Soak up the wisdom of the inimitable Nora Ephron with this stunning 20th-anniversary special edition, featuring a foreword by Dolly Alderton. The perfect gift for yourself or a friend. 'Ephron has an uncanny ability to sound like your best friend, whoever you are' NEW YORK TIMES. ' The book that most influenced me' LILY ALLEN Acclaimed Hollywood filmwriter and director Nora Ephron examines the indignities of ageing in a collection of wickedly witty autobiographical pieces such as 'I Hate My Handbag', 'Blind as a Bat' and 'What I Wish I'd Known'. I Feel Bad About My Neck offers the consolation that no matter how much your neck sags, your boobs droop, your skin wrinkles and your children don't appreciate you, someone has been there before you. Nora Ephron captures the essence of what it means to be an older woman in an irresistible, laugh-out-loud funny, frank and unexpectedly moving book that every woman should have on their shelves.

Two rabbits made with a pencil and scissors become real after eating a real carrot. Suggested level: junior, primary.

"Mitch Albom has done it again with this moving memoir of love and loss. You can't help but fall for Chika. A page-turner that will no doubt become a classic." --Mary Karr, author of The Liars' Club and The Art of Memoir From the #1 New York Times bestselling author of Tuesdays With Morrie comes Mitch Albom's most personal story to date: an intimate and heartwarming memoir about what it means to be a family and the young Haitian orphan whose short life would forever change his heart. Chika Jeune was born three days before the devastating earthquake that decimated Haiti in 2010. She spent her infancy in a landscape of extreme poverty, and when her mother died giving birth to a baby brother, Chika was brought to The Have Faith Haiti Orphanage that Albom operates in Port Au Prince. With no children of their own, the forty-plus children who live, play, and go to school at the orphanage have become family to Mitch and his wife, Janine. Chika's arrival makes a quick impression. Brave and self-assured, even as a three-year-old, she delights the other kids and teachers. But at age five, Chika is suddenly diagnosed with something a doctor there says, "No one in Haiti can help you with." Mitch and Janine bring Chika to Detroit, hopeful that American medical care can soon return her to her homeland. Instead, Chika becomes a permanent part of their household, and their lives, as they embark on a two-year, around-the-world journey to find a cure. As Chika's boundless optimism and humor teach Mitch the joys of caring for a child, he learns that a relationship built on love, no matter what blows it takes, can never be lost. Told in hindsight, and through illuminating conversations with Chika herself, this is Albom at his most poignant and vulnerable. Finding Chika is a celebration of a girl, her adoptive guardians, and the incredible bond they formed--a devastatingly beautiful portrait of what it means to be a family, regardless of how it is made.

New York Times –bestselling author of The Psychopath Test Jon Ronson writes about the dark, uncanny sides of humanity with clarity and humor. Lost at Sea —now with new material—reveals how deep our collective craziness lies, even in the most mundane circumstances. Ronson investigates the strange things we’re willing to believe in, from robots programmed with our loved ones’ personalities to indigo children to the Insane Clown Posse’s juggalo fans. He looks at ordinary lives that take on extraordinary perspectives. Among them: a pop singer whose greatest passion is the coming alien invasion, assisted-suicide practitioners, and an Alaskan town’s Christmas-induced high school mass-murder plot. He explores all these tales with a sense of higher purpose and universality, yet they are stories not about the fringe of society. They are about all of us. Incisive and hilarious, poignant and maddening, revealing and disturbing—Ronson writes about our modern world, and reveals how deep our collective craziness lies, and the chaos stirring at the edge of our daily lives.

Medical, legal, and sociological research forms the basis for a study of child abuse and infanticide, the psychological problems of the abusive parents, and treatment programs for children.

"I wonder if Judy Blume really knows how many girls' lives she affected. I wonder if she knows that at least one of her books made a grown woman finally feel like she'd been a normal girl all along..." —from Everything I Needed to Know About Being a Girl I Learned from Judy Blume Whether laughing to tears reading Otherwise Known as Sheila the Great or clamoring for more unmistakable "me too!" moments in Are You There God? It's Me, Margaret , girls all over the world have been touched by Judy Blume's poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from Tales of a Fourth Grade Nothing into Smart Women , these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.

