"An extraordinary tale…of love, of unthinkable trauma, of a heroic partnership… Redefining for the world what it means to be a fighter.”—People The New York Times bestseller by Gabrielle Giffords and her husband, astronaut and Arizona Senator Mark Kelly—an incredibly inspiring story of adventure, public service, love, and overcoming tragedy. Now a documentary film titled Gabby Giffords Won’t Back Down. The shooting of Gabby Giffords and nineteen others, six of whom were killed, took place in Tuscon, Arizona on January 8, 2011, in the early days of what has become a tragic and devastating escalation of mass shootings across the United States. Gabby had just begun her third term serving in the Arizona House of Representatives and was meeting with her constituents when she was shot in the head. She was evacuated to the hospital in critical condition. Her husband, Mark Kelly, a retired U.S. Navy captain and an astronaut for NASA at the time, flew directly from Houston and dedicated himself to Gabby’s bedside as she fought to survive and recover. This book chronicles the lives of these two extraordinary American figures—the careers that led them to one another; their passion for public service; and the grueling medical challenges and hard-fought journey to Gabby’s significant recovery. In 2013, Gabby and Mark launched Americans for Responsible Solutions, a non-profit and Super-Pac which would later become Giffords, an American advocacy and research organization focused on promoting gun control. That same year, Gabby received the John F. Kennedy Profile in Courage Award in recognition of the political, personal, and physical courage she demonstrated in her public advocacy for policy reforms aimed at reducing gun violence.

NEW YORK TIMES BEST SELLER • A scalding history of twenty-five years of Republican attempts to hold on to political power by any means necessary, by a hugely popular Washington Post political columnist In 1994, more than 300 Republicans under the command of obstructionist and rabble-rouser Congressman Newt Gingrich stood outside the U.S. Capitol to sign the Contract with America and put bipartisanship on notice. Twenty-five years later, on January 6, 2021, a bloodthirsty mob incited by President Trump invaded the Capitol. Dana Milbank sees a clear line from the Contract with America to the coup attempt. In the quarter century in between, Americans have witnessed the crackup of the party of Lincoln and Reagan, to its current iteration as a haven for white supremacists, political violence, conspiracy theories and authoritarianism. Following the questionable careers of party heavyweights Newt Gingrich, Karl Rove, Mitch McConnell, and Rudy Giuliani, and those of many lesser known lowlights, Millbank recounts the shocking lengths the Republican Party has gone to to maintain its grip on the American people.

"From the former heavyweight champion and New York Times-bestselling memoirist comes an intimate look at the life and leadership lessons of Cus D'Amato, the legendary boxing trainer and Mike Tyson's surrogate father. When Cus D'Amato first saw thirteen-year-old Mike Tyson spar in the ring, he proclaimed, "That's the heavyweight champion of the world." D'Amato, who had previously managed the careers of world champions Floyd Patterson and Jose Torres, would go on to train the young Tyson and raise him as a son. D'Amato died a year before Tyson became the youngest heavyweight champion in history. In Tyson's bestselling memoir Undisputed Truth, he recounted the role D'Amato played in his formative years, adopting him at age sixteen after his mother died and shaping him both physically and mentally after Tyson had spent years living in fear and poverty. In Iron Ambition, Tyson elaborates on the life lessons that D'Amato passed down to him, and reflects on how the trainer's words of wisdom continue to resonate with him outside the ring. The book also chronicles Cus's courageous fight against the mobsters who controlled boxing, revealing more than we've ever known about this singular cultural figure"--

