"The secret behind France's astonishingly well-behaved children. When American journalist Pamela Druckerman has a baby in Paris, she doesn't aspire to become a "French parent." French parenting isn't a known thing, like French fashion or French cheese. Even French parents themselves insist they aren't doing anything special. Yet, the French children Druckerman knows sleep through the night at two or three months old while those of her American friends take a year or more. French kids eat well-rounded meals that are more likely to include braised leeks than chicken nuggets. And while her American friends spend their visits resolving spats between their kids, her French friends sip coffee while the kids play. Motherhood itself is a whole different experience in France. There's no role model, as there is in America, for the harried new mom with no life of her own. French mothers assume that even good parents aren't at the constant service of their children and that there's no need to feel guilty about this. They have an easy, calm authority with their kids that Druckerman can only envy. Of course, French parenting wouldn't be worth talking about if it produced robotic, joyless children. In fact, French kids are just as boisterous, curious, and creative as Americans. They're just far better behaved and more in command of themselves. While some American toddlers are getting Mandarin tutors and preliteracy training, French kids are-by design-toddling around and discovering the world at their own pace. With a notebook stashed in her diaper bag, Druckerman-a former reporter for the Wall Street Journal sets out to learn the secrets to raising a society of good little sleepers, gourmet eaters, and reasonably relaxed parents. She discovers that French parents are extremely strict about some things and strikingly permissive about others. And she realizes that to be a different kind of parent, you don't just need a different parenting philosophy. You need a very different view of what a child actually is. While finding her own firm "non", Druckerman discovers that children-including her own-are capable of feats she'd never imagined."--Provided by publisher.

How do the French manage to raise well-behaved children and have a life! What British parent hasn't noticed, on visiting France, how well-behaved French children are - compared to our own? How come French babies sleep through the night? Why do French children happily eat what is put in front of them? How can French mums chat to their friends while their children play quietly? Why are French mums more likely to be seen in skinny jeans than tracksuit bottoms? Pamela Druckerman, who lives in Paris with three young children, has had years of observing her French friends and neighbours, and with wit and style, is ideally placed to teach us the basics of parenting a la francaise.

A BEST BOOK OF THE YEAR TIME Magazine・NPR・Library Journal・The Globe and Mail・Lilith・Forward Magazine・Toronto Star・The New Yorker "A testament to the power of imagination and an investigation of empathy."--Vogue "Stunning."--Leslie Camhi, The New Yorker "A can't-miss novel."--Chicago Review of Books "Compelling."--The Washington Examiner Anne Berest's The Postcard is among the most acclaimed and beloved French novels of recent years. It is at once a gripping investigation into family trauma, a poignant tale of mothers and daughters, and a vivid portrait of twentieth-century Parisian intellectual and artistic life. January, 2003. Together with the usual holiday cards, an anonymous postcard is delivered to the Berest family home. On the front, a photo of the Opéra Garnier in Paris. On the back, the names of Anne Berest's maternal great-grandparents, Ephraïm and Emma, and their children, Noémie and Jacques--all killed at Auschwitz. Years after the postcard is delivered, the heroine of this novel is moved to discover who sent it and why. What emerges is a moving saga of a family devastated by the travails of the twentieth century and partly restored through the power of storytelling.

"A rousing and humane tribute to D-Day troops" -New York Times Book Review From Alan Gratz, the highly acclaimed, New York Times bestselling author of the blockbuster Refugee, comes another thrilling multi-perspective novel, this time centered around D-Day. D-Day, June 6, 1944: the most expansive military endeavor in history. No less than world cooperation would bring down Hitler and the Axis powers. And so people -- and kids -- across the globe lent their part. From the young US soldiers in the boats to spies in the French countryside, the coordination of thousands came together. Alan Gratz, author of the New York Times bestselling Refugee, explores the necessity of teamwork and heroism in dismantling tyranny in this epic, yet personal, look at D-Day in time for the 75th anniversary of the operation. PRAISE FOR ALLIES "Both an excellent, inclusive narration of important historical events and a fast-paced, entertaining read." - Kirkus "A tautly paced and multifaceted portrait of the D-Day invasion."- Publishers Weekly "The stories and characters are meticulously researched, honest, and do not avoid the horror of the invasion. As well, despite the historical time setting, the issues the characters face are still timely." - School Library Journal "Gratz manages to provide distinct, complex personalities and a nail-biting plot."- BCCB "This excellent resource will allow teachers to collaborate across both the language arts and history curriculum due to its meditative look at the global scope, outcome, and human costs of war. Highly recommended."- School Library Connection

