A collection of excerpts from one thousand never-before-published letters to statesmen and scientists, actors and authors, children and houswives, and aspiring writers and fans from around the world from Isaac Asimov.

"An autobiography usually requires a justification. The great autobiographies-those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams-were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. He grew up in a petit-bourgeois, Midwestern milieu, and the city of Chicago looms large in his life. He drew a lucky ticket in the parent lottery and his was a happy boyhood spent on playgrounds and hanging around drug stores. At high school dances, he was the rhumba king and at drive-in movies he was never allowed to go as far with girls as he so ardently desired. At twenty-six, after two years in the army, he found himself married, the father or stepfather of four children, and living in New York on the meager salary of a magazine subeditor. He was ablaze with ambition and fettered by frustration. He broke out by moving to Little Rock, Arkansas, to direct the city's anti-poverty program at the height of the Civil Rights movement. His writing career blossomed, he began teaching at Northwestern University, and, for twenty-five years, edited one of great intellectual magazines. Never Say You've Had a Lucky Life is an intimate look at one life steeped in radical change: from a traditionally moral culture to a therapeutic one, from an era when the extended family was strong to its current diminished status, from print to digital life featuring the war of pixel on print, and on. But for all the seriousness of Epstein's themes, this book is memorable for its comic point of view and the constant reminder of how unpredictable, various, and wondrously rich life can be"--

The son of the founder of public relations reflects on his unusual life in his father's shadow, chronicling his defiant youth, his escapades with beautiful women and the CIA, and his battle with multiple sclerosis

Edward Cooper was a hard man to know. Dour and exuberant by turns, his moods dictated the always-uncertain climate of the Cooper household. Now - balding, octogenarian - he makes an unlikely literary muse. But to his now middle-aged son, he looms larger than life, an overwhelming, baffling presence. Edward Cooper made his name as a divorce attorney in LA whose cases were devoured by the tabloids. Now, he is slowly succumbing to dementia. As Bernard attempts to forge a coherent picture of his family history, he uncovers Edward's lawsuits against other family members, and recalls the itemized invoice his father once sent him for the total cost of his upbringing, for the sum of two million dollars. 'Bernard Cooper's The Bill from My Fathe r is a glorious cornucopia of love and pain. Not only is Cooper an exemplary writer but he can parse an emotion down to its most resonant note. This memoir amazes' Alice Sebold, author of The Lovely Bones 'Cooper is a beautiful writer . . . his book is in a class of its own . . . Somehow, this is a story about all parents and their grown-up children and how they manage to keep going through all the insults and mixed messages and botched attempts to express love' Observer 'Cooper's wry, rueful memoir of a lifetime's wrangling with the old guy is memorably moving, emotionally disciplined, devilish in the detail and smartly funny. Read it now' The Times

The untold life story of All-of-a-Kind Family author Sydney Taylor, highlighting her dramatic influence on American children's literature.

Writing a Jewish Life chronicles novelist Lev Raphael's struggle to claim both his religious and sexual identities, and the happiness he subsequently found. Until he reached his mid-20s, the author felt alienated from other Jews, ambivalent about his homosexuality; or as he puts it, "twice strange ... in each [community], different, lesser, ashamed." A son of Holocaust survivors, Raphael grew up in an unmistakably Jewish but nonreligious home. However, as an adult he initiated his own affiliations with Judaism: He had a bar mitzvah at age 30, went to Israel twice, and fell in love with a Jewish man. It was "coming out as a Jew,' he writes, that "ultimately made it possible for me to come out as a gay man and then work at uniting the two identities." Attesting to his journey is the contrast between his confused childhood and the joyful domestic life he now shares with his lover, Gersh, and their two sons.

My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

"Julia Howe (1819-1910) was a beautiful, studious New York heiress and aspiring poet when she married Bostonian Dr. Samuel Gridley Howe, a hero of the Greek war of independence against the Turks and an internationally acclaimed pioneer in the education of the blind. Their marriage united two exceptional people. Together the Howes knew many of the key figures of their era, from Charles Dickens and Florence Nightingale in England, to Margaret Fuller, Henry Wadsworth Longfellow, Horace Mann, Charles Sumner, and John Brown. But despite his philanthropic and abolitionist ideals, Dr. Howe did not support married women's work outside the home. He isolated Julia, opposed her literary ambitions, and wasted her inheritance. She defied him by continuing to publish poems and plays while raising their six children. She also secretly wrote a bold novel about a hermaphrodite, undiscovered until long after her death. And during the Civil War, she wrote the words to the most powerful and enduring anthem in the nation's history. Authorship of the 'Battle Hymn of the Republic' made her famous and revered. But she fought her own civil war at home, battling with her husband over her rights to equality, intellectual freedom, and a public voice. As soon as the war ended, she became a pacifist and suffragist leader. In the second half of her life, she came into her own as a tireless campaigner for women's rights and social reform. In this biography, Elaine Showalter tells the story of Howe's determined self-creation and vividly restores her to the pantheon of feminist intellectuals who changed the world"--Jacket

"Shoreline, a creative-nonfiction memoir, melds tales of intergenerational wandering, the joys and challenges of raising children in multiple countries, historical and literary figures from within their cultural contexts, and an exploration of deep friendships and family relations. In bringing together all these strains, the book brings to life ways in which our own personal identity is inextricably intertwined with the people who matter to us as well as with our familial and cultural histories"--

The Watchmaker's Daughter tells the story of a child of two refugees: a watchmaker who saved lives within Dachau prison, and his wife, a gifted concert pianist about to make her debut when the Nazis seized power. In this memoir, Sonia Taitz is born into a world in which the Holocaust is discussed constantly by her insular concentration camp-surviving parents. This legacy, combined with Sonia's passion and intelligence, leads the author to forge an adventurous life in which she seeks to heal both her parents and herself through travel, achievement, and a daring love affair. Ironically, it is her marriage to a non-Jew that brings her parents the peace and fulfillment they would never have imagined possible. Sonia manages to combine her own independence with a tender dutifulness, honoring her parents' legacy while forging a new family of her own.