"From the director of The Mary Tyler Moore Show, Taxi, Cheers, Frasier, Friends, and Will & Grace comes an insightful and nostalgic memoir that offers a bounty of behind-the-scenes moments from our favorite shows, peeling away the layers behind how a successful sitcom comes together--and stays that way. In Directed by James Burrows, the legendary talent not only provides backstories into the genesis and casting of the dozens of great sitcoms he directed, Burrows also offers insight into how these memorable shows are created, how they get on the air, and how the cast and crew continue to develop and grow each season, all coupled with tales of his challenges, career victories, and defeats, as well as advice for those who aspire to direct. All this from the man who helped launch the careers of Ted Danson, Kelsey Grammer, Woody Harrelson, Jennifer Aniston, Debra Messing, and Melissa McCarthy. Readers will discover the childhood and young adult influences and experiences that inspired Burrows, including, first and foremost, his father, legendary playwright and Broadway director Abe Burrows. Directed by James Burrows explores Burrows's journey in theater and television, including his first gigs in "the family business" in the late 1960s, his start working on Broadway and regional theater, directing, stage managing, and building sets. Hoping that his theatrical experience could be transferable to TV directing, he applied for a job with The Mary Tyler Moore Show. From there, he became a sought-after television director. His major break came with Taxi, for which he directed more than half of the series. Forming a partnership with writers/producers Glen and Les Charles, he then co-created the mega-hit Cheers, directing most of its episodes. Burrows went on to direct the pilots and multiple episodes of Frasier, Friends, Mike & Molly, The Big Bang Theory, and Two and a Half Men, plus all 246 episodes of Will & Grace and episodes of more than a hundred other shows. A heart-and-soul master class in sitcom, Directed by James Burrows reveals what it truly takes to get a laugh"--

They were the unlikeliest of pairs—a handsome crooner and a skinny monkey, an Italian from Steubenville, Ohio, and a Jew from Newark, N.J.. Before they teamed up, Dean Martin seemed destined for a mediocre career as a nightclub singer, and Jerry Lewis was dressing up as Carmen Miranda and miming records on stage. But the moment they got together, something clicked—something miraculous—and audiences saw it at once. Before long, they were as big as Elvis or the Beatles would be after them, creating hysteria wherever they went and grabbing an unprecedented hold over every entertainment outlet of the era: radio, television, movies, stage shows, and nightclubs. Martin and Lewis were a national craze, an American institution. The millions (and the women) flowed in, seemingly without end—and then, on July 24, 1956, ten years from the day when the two men joined forces, it all ended. After that traumatic day, the two wouldn’t speak again for twenty years. And while both went on to forge triumphant individual careers—Martin as a movie and television star, recording artist, and nightclub luminary (and charter member of the Rat Pack); Lewis as the groundbreaking writer, producer, director, and star of a series of hugely successful movie comedies—their parting left a hole in the national psyche, as well as in each man’s heart. In a memoir by turns moving, tragic, and hilarious, Jerry Lewis recounts with crystal clarity every step of a fifty-year friendship, from the springtime, 1945 afternoon when the two vibrant young performers destined to conquer the world together met on Broadway and Fifty-fourth Street, to their tragic final encounter in the 1990s, when Lewis and his wife ran into Dean Martin, a broken and haunted old man. In Dean & Me, Jerry Lewis makes a convincing case for Dean Martin as one of the great—and most underrated—comic talents of our era. But what comes across most powerfully in this definitive memoir is the depth of love Lewis felt, and still feels, for his partner, and which his partner felt for him: truly a love to last for all time.

For MBA students and graduates embarking on careers in investment banking, corporate finance, strategy consulting, money management, or venture capital Through integration with traditional MBA topics, Taxes and Business Strategy, Fifth Edition provides a framework for understanding how taxes affect decision-making, asset prices, equilibrium returns, and the financial and operational structure of firms. Teaching and Learning Experience This program presents a better teaching and learning experience-for you : Use a text from an active author team: All 5 authors actively teach the tax and business strategy course and provide you with relevant examples from both classroom and real-world consulting experience. Learn the practical uses for business strategy: Learn important concepts that can be applied to your life. Reinforce learning by using in-depth analysis: Analysis and explanatory material help you understand, think about, and retain information.