“The most influential biography of Marie Antoinette.” — Guardian “Bids fair to be the definitive life of that tragic queen.” —New York Times International Bestseller: One of the great writers of the 20th century paints a vivid portrait of one of the most famous, complex, and controversial characters in European history. Stefan Zweig based his biography of Marie Antoinette, who became the Queen of France at the age of fifteen, on the correspondence between her and her mother, and her great love the Count Axel von Fersen. Zweig analyzes the chemistry of a woman’s soul from her intimate pleasures to her public suffering as a Queen under the weight of misfortune and history. Zweig describes Marie Antoinette in the King’s bedroom, in the enchanted and extravagant world of the Trianon, and with her children. And in his account of The Revolution, he describes her resolve during the failed escape to Varennes, her imprisonment in the Conciergerie and her final tragic destiny under the guillotine. Stefan Zweig’s account has been the definitive biography of Marie Antoinette since its publication, inspiring Antonia Fraser and the recent film adaptation.

When Joseph Joffo was ten years old, his father gave him and his brother fifty francs and instructions to flee Nazi-occupied Paris and, somehow, get to the south where France was free. Previously out of print, this book is a captivating and memorable story; readers will instinctively find themselves rooting for these children caught in the whirlwind of World War II.

Jules is confronted headlong and all at once by a series of challenges to his principles, livelihood, and home, forcing him to grapple with his complex past and find a way forward. He risks fraud to save his terminally ill infant grandson, matches wits with a renegade insurance investigator, is drawn into an act of savage violence, and falls deeply, excitingly in love with a young cellist a third his age. He forges a denouement that is staggering in its humanity, elegance, and truth.

During the most terrible years of World War II, when inhumanity and political insanity held most of the world in their grip and the Nazi domination of Europe seemed irrevocable and unchallenged, a miraculous event took place in a small Protestant town in southern France called Le Chambon. There, quietly, peacefully, and in full view of the Vichy government and a nearby division of the Nazi SS, Le Chambon's villagers and their clergy organized to save thousands of Jewish children and adults from certain death.

"In the early 1960s, most middle-class American women in their twenties had their lives laid out for them: marriage, children, and life in the suburbs. Most, but not all. Breathless is the story of a girl who represents those who rebelled against conventional expectations. Paris was a magnet for those eager to resist domesticity, and like many young women of the decade, Nancy K. Miller was enamored of everything French--from perfume and Hermès scarves to the writing of Simone de Beauvoir and the New Wave films of Jeanne Moreau. After graduating from Barnard College in 1961, Miller set out for a year in Paris, with a plan to take classes at the Sorbonne and live out a great romantic life inspired by the movies. After a string of sexual misadventures, she gave up her short-lived freedom and married an American expatriate who promised her a lifetime of three-star meals and five-star hotels. But her husband turned out to be a con man whose promises were lies, and she had to leave Paris and her dreams behind. Upon returning to New York, with more than half of her twenties behind her, Miller was determined to start over. In an era of Vietnam anti-war protests, student unrest, and sexual liberation, she sought to become a new woman: autonomous and creative at a time when women were only expected to look pretty and smile. This stunning memoir chronicles a young woman's coming-of-age tale, and offers a glimpse into the intimate lives of girls before feminism"--

On the nights of July 16 and 17, 1942, French police rounded up 11-year-old Joseph Weismann, his family, and 13,000 other Jews. They were held for five days at the Vélodrome d'Hiver stadium, before being sent by cattle car to the Beaune-la-Rolande transit camp. But where would they be transported to? Separated from his parents, who were deported to Auschwitz and certain death, Joseph remained with 1,000 other separated children, as they waited to discover their fates. But instead of waiting, Joseph and his new friend, Joe Kogan, chose to risk everything in a daring escape attempt. After eluding the guards and crawling under razor-sharp barbed wire, Joseph found freedom. But how would he survive the rest of the war in Nazi-occupied France and build a life for himself? His nightmare had just begun. After the Roundup is a story of hope, friendship, and courage in the face repression, hatred, and fear. This graphic novel, originally published in French, is based on Weismann's memoir of the same name.

