A celebration of one of the world’s most influential painters, Frida Kahlo, and the animals that inspired her art and life—now available in paperback! Pura Belpré Illustrator Honor , 2018 ALA Notable Children's Book, 2018 Bank Street Best Children's Book of the Year, 2018 New York Times/New York Public Library Best Illustrated Children's Book, 2017 Barnes & Noble Best Book, 2017 Smithsonian Top Ten Best Children's Book, 2017 The fascinating Mexican artist Frida Kahlo is remembered for her self-portraits, her dramatic works featuring bold and vibrant colors. Her work brought attention to Mexican and indigenous culture and she is also renowned for her works celebrating the female form. Monica Brown’s story recounts pivotal moments in Frida’s life and the beloved pets who comforted her along the way—two monkeys, a parrot, three dogs, two turkeys, an eagle, a black cat, and a fawn—and playfully considers how Frida embodied many wonderful characteristics of each animal. John Parra’s bold-colored art, reminiscent of Frida’s palette, make this biography a warm and wonder-filled offering for Frida Kahlo fans old and new.

In this beautiful 64-page picture book, Esther Nisenthal Krinitz tells her story of survival during the Holocaust through her art and narrative. Acompanying text by her daughter, Bernice Steinhardt, adds historical detail, context and interpretation. While a beautiful gift for both children and adults, it is also an educational resource for teachers exploring the Holocaust and themes of social justice and tolerance."While the panels speak of an almost unfathomable loss and horror, they also stand as one woman's testimony to hope, endurance and the unquenchable passion to bear witness."Publishers Weekly (October 10, 2005)

LET THERE BE SCULPTURE by Jacob Epstein FOUNDED 1838 G. P. PUTNAMS SONS NEW YORK COPYRIGHT, 1940, BY JACOB EPSTEIN All rights reserved. TAis book, or parts thereof, must not b reproduced in any jorm without permission. Designed by jRolwt Josephy Itia IN THE UNITED STAVftS Of A M I El C A r M iit it Ay-, THE VISITATION ACKNOWLEDGMENTS FOR permission to quote from letters and articles published in numerous newspapers and periodicals, I wish to acknowledge my gratitude both to the publishers and, in the case of signed articles and letters, to the authors. My thanks are due to the Birmingham Mail, the British Medical Journal, the Catholic Times, the Daily Express, the Daily Mail, the Daily Telegraph, the Eve ning Standard including an article from the Pall Mall Gazette, now amalgamated with the Evening Standard, the Manchester GiMrdian, the Nation, Neptune, the New Age, the New English Weekly, the News Chronicle, the New Statesman, the New York Evening Post, the Observer, Picture Post, Reynolds Illustrated Weekly, the Spectator, the Star, the Sunday Dispatch, the Sunday Pictorial, the Sunday Times, the London Times, Truth, the Uni verse and to William Heinemann, Ltd., for permission to quote from Ibsens When We Dead Awaken, Also to the following people, who have given their personal per mission to quote their words from the sources mentioned above L. B, Powell, Professor D, S. MacColl, Sir Muirhead Bone, Holbrook Jackson, Mary Borden, Pierre Jeannerat, Sir Eric Maclagan, Richard Sickert, Sir Kenneth Clark, G. F. Hill, H. S. Goodhart-Rendel, J, B, Manson, T, W, Earp, Sir Edwin Lutyens, R. R. Tatlock, Sir Charles Allom, W, H. Coatc, Sir Charles Holden, James Bone, Sir Reginald Blomfield, Charles Marriott article in the Outlook, J Middleton Murry, Sander Pierron, Hugh Gordon Porteus, William McCance, Raymond Mortimer, Jan Gordon, R. H, Wilenskl, Bernard Shaw, H. G, Wells, Sir John Lavery, Ezra Pound article in the Bgoitt, Rev. Albert Beldea, Antony Blunt, Rev. L. Weatherhead, John Macadam, Rev. Edward ShilHto, Law rence Binyon, Sir George Hill, Robert Jessel and John Gibbons, CONTENTS i New York 1880-1902 3 n Paris Aa Apprenticeship. London Days of Struggle 1902-1905 15 in A Thirty Years War The Strand Statues 1908-1937 24 iv Contacts and Encounters 1908-1912 33 v The Tomb of Oscar Wilde 1912-1913 43 vi Abstractionists and Futurists. A Philosopher Friend 1913-1917 49 vii Portraits 58 vm My First Statue of Christ 1917-1920 92 ix On the Edge of Londons Bohemia 99 x The Hudson Memorial the Rima Row 1925 105 xi New York Revisited 1927 114 xn Day and Night Genesis. Old Testament Drawings 1929-1933 xni Behold the Man. Consummatum Est 1935-1937 xiv Les Fleurs du Mai 1938 142 vii viii CONTENTS xv Adam 1939 150 xvi Children 157 xvn African and Other Primitive Carvings 161 xvin The British Museum and Greek Sculpture 167 xix Journalists and the Jew. Dog Eats Dog 176 xx I Listen to Music 188 xxi The Position of the Artist. Sculptors of Today 194 xxn My Place in Sculpture 2 10 APPENDIX i The Strand Statues Controversy 217 n The Tomb of Oscar Wilde, Attack and Defense 254 in Mr. Epstein and the Critics by T. E, Hulmc 271 iv The Statue of Christ 278 v The Muirhead Bone Memorandum on the Hudson Memorial 288 vi The Battle of Day and Night 300 vii Genesis and the Journalists 308 vni Behold the Man 320 ix Consmmmtum Est 3 3 1 x Adam 34 xi Catalogue of the CMef Works of Jacob Epstein 354381 ILLUSTRATIONS The Visitation Frontispiece FACING PAGE Woman md Child the Strand Statues 26 Nan 36 Israfel 36 Dolores 50 Joseph Conrad 64 George Bernard Shaw 64 Albert Einstein 68 Admiral Lord Fisher 68 Haile Selassie Emperor of Abyssinia 74 JR. B, Cunninghame-Graham 80 The th Duke of Marlborongh 86 The Christ 94 Rimar-the W. H...

