In this New York Times bestseller, Rolling Stone founder, co-editor, and publisher Jann Wenner offers a "touchingly honest" and "wonderfully deep" memoir from the beating heart of classic rock and roll (Bruce Springsteen). Jann Wenner has been called by his peers "the greatest editor of his generation." His deeply personal memoir vividly describes and brings you inside the music, the politics, and the lifestyle of a generation, an epoch of cultural change that swept America and beyond. The age of rock and roll in an era of consequence, what will be considered one of the great watersheds in modern history. Wenner writes with the clarity of a journalist and an essayist. He takes us into the life and work of Bob Dylan, John Lennon, Mick Jagger, Bono, and Bruce Springsteen, to name a few. He was instrumental in the careers of Hunter S. Thompson, Tom Wolfe, and Annie Leibovitz. His journey took him to the Oval Office with his legendary interviews with Bill Clinton and Barack Obama, leaders to whom Rolling Stone gave its historic, full-throated backing. From Jerry Garcia to the Dalai Lama, Aretha Franklin to Greta Thunberg, the people Wenner chose to be seen and heard in the pages of Rolling Stone tried to change American culture, values, and morality. Like a Rolling Stone is a beautifully written portrait of one man's life, and the life of his generation.

From an early age, Richard Hell dreamed of running away. He arrived penniless in New York City at seventeen; ten years later he was a pivotal voice of the age of punk, cofounding such seminal bands as Television, The Heartbreakers, and Richard Hell and the Voidoids—whose song "Blank Generation" remains the defining anthem of the era, an era that would forever alter popular culture in all its forms. How this legendary downtown artist went from a bucolic childhood in the idyllic Kentucky foothills to igniting a movement that would take over New York and London's restless youth culture—cementing CBGB as the ground zero of punk and spawning the careers of not only Hell himself, but a cohort of friends such as Tom Verlaine, Patti Smith, the Ramones, and Debby Harry—is a mesmerizing chronicle of self-invention, and of Hell's yearning for redemption through poetry, music, and art. An acutely rendered, unforgettable coming-of-age story, I Dreamed I Was a Very Clean Tramp evokes with feeling, lyricism, and piercing intelligence both the world that shaped him and the world he shaped.

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Raphael Bronstein is among the most legendary violin instructors in recent memory. Arguably one of the strongest influences on our current generation of violin teachers and players, he counted among his students such luminaries as Elmar Oliveira, Martha Strongin Katz, Lya Stern, Jay Zhong, and his own daughter, Ariana Bronne. Though he taught over 1000 students in the course of his career, The Science of Violin Playing is his only publication. A treasure for serious students of the violin, this book contains page after page of instructive and inspiring wisdom. Best read slowly and carefully, Bronstein teaches violin playing as both an art and science, turning his exacting eye and ear to every aspect of the instrument. Lessons include: The principles and importance of visual intonation Left hand technique and practice habits The psychology of violin playing Right arm technique including santille, spiccato, martele, ricochet, and more Interpretation of pieces for performance Technical analyses of complete violin concerti, including works by Mozart, Mendelssohn, and Tchaikowsky For dedicated and ambitious violinists, this is a book to be studied, read, and re-read. Filled with a career's worth of advice and wisdom, The Science of Violin Playing is a remarkable book for all aspiring performers and teachers.

The music of clarinetists Naftule Brandwein and Dave Tarras is iconic of American klezmer music. Their legacy has had an enduring impact on the development of the popular world music genre. Since the 1970s, klezmer music has become one of the most popular world music genres, at the same time influencing musical styles as diverse as indie rock, avant-garde jazz, and contemporary art music. Klezmer is the celebratory instrumental music that developed in the Jewish communities of eastern Europe over the course of centuries and was performed especially at weddings. Brought to North America in the immigration wave in the late nineteenth century, klezmer thrived and developed in the Yiddish-speaking communities of New York and other cities during the period 1880-1950. No two musicians represent New York klezmer more than clarinetists Naftule Brandwein (1884-1963)and Dave Tarras (1897-1989). Born in eastern Europe to respected klezmer families, both musicians had successful careers as performers and recording artists in New York. Their legacy has had an enduring impact and helped to spurthe revival of klezmer since the 1970s. Using their iconic recordings as a case study, New York Klezmer in the Early Twentieth Century looks at the inner workings of klezmer dance music, from its compositional aspects to the minutiae of style. Making use of historical and ethnographic sources, the book places the music within a larger social and cultural context stretching from eastern Europe of the nineteenth century to the United Statesof the present. JOEL E. RUBIN is Associate Professor of Music at the University of Virginia and an acclaimed performer of traditional klezmer music.

Songwriters Speak gives a unique insight into the lives of some of the world's best-known songwriters. The first collection of in-depth interviews with the creative powerhouses hailing from Australian and New Zealand, the book was critically acclaimed on its release in 2005. It became a sought-after reference work for other music writers and serious fans wanting to go deep into the stories of how artists worked, thought and felt. For several years Songwriters Speak was out of print, yet still in demand, until Sydney-based boutique publishing label Bouley Bay Books partnered with author Debbie Kruger to bring this "buried treasure" of music writing back into circulation in 2023. In the intervening time, eight of the songwriters interviewed have died and the music industry has changed dramatically. As Debbie writes in her new Foreword, the conversations she had for the book "stand as meaningful historical testaments to the times they were conducted and unique perspectives on what came before and what was to come later." This book gets inside the hearts and minds of some of our greatest musical poets and asks questions about how inspiration is sparked, whether songwriters are born or made, and where, ultimately, songs come from. In candid face-to-face interviews, these tunesmiths discuss their successful careers, share thoughts on tapping into the creative source and tell the stories behind classic songs including "Friday on My Mind", "The Real Thing", "Eagle Rock", "Khe Sanh", "Deep Water", "Hopelessly Devoted To You", "What's Love Got To Do With It", "Down Under", "Age of Reason", "Beds Are Burning", and "Truly Madly Deeply". Songwriters Speak features conversations with Harry Vanda & George Young, Ross Wilson, John Williamson, Glenn Shorrock, Richard Clapton, Tim Finn, Steve Kipner, Neil Finn, Nick Cave, Christina Amphlett, Paul Kelly, Deborah Conway, Archie Roach, Daniel Johns, Kasey Chambers and many more. Included are key members from legendary bands The Seekers, The Twilights, Masters Apprentices, Axiom, Sherbet, Little River Band, Cold Chisel, Dragon, Sports, Midnight Oil, Mental As Anything, Australian Crawl, Icehouse, INXS, Men At Work, Hunters & Collectors and Savage Garden. Songwriters interviewed are also the masterminds behind hits for Slim Dusty, John Farnham, Olivia Newton-John, John Paul Young, Cliff Richard, Tina Turner, Chicago, Robert Palmer, Christina Aguilera, Lenny Kravitz and other international performers.