From Jeff Pearlman--the New York Times best-selling author of Three Ring Circus--comes the rollicking, outrageous story of the USFL, full of larger-than-life characters and you-can't-make-this-up stories featuring some of the biggest celebrities and buffoons in the game. The United States Football League--known fondly to millions of sports fans as the USFL--did not merely challenge the NFL, but cause its owners and executives to collectively shudder. In its three seasons from 1983-85, it secured multiple television deals, drew millions of fans and launched the careers of legends such as Steve Young, Jim Kelly, Herschel Walker, and Reggie White. But then it died beneath the weight of a particularly egotistical and bombastic team owner--a New York businessman named Donald J. Trump. In Football for a Buck, Jeff Pearlman draws on more than four hundred interviews to unearth all the salty, untold stories of one of the craziest sports entities to have ever captivated America. From 1980s drug excess to airplane brawls and player-coach punch outs, to backroom business deals and some of the most enthralling and revolutionary football ever seen, Pearlman transports readers back in time to this crazy, boozy, audacious, unforgettable era of the game. He shows how fortunes were made and lost on the backs of professional athletes and how, forty years ago, Trump was already a scoundrel and a spoiler. For fans of Terry Pluto's Loose Balls or Jim Bouton's Ball Four and of course Pearlman's own stranger-than-fiction narratives, Football for a Buck is sports as high entertainment--and a cautionary tale of the dangers of ego and excess.

If you're going to read one book about Hollywood, this is the one. As co-founder of Creative Artists Agency (CAA), Michael Ovitz earned a reputation for ruthless negotiation, brilliant strategy and fierce loyalty to his clients. He reinvented the role of the agent and helped shape the careers of hundreds of A-list stars and directors, including Steven Spielberg, Martin Scorsese, Meryl Streep, Sean Connery, Steven Seagal, Bill Murray, Robin Williams and David Letterman. But this personal history is much more than celebrity friendships and bare-knuckled deal-making. It's an underdog's story- How did a kid with no connections work his way into the William Morris mailroom, and become the most powerful person in Hollywood? How did a superagent also become a power in producing, advertising, mergers & acquisitions and modern art? And what were the personal consequences of all those deals? After decades of near-silence in the face of intense controversy, Michael Ovitz is finally telling his whole story in this blistering, unforgettable memoir.

"Judy Gold, a concise, funny, and thoughtful polemic on the current assault on comedy, that explores how it is undermining free speech and a fundamental attack against the integrity of the art. From Mae West and Lenny Bruce to Richard Pryor and Howard Stern to Kathy Griffith and Kevin Hart, comedians have long been under fire for using provocative, often taboo subjects to challenge mores and get a laugh. But in the age of social media, comedians are at greater risk of being silenced, enduring shaming, threats, and damaged careers because of angry, censorious electronic mobs. But while comedians' work has often been used to rile up detractors, a new threat has emerged from the left: identity politics and notions like "safetyism" and trigger warnings that are now creating a cultural and political standard that runs perilously close to censorship. From college campuses to the Oscars, comics are being censured for old jokes, long-standing comedy traditions, unfinished bits and old material that instead of being forgotten, go viral. For comics like Judy Gold, today's attacks on comics would have Richard Pryor and Lenny Bruce "rolling in their graves." "No one has the right to tell comics what they can or cannot joke about. Do you tell artists what they can or cannot paint?" she asks. Freedom of speech is fundamental for great stand-up comedy. Humor is the most palatable way to discuss a subversive or taboo topic, but it better be funny. A comic's observations are deliberately delivered to entertain, provoke, and lead to an exchange of ideas. "We are truth tellers." More important, the tolerance of free speech is essential for a healthy democracy. In addition to offering readers a quick study on the history of comedy and the arts (noting such historical reference points as The Hays Code) and the threats to them., Gold takes readers on a hilarious ride with chapters such as "Thank God Don Rickles is Dead," as well as her singular take on "micro-aggressions," such as: Person: "OMG! You're a lesbian? I had no idea. I mean you wear make-up. When did you become a lesbian?" Judy Gold: "Coincidently, right after I met you!" (micro-assault!) In this era of "fake news," partisan politics, and heated rhetoric, the need to protect free speech has never been greater, especially for comics, who often serve as the canaries in the coalmine, monitoring the health of our democracy. Yes I Can Say That is a funny and provocative look at how safe spaces are the very antithesis of comedy as an art form-and an urgent call to arms to protect our most fundamental Constitutional right. There's a good reason it was the FIRST amendment"--

