#1 New York Times Bestseller From #1 New York Times bestselling author Neil Gaiman, a haunting novel that explores the awesome power of memory, friendship, and sacrifice―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee "A novel about the truths--some wonderful, some terrible--that children know and adults do not." --Time Magazine Returning to his childhood home to attend a funeral, a middle-aged man is drawn back to a place once alive with monsters and magic; to a past where the impossible is all too frighteningly real . . . A haunting meditation on memory, wonder, friendship, and sacrifice, The Ocean at the End of the Lane, which was named "Book of the Year" by the UK National Book Awards, is a groundbreaking triumph of storytelling as delicate as a butterfly's wing and as menacing as a knife in the dark.

Named a Best Book of the Year by: Boston Globe * New Yorker * NPR * PopMatters From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood. "A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this." -- Colum McCann, author of Apeirogon and Let the Great World Spin On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget. Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, "one of America's greatest storytellers" (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

"The Newbery-winning author of Holes fulfills a need the world probably didn't even know it had . . . for smart and puzzle-minded teens . . ."— Booklist The summer after junior year of high school looks bleak for Alton Richards. His girlfriend has dumped him, he has no money and no job, and his parents insist that he drive his great-uncle Lester, who is old, blind, very sick, and very rich, to his bridge club four times a week and be his cardturner. But Alton's parents aren't the only ones trying to worm their way into Lester Trapp's good graces. There is Trapp's longtime housekeeper, his alluring young nurse, and the crazy Castaneda family. Alton soon finds himself intrigued by his uncle, by the game of bridge, and especially by the pretty and shy Toni Castaneda, as he struggles to figure out what it all means, and ultimately to figure out the meaning of his own life.

"In the early 1960s, most middle-class American women in their twenties had their lives laid out for them: marriage, children, and life in the suburbs. Most, but not all. Breathless is the story of a girl who represents those who rebelled against conventional expectations. Paris was a magnet for those eager to resist domesticity, and like many young women of the decade, Nancy K. Miller was enamored of everything French--from perfume and Hermès scarves to the writing of Simone de Beauvoir and the New Wave films of Jeanne Moreau. After graduating from Barnard College in 1961, Miller set out for a year in Paris, with a plan to take classes at the Sorbonne and live out a great romantic life inspired by the movies. After a string of sexual misadventures, she gave up her short-lived freedom and married an American expatriate who promised her a lifetime of three-star meals and five-star hotels. But her husband turned out to be a con man whose promises were lies, and she had to leave Paris and her dreams behind. Upon returning to New York, with more than half of her twenties behind her, Miller was determined to start over. In an era of Vietnam anti-war protests, student unrest, and sexual liberation, she sought to become a new woman: autonomous and creative at a time when women were only expected to look pretty and smile. This stunning memoir chronicles a young woman's coming-of-age tale, and offers a glimpse into the intimate lives of girls before feminism"--

"Cassie and Zoe Griffin were born just a year apart, but the sisters could not have been more different. Zoe, beautiful and charming, grew up with a burning desire for fame, making up for a lack of natural talent with hard work and determination. Cassie, though, had a gift. She was uncomfortable in her plus-sized body and preferred to be in the shadows, she was a musical prodigy. On the threshold of adulthood, the sisters are discovered by a record label and become the Griffin Sisters, a band that quickly skyrockets to fame, reaching the heights of pop stardom: MTV, VH1, the Billboard charts, and every marker of a dream come true. Cassie's musical gifts make her the voice of a generation and while the spotlight tests her spirit, it also opens her heart to possibilities for connection she has never considered. Zoe gets everything she thought she wanted: international fame and the paparazzi, the couture-and the man-that go with it. But twenty years later, everything has changed. Cassie lives in seclusion in Alaska. Zoe has abandoned her music dreams for suburban motherhood in New Jersey. The Griffin Sisters are long gone, and the devil's bargain of celebrity has exacted a high price that drives the sisters apart and nearly destroys them both. And yet Zoe's teenage daughter Cherry has inherited her family's talent and stage presence, and will stop at nothing to achieve the very dream of pop stardom her mother has warned her against-opening the wounds of their shared history in the process. Both sisters must face the consequences of choices from the past: the ones they made and the ones the music industry made for them. Can the mistakes of the past be redeemed, and can broken bonds be repaired? In this stirring and soul-bearing novel, Jennifer Weiner brings to life the heartache, joy, and glory of the glamorous but shattering Golden Age of pop music, and a celebrates the power of love and forgiveness, even after the music stops"--

"Nicolas Fiorilla and his gang of children - his paranza - control the squares of Forcella after their rapid rise to power. But it isn't easy being at the top. Now that the Piranhas have power in the city, Nicolas must undermine the old families of the Camorra and remain united among themselves. Every paranzino has his own vendettas and dreams to pursue--dreams that might go beyond the laws of the gang. A new war may be about to break out in this city of cutthroat bargaining, ruthless betrayal, and brutal revenge. Saviano continues the story of the disillusioned boys of Forcella, the paranzini ready to give and receive kisses that leave a taste of blood."--Provided by publisher.