O, The Oprah Magazine, Time Magazine, Financial Times, Esquire, Bustle, Lit Hub, Electric Literature, Library Journal, Brooklyn Based, Avenue BEST BOOK OF THE YEAR New York Times Editors' Choice "Superb. . . . Krauss's depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss's stories capture characters at moments in their lives when they're hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers." --Molly Antopol, New York Times Book Review "From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction." --Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women's coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss's stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

A ground-breaking work of nation building, this unique biographical book by many of English and French Canada's best-known writers and thinkers -- Margaret Atwood, Lucien Bouchard, Dr. Samantha Nutt, Ken Dryden, etc. -- tells the story of the extraordinary legacy of the French contribution to our very way of life. In 1913, schoolgirls found a heavy metal plaque peeking out of the soil in St-Pierre, South Dakota. On it they saw engraved characters and signs they could not decipher. They took the plaque back home, and somehow, it found its way into the hands of a local historian who immediately realized the importance of the artifact. One hundred and seventy years earlier, French-Canadian explorer Pierre Gaultier de la Vérendrye had written about his travels to the west in search of the elusive "Western Sea." In his journal, he remembered: "I placed upon a hillock near the fort a lead plaque with the arms and inscription of the King." That was the plaque found by the children, the proof that de la Vérendrye was the first white man to set eyes on the Rockies, 60 years before Lewis and Clark's famous expedition. Traces of the French-Canadians' contribution to North American history can be found in all regions of the continent. More often than not, we are unaware of or indifferent towards these signs. Yet the descendants of the French travelled farther than one would expect, exploring the land and a wide variety of fields of human activity (science, arts, economy, etc.). Through their audacity, their courage and their determination, they shaped Canada -- and, to a smaller but still significant extent -- the United States. In a unique partnership with Les Éditions La Presse, Legacy is the story of a dozen French-Canadian pioneers, from the era of Nouvelle-France up to the 20th century. This ambitious book project will take the form of a series of biographical essays written by Canadian personalities and leading authors. Through the lives of these extraordinary persons, the authors will reflect on the French-Canadian legacy. They are all convinced that Canada would not be what it is today were it not for these French-speaking Canadians who explored the land, hung on to their culture while respecting that of others, longed for peace, fought with courage, and stood up for a brand of humanism that helped shape the country we live in today.

Essays inspired by Chabon's interactions with his four children and his own father illuminate the meaning, magic, and mysteries of fatherhood.

"In his final book before his death, Primo Levi returns once more to his time at Auschwitz in a moving meditation on memory, resiliency, and the struggle to comprehend unimaginable tragedy. Drawing on history, philosophy, and his own personal experiences, Levi asks if we have already begun to forget about the Holocaust. His last book before his death, Levi returns to the subject that would define his reputation as a writer and a witness. Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer. He shares how difficult it is for him to tell his experiences with his children and friends. He also debunks the myth that most of the Germans were in the dark about the Final Solution or that Jews never attempted to escape the camps. As the Holocaust recedes into the past and fewer and fewer survivors are left to tell their stories, The Drowned and the Saved is a vital first-person testament. Along with Elie Wiesel and Hannah Arendt, Primo Levi is remembered as one of the most powerful and perceptive writers on the Holocaust and the Jewish experience during World War II. This is an essential book both for students and literary readers. Reading Primo Levi is a lesson in the resiliency of the human spirit."--Publisher description.

Debora L. Spar spent most of her life avoiding feminism. Raised after the tumult of the 1960s, she presumed that the gender war was over. "We thought we could glide into the new era with babies, board seats, and husbands in tow," she writes. "We were wrong." Spar should know. One of the first women professors at Harvard Business School, she went on to have three children and became the chair of her department. Now, she's the president of Barnard College, arguably the most important women's college in the country, and an institution firmly committed to feminism. Wonder Women is Spar's story, but it is also the culture's. Armed with reams of new research, she examines how women's lives have, and have not, changed over the past fifty years-and how it is that the struggle for power has become a quest for perfection. Wise, often funny, and always human, Wonder Women asks: How far have women really come? And what will it take to get true equality for good?

"You're not doing it right." Writer/comedian Michael Ian Black has been hearing these five words all his life. And now--on the eve of his fortieth birthday--he is finally beginning to wonder why. As a husband and father living in the suburbs, Michael asks the question so many of us ask ourselves at one point or another: How did I end up here? (And also: If Fat Kevin Federline succumbs to his own wasted potential, what does that mean for the rest of us?) The answers to these questions, and others that you probably would have never thought to ask, are painstakingly detailed in Black's debut memoir. Darkly humorous and told with raw honesty, Michael shares his neuroses as he takes on his childhood, his marriage, his children, and his career with candor and deadpan wit in this funny-because-it's-true essay collection.--From publisher description.