"[This book] examines the lives, legal careers, and legacies of the eight Jews who have served or who currently serve as justices of the U.S. Supreme Court: Louis D. Brandeis, Benjamin Cardozo, Felix Frankfurter, Arthur Goldberg, Abe Fortas, Ruth Bader Ginsburg, Stephen G. Breyer, and Elena Kagan. David Dalin discusses the relationship that these Jewish justices have had with the presidents who appointed them, and given the judges' Jewish background, investigates the antisemitism some of the justices encountered in their ascent within the legal profession before their appointment, as well as the role that antisemitism played in the attendant political debates and Senate confirmation battles. Other topics and themes include the changing role of Jews within the American legal profession and the views and judicial opinions of each of the justices on freedom of speech, freedom of religion, the death penalty, the right to privacy, gender equality, and the rights of criminal defendants, among other issues."--Publisher's website.

Widely acclaimed for its engaging style and provocative perspective, this book has helped thousands transform their working lives. Now including a 30-page resource guide that explains the basics of working for oneself. It's about fulfillment. A revolution is sweeping America. On its front lines are people fed up with unfulfilling jobs, dysfunctional workplaces, and dead-end careers. Meet today's new economic icon: the free agent-men and women who are working for themselves. And meet your future. It's about freedom. Free agents are the marketing consultant down the street, the home-based "mompreneur," the footloose technology contractor. Already 30 million strong, these 21st-century pioneers are creating lives with more meaning-and often more money. Free Agent Nation is your ticket to this world. It's about time. Now, you can discover: The kind of free agent you can be-"soloist," "temp," or "microbusiness"-and how to launch your new career. How to get the perks you once received from your boss: health insurance, office space, training, workplace togetherness, even water cooler gossip. Why the free agent economy is increasingly a woman's world-and how women are flourishing in it. The transformation of retirement-how older workers are creating successful new businesses (and whole new lives) through the Internet.

The Faber Classic Screenplay Series presents the very best writing from the history of cinema. Sweet Smell of Success is the smartest, most cynical American film of the 1950s. Written by Ernest Lehman ( North by Northwest , The Sound of Music ) and the celebrated leftist playwright Clifford Odets, it is a vicious dissection of the world of public relations and journalism which conjures up a wprld of creeping hysteria and acid disenchantment. Tony Curtis playing the Scuttling press agent Sidney Falco, and Burt Lancaster as the colimnist J.J. Hunsecker, gave the performances of their careers. With a specially commissioned introduction by Lehman, and an appreciation of the film's director, Alexander Mackendrick, by James Mangold. The Faber Classic Screenplay Series presents the very best writing from the history of cinema. Sweet Smell of Success is the smartest, most cynical American film of the 1950s. Written by Ernest Lehman ( North by Northwest , The Sound of Music ) and the celebrated leftist playwright Clifford Odets, it is a vicious dissection of the world of public relations and journalism which conjures up a wprld of creeping hysteria and acid disenchantment. Tony Curtis playing the Scuttling press agent Sidney Falco, and Burt Lancaster as the colimnist J.J. Hunsecker, gave the performances of their careers. With a specially commissioned introduction by Lehman, and an appreciation of the film's director, Alexander Mackendrick, by James Mangold.

