"The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The vast effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Services (OSS) took jobs in the burgeoning postwar structure of university-based military research and the intelligence agencies, bringing infusions of government money into many fields." "Little has been written about the long-term impact of this close association, despite considerable study of the McCarthy period's destructive impact on academic careers. The Cold War and the University is a groundbreaking collection of newly commissioned essays that takes a bold first step toward the reconstruction of this history. In it, some of the country's most prominent intellectuals use their own experiences to explore what happened to the university in the postwar years and why." "In wide-ranging and revealing essays, these writers show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos; they discuss the rise of new fields, such as area studies; and they explore the changing nature of dissent and academic freedom during and since the Cold War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Examines the lives and careers of four distinguished Irish authors and analyzes the connections among them.

From his extraordinary beginnings-his mother went into labor while gambling at a French casino-to escaping Nazi Germany, Fascist Italy, and ultimately hoping to conquer New York City, John Gruen writes a subtly revealing self-portrait in Callas Kissed Me...Lenny Too! As a boy unable to speak a single word of English, Gruen was determined to make a successful life for himself in America. Anxious to know what his adopted country was truly about, he ventured to the Midwest to attend the University of Iowa, where he emerged, five years later, as a more-or-less Americanized graduate student on his way to a PhD scholarship to the prestigious Institute of Fine Arts at New York University, and as the 20-year-old husband of ravishing fellow student and painter Jane Wilson. The story of the Gruens' life in New York City, from the 1950s to the present, explores a complex marriage and two parallel journeys of artistic growth. Gruen worked as a composer, photographer, and journalist; Wilson developed as a distinguished painter, though often supported the two with work as a fashion model. Life was always on the move for the couple. Though hardly well-connected and certainly not wealthy, the Gruens knew everyone during their many years in the artistic milieu of which they were an active part. From the many apartments they occupied in New York City to the countless dinner parties, nights at the Cedar bar, and weekends at their Hamptons barn, their life was a nonstop social whirlwind. There were chance encounters with Salvador Dalí, evenings spent pretending to be Chekhov characters at home with E.E. Cummings and Marion Morehouse, working vacations to Italy with the Leonard Bernsteins, and a long working visit to Gian Carlo Menotti's baronial Scottish estate. Their ever-expanding circle of acquaintances and friends also included Rudolf Nureyev, Maria Callas, Willem De Kooning, Francis Bacon, Judy Garland, Tennessee Williams, Bette Davis, Samuel Beckett, Lucien Freud, Andy Warhol, Robert Rauschenberg, Jasper Johns, and so many others. It was all quite head-spinning, at times producing hugely complicated situations, but throughout it all, John Gruen and Jane Wilson built successful careers based on hard work and a steady conviction that life should be lived to the fullest.

Exile, Statelessness, and Migration explores the intertwined lives, careers, and writings of a group of prominent Jewish intellectuals during the mid-twentieth century―in particular, Theodor Adorno, Hannah Arendt, Walter Benjamin, Isaiah Berlin, Albert Hirschman, and Judith Shklar, as well as Hans Kelsen, Emmanuel Levinas, Gershom Scholem, and Leo Strauss. Informed by their Jewish identity and experiences of being outsiders, these thinkers produced one of the most brilliant and effervescent intellectual movements of modernity. Political philosopher Seyla Benhabib's starting point is that these thinkers faced migration, statelessness, and exile because of their Jewish origins, even if they did not take positions on specifically Jewish issues personally. The sense of belonging and not belonging, of being ?eternally half-other,? led them to confront essential questions: What does it mean for the individual to be an equal citizen and to wish to retain one's ethnic, cultural, and religious differences, or perhaps even to rid oneself of these differences altogether in modernity? Benhabib isolates four themes in their works: dilemmas of belonging and difference; exile, political voice, and loyalty; legality and legitimacy; and pluralism and the problem of judgment. Surveying the work of influential intellectuals, Exile, Statelessness, and Migration recovers the valuable plurality of their Jewish voices and develops their universal insights in the face of the crises of this new century.

