Judd Foxman's wife, Jen, has left him for his boss, but after the death of his father and a week of sitting shivah with his enjoyably dysfunctional family presided over by their mother, a celebrated parenting expert despite her children's difficulties, the mourning period brings each of the family members to unexpected epiphanies about their own lives and each other.

Judd Foxman's wife, Jen, has left him for his boss, but after the death of his father and a week of sitting shivah with his enjoyably dysfunctional family presided over by their mother, a celebrated parenting expert despite her children's difficulties, the mourning period brings each of the family members to unexpected epiphanies about their own lives and each other.

A salute to the real femmes fatales of the domestic suspense genre, and the deceitful children, deranged husbands, vengeful friends, and murderous wives they unleashed. Sarah Weinman, one of today's preeminent authorities of crime fiction, brings together fourteen chilling stories by women who -- from the 1940s through the mid-1970s -- took a scalpel to contemporary society and sliced away to revel its dark essence.

A charming and undeniably powerful debut novel set in Berlin, "This Must Be the Place" chronicles the friendship between a fading actor and a young married American woman who are both learning to live with the past.

"TRUST EXERCISE meets THE INTERESTINGS in this story of ten teenagers brought together by a high school production of THE DIARY OF ANNE FRANK-which will influence the rest of their lives. In an Evanston, Illinois magnet high school in 1982, a group of high schoolers meet to audition for the spring play, excited for the chance to escape the difficulties of their everyday lives. Declan, a senior and an experienced actor, is confident he'll get his first-choice role, but when the capricious, charismatic drama director instead casts Franklin, an unknown underclassman-and the two are seen alone at the director's house-the traumatic series of events that will haunt the cast for years begins to unfold. Thirty-four years later, the actors have moved on with their lives. Some are wildly successful, some never left their hometown, and some just want to be left alone. Everything will change, however, when one former member of their cast comes forward with an allegation dating back to the time of the play. The consequences of this public revelation will be far-reaching and complex, reverberating through all of their lives in unexpected ways. CYCLORAMA is a deeply insightful and compelling story of ordinary people, and Adam Langer's down-to-earth style brilliantly cuts to the core of what makes us who we are and how our pasts-both personal and global-resonate into our present and future. With remarkable tenderness and humanity, Langer reveals how the traumas of our youth continue to echo throughout our lives, in our politics, in our careers, and in our selves"--

'Terrific ... Combines comic brilliance with a poignant portrait of a family trapped between two worlds' Sunday Times In the summer of 1978 the Krasnansky family - bickering, tired and confused - arrive in Rome. Alongside thousands of other Soviet Jewish refugees they await passage to a new home in the West. But escaping Communism is not so easy, especially when some of the Krasnanskys insist on bringing it with them. It is harder still when their American sponsor lets them down and they find they're stuck. What follows is a tragic yet comic tale of reckless brothers and long-suffering sisters, ailing parents and innocent children, of love affairs and criminal liaisons, of a wonderfully troubled family and a perpetually wandering people, and their epic search for a home...

God's Grace is an apocalyptic tale set in an imaginary time and place. It is an audacious story and probably the author's most controversial work.

The sound of children's speech has become lethal. In the park, adults wither beneath the powerful screams of their offspring. For young parents Sam and Claire, it seems their only means of survival is to flee from their young daughter, Esther.

"A stunning novel about childhood, marriage, and divorce by one of the most interesting minds of the 20th century, now back in print for the first time since 1969. Sophie Blind is starting a new life. She has left her husband Ezra and taken her three children to Paris. She has lovers there and another in New York. She is lecturing and writing. And she is compulsively reviewing her own history, having resumed the "lifelong struggle" of "coming into consciousness." The task of reclaiming her existence is all the more urgent because, even as Sophie Blind undertakes this necessary transformation-Sophie Blind is dead. Dream and reality overlap in Divorcing, a book in which divorcing is not just a matter of marital collapse but names a rift that runs right through the inner and outer worlds of its brilliant but desperate protagonist. Can the rift be mended? Perhaps in the form of a novel, one that goes back from present day New York to her childhood in pre-World War II Budapest, that revisits the divorce between her Freudian father and her fickle mother, and finds a place for a host of further tensions and contradictions of Sophie's life now. The question that haunts Divorcing, however, is whether any novel can be fleet and bitter and true and light enough to gather up all the darkness of a given life. Susan Taubes's startlingly original novel was published in 1969 but largely ignored; after the author's tragic early death, it was forgotten. Its republication presents a chance to rediscover a dazzling intense and inventive writer whose work in many ways anticipates the fragmentary, glancing, lyrical novels that Renata Adler and Elizabeth Hardwick would write in the 1970s"--

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

"A collection of twenty five short stories about the children of Holocaust survivors and the conflicts between homosexuality and traditional Judaism"--Provided by publisher.

A unique novel of parents and children - and the spaces between them Dr. Niels Berners - a Swiss plastic surgeon living in New York - is struggling to recover from his dysfunctional son's abandonment of him. He joins a group of four other parents, all with absent children either in jail or in jeopardy, to discuss their feelings and seek a sense of community, comfort, and closure. Hortense Calisher artfully strings together tales of healing, brilliantly tracing the shadow of the generational gap. With compassion and precision, she paints the bruised egos of concerned parents confronting very empty nests.

With his father gunned down in a petty robbery and his aunt haunted by the threats of the Gestapo, Richard Michelson's experiences growing up in Brooklyn were far from ordinary, yet they remain all too common--too much a part of ongoing violence--to be dismissed as merely private events, safely past. In Counting to Six Million he writes out memory, anxiety, and grief, worry over his wife and children, and the recurring clashes between love and cruelty that test wisdom with suffering, day after day.

"The Matrimonial Flirtations of Emma Kaulfield is an often laugh-out-loud comedy of conflicting manners, values, and customs, set against the backdrop of a Russian immigrant family's struggle to assimilate, their newfound love of capitalism, and their insistent push for their children's tangible success. Emma Kaulfield escaped the Soviet Union in the 1980s when she was 10--hers was one of the last Jewish families to be let out. Now a gorgeous young woman, going to grad school at NYU, chaffing at the cultural restraints of her heritage, Emma is engaged to someone just like her--a handsome young Russian Jew--but then a steamy encounter with a stranger in a restaurant bathroom turns into a torrid love affair. She wrestles with what she knows she should do (career vs. art); who she should love (one of her own vs. the exotic temptation), to remain loyal to her family, her people--after all they have suffered--or cut ties and defy those who love her. The Matrimonial Flirtations of Emma Kaulfield builds in power and suspense, easily becoming an all-night binge read, impossible to put down. Fishbeyn's debut novel is sexy, hilarious, heartbreaking, and breathtaking"--back cover.