The Independent Directing Bible that will fit in your back pocket! (If you have an extremely large pocket...) Have you always wanted to direct a movie, but don't know how to start? Want to know how to get your first directing job? What do directors even do, anyway? Legendary director Lloyd Kaufman, creator of The Toxic Avenger, reveals 40 years worth of maverick cinematic know-how! Direct Your Own Damn Movie! will be your step-by-step roadmap on the journey through: * Scriptwriting * Pre-production * Casting * Managing your set * Post-production * Distribution Master the art of directing the easy way! There is no better way to become a director than by following the instruction and wisdom of an actual successful film director, not someone who just talks about it. Featuring expert advice from: Eli Roth (Grindhouse, Hostel) Jenna Fischer (LolliLove) Stan Lee (co-writer Spider-Man, Fantastic Four) Ron Jeremy (credits cannot be printed here) Stuart Gordon (Re-Animator) James Gunn (Dawn of the Dead, Slither) ...and many more! WARNING! Do not read this book if you suffer from motion sickness, or are about to operate heavy machinery. This book is not for the faint of heart, the good of taste, or those who might be pregnant. * There's more to directing than a cool-looking chair. Renegade director Lloyd Kaufman reveals all! * Includes interviews with a host of luminaries on mistakes and disasters from their early film careers * Learn the ten directing commandments of Lloyd Kaufman, plus the all-important 11th: forget the first 10 and direct your own damn movie!

"The years following 1945 witnessed a massive change in American intellectual thought and in the life of American universities. The vast effort to mobilize intellectual talent during the war established new links between the government and the academy. After the war, many of those who had worked with the military or the Office of Strategic Services (OSS) took jobs in the burgeoning postwar structure of university-based military research and the intelligence agencies, bringing infusions of government money into many fields." "Little has been written about the long-term impact of this close association, despite considerable study of the McCarthy period's destructive impact on academic careers. The Cold War and the University is a groundbreaking collection of newly commissioned essays that takes a bold first step toward the reconstruction of this history. In it, some of the country's most prominent intellectuals use their own experiences to explore what happened to the university in the postwar years and why." "In wide-ranging and revealing essays, these writers show the many ways existing disciplines, such as anthropology, were affected by the Cold War ethos; they discuss the rise of new fields, such as area studies; and they explore the changing nature of dissent and academic freedom during and since the Cold War."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

In this riveting account of the explosive relationship between Robert F. Kennedy and J. Edgar Hoover, renowned journalist and author Burton Hersh sets their highly publicized clashes in the context of Joe Kennedy's ongoing manipulation of Congress and his children's careers, and his lifelong connections to organized crime. Theirs was a unique triumvirate, marked by conflict and betrayal, and culminating in a near-Shakespearean tragedy. Based on compelling new research, and told in gripping anecdotal style, Hersh chronicles the complex relationship between the two antagonists, from their early brushes during the McCarthy years to their controversial deaths.

The companion to Drucker's seminal work Management, completely revised and updated Management Cases, Revised Edition is a collection of thought-provoking case studies—each a timeless representative of a challenge that all managers will face at some point in their careers. Longtime Drucker colleague, collaborator, and eminent management professor Joseph A. Maciariello has organized the material to be used in conjunction with Management, Revised Edition , making the book particularly useful in undergraduate, MBA, and executive education classrooms. It contains fifteen completely new cases written especially for this edition plus another thirty-five revised and updated cases, ensuring that the book provides comprehensive coverage of the most important management dilemmas and most timeless leadership wisdom. An essential resource for business students and working professionals alike, the book will help readers test and hone their management skills.

It is the tournament that separates champions from mortals. It is the starting point for the careers of future legends and can be the final stop on the down escalator for fading stars. The annual PGA Tour Qualifying Tournament is one of the most grueling competitions in any sport. Every fall, veterans and talented hopefuls sweat through six rounds of hell at Q school, as the tournament is universally known, to get a shot at the PGA Tour, vying for the 30 slots available. The grim reality: if you don't make it through Q school, you're not on the PGA tour. You're out. And those who make it to the six day finals are the lucky ones: Hundreds more players fail to get through the equally grueling first two stages of the event. John Feinstein tells the story of the players who compete for these coveted positions in the 2005 Q school as only he can. With arresting accounts from the players, established winners, rising stars, the defeated and the endlessly hopeful, America's favorite sportswriter unearths the inside story behind the PGA Tour's brutal all-or-nothing competition.