Joseph Epstein's witty new book surveys American snobbery after the fall of the old Wasp culture of prep schools, Ivy League colleges, cotillions, debutante balls, the Social Register, and the rest of it. With ample humor and insight, Epstein uncovers the new outlets upon which the old snobbery has fastened: food and wine, fashion, high-achieving children, schools, politics, health, being with-it, name-dropping, and much else, including the roles of Jews and homosexuals in the development of snobbery. Playing throughout the book is the question of whether snobbery is part of human nature.--From publisher description.

A timely and profound anthology from the national bestselling author of Black, White and Jewish, Representing a stunning range of essayists and novelists, both men and women, this groundbreaking anthology boldly confronts the complications, possibilities, uncertainties, and joys of being a man in the 21st century.

“As far as the education of children is concerned,” states Natalia Ginzburg in this collection of her finest and best-known short essays, “I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of one’s neighbor and self-denial; not a desire for success but a desire to be and to know.” Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize. “A glowing light of modern Italian literature . . . Ginzburg’s magic is the utter simplicity of her prose, suddenly illuminated by one word that makes a lightning streak of a plain phrase. . . . As direct and clean as if it were carved in stone, it yet speaks thoughts of the heart.” — The New York Times Book Review

The worst thing that happened to some Holocaust survivors was that they became like Nazis. How and why - and why they stopped - is the subject of this book. It is a story of Jewish revenge - and Jewish redemption. An Eye for an Eye is a riveting account of the appalling events that accompanied the end of World War II. In 1945 the Soviet Union, which occupied Poland and parts of Germany, a region inhabited by ten million German civilians, established the Office of State Security and deliberately recruited survivors of the Holocaust to carry out a policy of de-Nazification. The Office entered German homes and rounded up German men, women, and children - 99 percent of them noncombatant, innocent civilians - and took them to cellars, prisons, and 1,255 concentration camps, where inmates subsisted on starvation rations, where typhus ran rampant, and where torture was common-place. In this brief period, between 60,000 and 80,000 Germans died in the Office's custody. The book tells the story of what drove people who had been through unimaginable suffering to turn around and inflict the same on others. John Sack focuses on people like Lola, a young woman who became commandant of a prison, determined to avenge the death of her mother, brother, sister, and one-year-old baby . . . Pinek, Lola's gentle childhood friend who after the war became head of security for all of Silesia but never saw what was going on in his jurisdiction and, bitter because it had ignored Auschwitz, refused to allow the Red Cross to come and look . . . and Shlomo, a commandant who bragged that "What the Germans couldn't do in five years at Auschwitz, I've done in five months at Schwientochlowitz." (In fact, his arithmetic was faulty: the Germans at Auschwitz killed just as many people in five short hours.). Nothing has ever been written about this. To unearth the story, the author spent seven years doing research and conducting interviews in Poland, Germany, Israel, and the United States. Sixty-fi

" Time Maps extends beyond all of the old clichés about linear, circular, and spiral patterns of historical process and provides us with models of the actual legends used to map history. It is a brilliant and elegant exercise in model building that provides new insights into some of the old questions about philosophy of history, historical narrative, and what is called straight history."-Hayden White, University of California, Santa Cruz Who were the first people to inhabit North America? Does the West Bank belong to the Arabs or the Jews? Why are racists so obsessed with origins? Is a seventh cousin still a cousin? Why do some societies name their children after dead ancestors? As Eviatar Zerubavel demonstrates in Time Maps , we cannot answer burning questions such as these without a deeper understanding of how we envision the past. In a pioneering attempt to map the structure of our collective memory, Zerubavel considers the cognitive patterns we use to organize the past in our minds and the mental strategies that help us string together unrelated events into coherent and meaningful narratives, as well as the social grammar of battles over conflicting interpretations of history. Drawing on fascinating examples that range from Hiroshima to the Holocaust, from Columbus to Lucy, and from ancient Egypt to the former Yugoslavia, Zerubavel shows how we construct historical origins; how we tie discontinuous events together into stories; how we link families and entire nations through genealogies; and how we separate distinct historical periods from one another through watersheds, such as the invention of fire or the fall of the Berlin Wall. Most people think the Roman Empire ended in 476, even though it lasted another 977 years in Byzantium. Challenging such conventional wisdom, Time Maps will be must reading for anyone interested in how the history of our world takes shape.

