that enlightened the pair's many disagreements. Of particular interest, the correspondence documents a largely unexplored aspect of Burke's career - his reciprocally influential relationship with the writers of the late modern and midcentury periods.

Contains the transcripts of in-depth interviews conducted by The Association of Diplomatic Studies and Training of Washington, D.C. with American diplomats who during their careers served either at the American Embassy in Ankara or in the country's consulates in Istanbul, Adana and Izmir. These retired diplomats were first-hand witnesses of the Turkish political and cultural scene in the years they served in Turkey and their comments and observations are therefore extremely valuable. This book thus represents a significant contribution to the history of modern Turkey and should be of great interest to both scholars in a variety of fields as well as other interested observers of the Turkish Republic.