Joel and Ethan Coen (b. 1954, 1957) started their careers in obscurity on a shoestring budget cajoled from family and friends in Minneapolis. Working entirely outside the studio system, the Coen brothers scored an unlikely first success in 1984 with their postmodern noir film Blood Simple. Two decades and nearly a dozen movies later, the Coens are now among the best-known writer/directors in Hollywood, turning out major studio releases featuring such stars as George Clooney, Catherine Zeta-Jones, and Tom Hanks. The Coens' films all share a distinctive, quirky ambience that critics have come to identify as "that Coen brothers feeling." Tricky moving camera work, frequent use of the voiceover, homages to directors and cinematic genres, a fascination with unexpected and off-kilter violence, and omnipresent black humor are all defining elements of the Coens' cinematic world. From such highly stylized movies as Barton Fink and The Man Who Wasn't There to more mainstream but dark comedies such as Raising Arizona, Intolerable Cruelty, and O Brother, Where Art Thou?, the Coens are equally at home with existential despair and comic exuberance and are known for scripts packed with an obvious love for language. This collection of their most important interviews spans twenty years and is the most comprehensive published on the brothers. William Rodney Allen teaches at Louisiana School for Math, Science, and the Arts. He is the author of Walker Percy: A Southern Wayfarer and the editor of Conversations with Kurt Vonnegut, both published by University Press of Mississippi.

"NOT FUNNY is a FUNNY, whipsmart essay collection on gender, politics, the entertainment industry, and work. Jena Friedman is an acclaimed writer and performer, with multiple credits to her name in the fields of tv comedy (The Daily Show and The Late Show with David Letterman), film (an Academy Award nomination for writing on Sacha Baron Cohen's 2020 blockbuster Borat Subsequent Moviefilm), humor writing (The New Yorker), and live performance. More recently, her skill for keen social observation is seen in her acclaimed tv series Indefensible-a comedic takedown of the true-crime tv craze. With incisive cultural criticism, acerbic wit, and an interdisciplinary mind, Jena sheds light on her life as a millennial woman, treated as too smart, brash, and fearless for her own good through this collection of essays. We see her at her highest highs and lowest lows. We see her struggle to accept mistreatment in exchange for career advancement. We see her cope with "cancel culture" first-hand, as mentors she trusts are called to account for misdeeds she herself did not witness. We watch her unpack the roots of humor, and her lifelong goal to change minds through political incitement. And we see a bright-lights big-city version of a classic young women's career struggle; an immensely talented creative who refuses to soften herself for others. In her debut essay collection NOT FUNNY, Friedman fearlessly jousts with a label so often placed on women like her-perceptive, opinionated, ready to call out hypocrisy wherever she finds it, and... funny! Friedman pushes just past the edge of comfort on matters of gender, politics, decency, and class: Why do we look to celebrities to decide whether other celebrities deserve forgiveness? Why don't we ask men whether their careers might get in the way of starting a family? What does it mean to still hold admiration for a mentor you learn in hindsight to have been a predator? And what's so wrong with telling a dead baby joke? As she notes, one of the first jokes in recorded history was just that. Friedman challenges us to reconsider why we do and do not laugh, with whom we choose to empathize, and when we decide to grant attention in a world that demands we laugh to keep from crying. At once brainy, insightful, and absurd, NOT FUNNY reclaims power using the sharpest tool in bold satirist's arsenal: humor"--

"This book explores the themes of exile and wandering, homecoming and fated closures in literature-but also in real life and history-by invoking Homer's Odyssey. Focusing on crucial moments in the lives and careers of three scholar/writers-Erich Auerbach, François Fénelon, and W. G. Sebald-all of whom were inspired by Homer's epic, Three Rings uses "ring composition" (Homer's dominant narrative technique) to tell the stories of the three writers' lives"--