Liz Ryerson believes that Hillcrest Village, her Toronto neighbourhood, is quaint and quiet, but stumbling over a corpse while walking her dog dissolves that illusion for good. When she realizes that she actually knew the dead man, a real estate broker who appraised the building she coowns with her philandering ex-husband, she becomes obsessed with solving the crime. The more instability is revealed in her life, the more she needs to find out who killed James Scott -- and why. Retired Classics professor Maxime Bertrand is delighted to play Watson to her Holmes. For Liz, the investigation is a way of asserting control in a world she no longer recognizes. It is also a means of proving to herself and her children she is not in retreat from life but can grow and change. For Maxime, it's a way of becoming re-engaged in life after his wife's death. Neither of them anticipates the possibility of real danger, despite police warning them to stop meddling in criminal matters. In Safe as Houses, novelist Susan Glickman explores her own Toronto neighbourhood, imagining how a confrontation with murder might peel away its veneer of security and civility. She also shows, through her warm, witty, and wise depiction of everyday life, what is worth saving.

Set in a small town that houses little more than a research lab and an engineering school, the body of the lab's director is found in a pit used for maternal deprivation experiments with monkeys. A few days later, a graduate student is found murdered as well. Are these deaths connected? And who's responsible for these murders? Written by one of America's greatest poets, this mystery is a scathing social commentary with a criminal twist. Maxine Kumin is the author of poetry, novels, short stories, essays and a number of children's books. She has received several awards, including the Pulitzer Prize, the Poets' Prize, the Levinson Prize, and most recently, the Ruth Lilly Poetry Prize. She lives in Warner, New Hampshire.

In eleven original, surprising and deliciously dark stories, Victoria Redel moves effortlessly between men's and women's perspectives in stories that explore marriage, divorce and parenthood. A newly divorced mother stumbles her way back into single life. A young man and his girlfriend clean out his dead mother's overstuffed home. A woman struggles to hide her affair from a doting husband and inquisitive daughter. A man descends into a drug-fueled dream as he imagines losing his pregnant wife to a historical, nineteenth century figure. Redel indelibly captures the ways we love, the ways we yearn and the ways we sabotage each. Throughout the collection, children struggle to make sense of the adult world's uncertainties as husbands and wives, mothers and fathers, find themselves pressed up against their own limits, "the exaltations and treasons of one's own mothy heart." Redel has again done what Grace Paley said of Redel's first collection, "Only a poet could have written this prose. Only a storyteller could keep a reader turning these pages so greedily."