Shirley Povich was the Dean of American sportswriters. As a columnist for The Washington Post for more than seventyfive years, he was an eyewitness to the most thrilling moments in American sports, including: the legendary 1927 Dempsy-Tunney "long count"; the celebrated 1938 race between Seabiscuit and War Admiral; the 1946 signing of Jackie Robinson by the Brooklyn Dodgers; Don Larsen's perfect game in the 1956 World Series; the Ali-Frazier fight of 1971; and the murder of eleven Israeli athletes at the 1972 Munich Olympics. But Povich's columns were about more than sports; they reflected the dramatic changes in American society over the course of the 20th Century. Driven by a strong sense of social justice, Povich called for the integration of major league baseball in 1939, and twenty years later he was still at it, attacking Washington Redskins owner George Preston Marshall for having an all-white team. For the 100th anniversary of his birth, Povich's children— David, Maury, and Lynn — and his colleague at the Post, former sports editor George Solomon, have pulled together this panoramic collection of Povich's most beloved columns. The result is a front-row seat to the most awe-inspiring sports moments of our American Century.

How were Ned Kelly's bones finally identified? What makes cockroaches some of the most successful creatures on the planet? Could some obscure bacteria finally rid the world of dengue fever? How did infant reflux become the disease of the moment? Why does the discovery of a planet made of one huge diamond cause so much media excitement? And do video games really rot children's brains? From the furthest reaches of the universe to the microscopic world of our genes, science offers writers the kind of scope other subjects simply can't match. Good writing about science can be moving, funny, exhilarating or poetic, but it will always be honest and rigorous about the research that underlies it. Editor Elizabeth Finkel showcases the nation's best science writing, drawn from some of this country's best publications. With a foreword by Nobel Prize-winning astronomer Professor Brian Schmidt, the anthology includes contributions from Margaret Wertheim, Ashley Hay, Wilson da Silva, Jo Chandler and a host of new voices.

Whether you're a savvy mom of teens or a new mom trying to get baby to sleep, this book is for you. A must read for every mom who ever said: "Stop rocking on the chair!" Not your average poetry book, Ode to Chores is a clever and entertaining view of parenting, motherhood, children, pets, and the life and times of moms on call 24/7. ------------------ The Inspiration For This Book The whole thing started because I was lonely. I spent hours every day with my little kids, which I really loved for a while, but my husband was gone A LOT, and when he came home, he was all talked out. He just wanted to spend a little time with his two boys roughhousing and eating Oreo Thins. Plans with friends were few and far between because we were all busy shuffling kids to school and activities when we weren't working jobs, or doing house projects, or stumping for our chosen elected officials, or reconnecting with our significant others. In the meantime, exhausted at the end of every day, I still wanted to be an artist, a writer, and a musician. I'd been on stage for 25 years and suddenly the only singing I was doing was lullabies at 3 AM in a rocking chair trying to get my little muffin to sleep. . . just for a little while. . . sleep muffin, sleep. Somewhere along the way, I put down my pen and found myself deep in the stuff of kids. Then, one evening after an especially frustrating dinner with the boys, I sent everyone off to their rooms, flipped over an envelope lying in the mess on the dining room table, and wrote the poem Stop Rocking on the Chair. I was surprised at how satisfying it was to say it on the page. From there I started writing these "mom poems" all the time. As I did, I felt less and less alone. I was not only writing about my experience but a thread of experience that connected to moms all over the world and through time. The common language of motherhood reconnected me to my creativity and other people at the same time. I first thought I wrote this book for myself, but it turns out I wrote this book for you. I hope it brings you joy and even makes you cry. I hope it brings mothers together and inspires you to make some art and put it out into the world, so we can all have a moment of connection together. Call me. We'll have coffee. ------------------ About the Author Brenda Kahn is a poet, memoirist and an international recording artist who has shared the stage with Bob Dylan, David Byrne, and Jeff Buckley. She has expertise in changing both guitar strings and diapers. She is a writer of songs, poetry, memoir, and excuse notes for sick kids. She can paint and spackle like nobody's business and will also perform a cover of Bessie Smith's Ain't Nobody's Business if you request it at a live show. She lives in South Salem, NY with her husband and two boys, her golden retriever (Barley Patches), her two cats (Fluffy and Colby) and Ekko the crested gecko. Learn more about Bren at www.brendakahn.com Stay connected and support her work at www.BrendaKahn.com/Patreon