In this new edition of his landmark book, John Gross traces the shifting fortunes of the men who shaped literary opinion in England during the Victorian, Edwardian, and contemporary eras. He brings together famous or forgotten critics and editors-prophets, aesthetes, statesmen, dons, radicals, social climbers, idealists, gossipmongers, and literary lions-and explores not only their critical ideas but also their personalities, careers, social backgrounds, and politics. He looks at "the higher journalism;" the expansion of the reading public, the byways of British liberalism, and the rise of literature as an academic subject, and the impact of modernism. In all a remarkable survey, to which Mr. Gross has now added updates on several literary careers, the new style of critics who have evolved from the universities, and the dominant role of the media. "A brilliant account of English literary culture which is as engaging as it is illuminating"-Lionel Trilling. "Extremely readable.... The book is strewn with marvelous bits: deft aperçus, biographical portraits of great subtlety and force, wit, commonsensical intelligence everywhere. It is a book that no one who cares about the state of literature can afford to neglect."-Joseph Epstein.

At the dawn of the Reagan era Martin Bauman, nineteen, clever, ambitious and insecure, is enrolled at a prestigious college with a hard-won place under the tutelage of the legendary and enigmatic Stanley Flint, a man who can make or break writing careers with the flick of a weary hand. Martin is poised on the threshold of the writing life, his twin desires to get into print and to find his way out of the closet. Moving through the century's most licentious decade - the decade of cocaine, wild parties, huge advances and the tragic comedown of AIDS - Martin matures from brilliant student to apprentice in a Manhattan publishing house to fully fledged member of the New York literary brat pack. Yet despite his apparent success, his emotional and creative desires refuse, stubbornly, to be satisfied and his every achievement is haunted by the austere and troubling image of literary perfection, his elusive mentor, Stanley Flint. Subtle, erotic, honest and funny, David Leavitt's deliciously sharp, multi-layered dissection of literary and sexual mores lays bare the life of the artist, in all his venal, envious, self-loathing, poignant glory.

" . . . scrupulous, fair-minded and richly-detailed study . . . the book charts one of the most remarkable intellectual careers of the 20th century's latter half. . . . What is most heartening about Mr. Alexander's biography is its exemplary civility and nuance in discussing ideas across the lines of political difference." ―Nathan Glick, Washington Times "Anyone interested in Howe's varied career, and the historical context that has given it its particular shape―American radicalism, the Cold War and anticommunism, the New Left, literary modernism, Jewish life―will profit handsomely from reading Alexander's respectful book." ―Wilson Quarterly "Edward Alexander's captivating study of Irving Howe is illuminating and scrupulous; it is also temperate, generous, and deeply fair-minded. If Howe were alive, he would thank the author―and even now, in Paradise, he is surely doing so (while hotly continuing the discussion)." ―Cynthia Ozick " . . . a singular achievement." ―Jerusalem Post " . . . a masterpiece" ―National Jewish Post and Opinion ". . . meticulous scholarship, felicitous writing style and a literate feistiness." ―Chicago Jewish Star "An excellent work of insight and criticism, recommended for academic libraries." ―Library Journal "An insightful, balanced contribution . . ." ―Booklist "Edward Alexander's estimable intellectual biography . . . studiously avoids both undue sentimentality and overly harsh censure." ―Sanford Pinsker, Philadelphia Inquirer "Edward Alexander's well-informed and engaging portrait of Irving Howe does full justice to the complexities of mind and the political passions of one of this country's leading intellectuals. This bracing, perceptive study honors Howe's admirable career by treating it with the same high degree of moral seriousness that characterized Howe's own work at its best." ―Alvin H. Rosenfeld Irving Howe, author of World of Our Fathers, the prize-winning history of American Jewish immigrant culture, and founding editor of the influential magazine Dissent, was for over 50 years a dominant―and controversial―figure in American intellectual life. Through a clear and eloquent study of Howe's politics, writings, and thought, Edward Alexander constructs a sympathetic yet critical intellectual biography of this complex individual.