'Francesa Segal is precise and funny, and The Awkward Age is brimming with keen observations of the highest order--the clever, the sore, and the sublime.' Emma Straub In a Victorian terraced house, in north-west London, two families have united in imperfect harmony. After five years of widowhood, Julia has fallen deeply, unexpectedly in love. James is everything she never knew she wanted - if only her beloved teenaged daughter, Gwen, didn't hate him so much. At the very least, Gwen could be civil to James's son, Nathan. Bringing together two households is never easy, but Gwen's struggle for independence will test her mother's loyalty, and her unexpected actions will threaten this fragile new happiness. The Awkward Age is about the new family; about starting over, about the attempt to build something beautiful amid the mess and complexity of what came before. It is a story about standing by the ones we love, even while they hurt us. We would do anything to make our children happy. But how much should we give?

They met as children, innocents from two different worlds. And from that moment their lives were fated to be forever entwined. Timothy : Abandoned at birth, he finds a home--and a dazzling career--within the Catholic Church. But the vows he takes cannot protect him from one soul-igniting passion. Daniel : The scholarly son of a great rabbi, he is destined to follow in his father's footsteps. And destined to break his father's heart. Deborah : She was raised to be docile and dutiful--the perfect rabbi's wife--but love will lead her to rebellion. And into world's the patriarch would never dare imagine. Reaching across more than a quarter of a century, from the tough streets of Brooklyn to ultramodern Brasilia to an Israeli kibbutz, and radiating the splendor of two holy cities, Rome and Jerusalem, here is Erich Segal's most provocative and ambitious novel to date--the unforgettable story of three extraordinary lives...and one forbidden love. From the Paperback edition.

Meyer Levin was a Chicago-born Jewish author. His best-known book is "Compulsion", which is a novelization of the notorious Loeb and Leopold murder case of 1924. Levin was in a special position to tell the story, because he was personally acquainted with the perpetrators. Levin is also famous for bringing Anne Frank's diary to light. But "The Old Bunch" may be his greatest work. "The Old Bunch" was written in the mid-1930's, and it tells the tales of the kids of a Chicago Jewish ghetto coming of age and stepping out into the world. It's presumably something of a fantasy autobiography, echoing Levin's own adventures -- Levin was born in 1905, and the events in this book take place beginning in the year 1921 (when the "bunch" is graduating from school), and running through to 1934. The book is compelling for its individual stories and for its living window into times past. Because it was written prior to the horrors of WWII, it's a very pure view of the pre-war era. (Anything written later will necessarily be done with hindsight, and will likely de-emphasize "unimportant" details in favor of those that connect to major war events.) But the history is merely a fascinating byproduct of the vivid human stories that fill the pages. "The Old Bunch" is surprisingly unknown today, which is a shame. This really is one of the great novels, in a class with Tolstoy and Steinbeck. It conveys the entirety of the era: The people, the culture, the economics, Chicago politics (very dirty!), with a global perspective as well (some characters travel to Europe and Palestine). It covers the Roaring Twenties, Prohibition, the Great Depression, and the New Deal. To read the book is to live and breathe in these bygone days. Most importantly, Meyer Levin depicts events without agenda or judgment. Characters may be Democrats or Republicans or workers or bosses or religionists or atheists or many other things, but all are portrayed with depth, and none are simple heroes or villains or symbols. These are, in the end, tales about the very personal and individual transitions to adulthood, and the elusive quest for wisdom. It is the same challenge that every generation must face. "The Old Bunch" was critically acclaimed and went through numerous print editions, but it eventually passed into the public domain and was temporarily forgotten. A Wall Street Journal article in 2012 ("Destiny's Children", by Joseph Epstein) sparked a revival of interest, and Rancho Lazarus Publications is proud to present a new edition, accurately rendered and true to the original text, and with the addition of occasional footnotes to clarify details of historical accuracy that the modern reader may not have on tap. With almost 700 pages of text (the original hardback book ran to almost 1000 pages), this is an epic novel. But far from being overlong, it's the sort of reading that leaves you wishing there was more. "Written in good hard-driving colloquial prose, full of sharp characterizations. . . A very fine novel." -- New Republic "A landmark -- vivid and exciting reading. It brilliantly succeeds in taking the reader on a memorable tour of the world in which the old bunch lived." -- The New York Times

From WATER STREET PRESS A children's story for grown-ups. ..".amongst their own kind, children are the world's most thoroughgoing skeptics." But not eleven-year-old Jeff Greenaway. When his parents suddenly come into possession of hard-to-get tickets to the smash musical How To Succeed in Business Without Really Trying, but can't find a babysitter, Jeff ventures out in the Manhattan night to meet his hero, Count Zackuloff, the mad, moldy host of Channel 5's Midnight Mystery Theater, a horror movie program. Amazingly, the Count takes Jeff along on a publicity stunt in costume to the Horn and Hardart Automat, drawing crowds of curious fans. Next, the Count takes Jeff to a double feature horror matinee at the 58th Street Translux. An unusual friendship develops between the boy and the ghoul. Through it all, Jeff nutures dreams of becoming the Count's on-screen sidekick. But the Count has his own dreams-and they do not include a lifetime of introducing old horror movies on a third-rate New York TV station. James Howard Kunstler's charming tale takes us back to an age when New York City was a natural playground for a little boy and his own, personal vampire hero-a time when it seemed possible that all of our dreams could come true.