As a result of the success of M is for Moose, Canadian children can rhyme off their ABCs with images of ducks, kayaks, moose, and Lake Winnipeg shimmering in their imaginations. Now children can learn their numbers with Canada Counts. On these pages, new artwork illustrates numbers from 1 to 20, as well as other important Canadian numbers such as 1867 and 1982. There may be 1 walking boy, but there are 3 territories, 4 seasons, and 9 Supreme Court justices. With Canada Counts, Charles Pachter has written another love letter to our country.

Mary Fisher's AIDS activism has taken her around the globe. But it was Africa that "changed her," she said after visiting as part of an official delegation and then returning with her two, teenaged sons. From acres of orphans to mourning villages, Fisher breathed in the experience of AIDS in Africa. She experienced the power of ABATAKA -- a pan-African term meaning family, tribe, community, home, belonging – and channeled that power into compelling, courageous art. Mary claimed the name ABATAKA for a book showcasing her African-inspired art works, with reflective essays on each piece. The works, she wrote, "were born in the heart of an American woman being embraced by African women. What bonded us was AIDS. Our lives had each, against our own wills, been redefined by a tiny virus we never wanted but now could not escape. These women gave me ABATAKA." Her time in Africa left Fisher inspired and impatient. She poured her feelings into compelling, unflinching art works. And between her Africa visits, she delivered bold testimony to the U.S. House of Representatives: "I have seen AIDS - I've seen it in Africa, in America, and in the mirror. I have looked into the eyes of a thousand orphans. I've held other mothers who want, like me, not to leave their children. I have smelled the smell of dying. And I have tasted the absolute despair of those who are defined, as I am defined, by the virus. Therefore, I have come to Washington today to ask those of you with power to make a difference..." ~ Mary Fisher (April 5, 2000) The agony of AIDS is the backdrop for Fisher's recent work, including pieces collected in this book. But above the grim images of wasting and death hangs the miracle of ABATAKA. Fisher's Africa-inspired quilts, sculptures and textiles give her soul a place to speak of courage, passion, integrity, hope and humor. In the end, Fisher's art stands as a compelling argument that, if we are willing, we can make a difference.

The late Frantsa Belsky, who was born in Brno in what was then Czechoslovakia, modelled four generations of the Royal Family. His first link with the Royal Family was a model of Queen Elizabeth the Queen Mother in 1962, and he created a bronze head of the Queen in 1981 for the National Portrait Gallery. His other works include the Shell Fountain on the South Bank in London and the Triga in Knightsbridge. He completed a series of sculptures of mothers with children, one of which, The Lesson, stands at Bethnal Green. Belsky was selected by a government panel to create a memorial to Lord Mountbatten of Burma in 1982, three years after he was killed by the IRA. The 9ft statue depicted Mountbatten, the Queen's cousin, in naval uniform as though on the bridge of a ship. Belsky had also already produced sculptures or portraits of the Duke of Edinburgh and Sir Winston Churchill. His statues of Churchill and President Truman stand in Missouri in the United States.