(Applause Books). When Milton Berle died in the Spring of 2002, THE NEW YORK TIMES declared that the legendary comic "may have had a more profound influence on our way of life than some presidents or Nobel Prize winners." This landmark memoir, as startling today as it was when it was first published, reveals the life and times of the man known affectionately to millions as Uncle Miltie. Told with unflinching candor, here is one of the most fabled and influential show business careers of all time: from performing as a child in Vaudeville and making silent movies with Charlie Chaplin and Mary Pickford, to nightclub performances for Al Capone, working on radio during World War II, performing in Broadway musicals, and, finally, superstardom on television. Perhaps even more fascinating is Berle's scandal-ridden private life: his star-crossed love affair with a 1930's movie queen and the child they had out of wedlock, his numerous affairs with women ranging from evangelist Aimee Semple McPherson to Marilyn Monroe, and his stormy relationship with beautiful showgirl Joyce Mathews, whom Berle married twice. It is Berle's unsparing account of his life and his determination to show the world his real face that led Frank Sinatra, at the time, to call this "the gutsiest book I've read in years." Told with equal amounts of comedy and pathos, and featuring colorful appearancesby all the major stars of his day, MILTON BERLE is simply one of the best show business memoirs ever written.

"In the late 1950s, Mike Nichols (1931-2014) and Elaine May (b. 1932) soared to superstar status as a sketch comedy duo in live shows and television. After their 1962 breakup, both went on to long and distinguished careers in other areas of show business-mostly separately, but sporadically together again. In Nichols and May: Interviews, twenty-seven interviews and profiles ranging over more than five decades tell their stories in their own words. Nichols quickly became an A-list stage and film director, while May, like many women in her field, often found herself thwarted in her attempts to make her distinctive voice heard in projects she could control herself. Yet, in recent years, Nichols's work as a filmmaker has been perhaps unfairly devalued, while May's accomplishments, particularly as a screenwriter and director, have become more appreciated, leading to her present widespread acceptance as a groundbreaking female artist and a creative genius of and for our time. Nichols gave numerous interviews during his career, and editor Robert E. Kapsis culled hundreds of potential selections to include in this volume the most revealing and those that focus on his filmmaking career. May, however, was a reluctant interview subject at best. She often subverted the whole interview process, producing instead a hilarious parody or even a comedy sketch-with or without the cooperation of the sometimes-oblivious interviewer. With its contrasting selection of interviews conventional and oddball, this volume is an important contribution to the study of the careers of Nichols and May"--