Originally published in Algiers in 1943, Joseph Kessel's Army of Shadows is one of the first books to have been written about the French Resistance. Now available in paperback, Contra Mundum Press is proud to present the first new translation in over 70 years, and the first edition since Jean-Pierre Melville's iconic 1969 film. "What, then, when it comes to recounting the story of France, an obscure, secret France, which is new to its friends, its enemies, and new especially to itself? France no longer has bread, wine, fire. But mainly it no longer has any laws. Civil disobedience, individual or organized rebellion, have become duties to the fatherland. The national hero is the clandestine man, the outlaw. Nothing about the order imposed by the enemy and by the Marshal is valid. Nothing counts. Nothing is true any more. One changes home, name, every day. Officials and police officers are helping insurgents. One finds accomplices even in ministries. Prisons, getaways, tortures, bombings, scuffles. One dies and kills as if it's natural. France lives, bleeds, in all its depths. It is toward the shadow that its true and unknown face is turned. In the catacombs of revolt, people create their own light and find their own law. Never has France waged a nobler and more beautiful war than in the basements where it prints its free newspapers, in its nocturnal lands, and in its secret coves where it received its free friends and from where its children set out, in torture cells where, despite tongs, red-hot pins, and crushed bones, the French died as free men."

"For more than half a century, Beate and Serge Klarsfeld have hunted, confronted, and exposed Nazi war criminals, tracking them down in places as far-flung as South America and the Middle East. It is they who uncovered the notorious torturer Klaus Barbie, known as 'the Butcher of Lyon, ' in Bolivia. It is they who outed Kurt Lischka as chief of the Gestapo in Paris, the man responsible for the largest deportation of French Jews. And it is they who, with the help of their son, Arno, brought the Vichy police chief Maurice Papon to justice. They were born on opposite sides of the Second World War. Beate's father was in the Wehrmacht, while Serge's father was deported to Auschwitz because he was a Jew. But when Serge and Beate met on the Paris metro, they instantly fell in love. They soon married and have since dedicated their lives to 'hunting the truth'--both as world-famous Nazi hunters and as meticulous documenters of the fate of the innocent French Jewish children who were killed in the death camps. They have been jailed and targeted by letter bombs, and their car was even blown up. Yet nothing has daunted the Klarsfelds in their pursuit of justice. Beate made worldwide headlines at age twenty-nine by slapping the high-profile ex-Nazi propagandist Chancellor Kurt Georg Kiesinger and shouting 'Nazi!' Serge intentionally provoked a neo-Nazi in a German beer hall by wearing an armband with a yellow star on it, so that the press would report on the assault. When Pope John Paul II met with Austria's then-president, Kurt Waldheim, a former Wehrmacht officer in the Balkans suspected of war crimes, the Klarsfelds' son, dressed as a Nazi officer, stood outside the Vatican. The Klarsfelds also dedicated themselves to defeating Jean-Marie Le Pen's National Front and his daughter Marine Le Pen's 2017 campaign for president in France. Brave, urgent, and buoyed by a remarkable love story, Hunting the Truth is not only the dramatic memoir of bringing Nazis to justice, it is also the inspiring story of an unrelenting battle against prejudice and hate."--Back cover

More than one in five American children live below the poverty line, a proportion that exceeds that of any other advanced nation. Although large numbers of Western European children live with single or unemployed parents, or belong to disadvantaged minorities, they are better shielded from severe deprivation by carefully designed public assistance programs. Saving Our Children from Poverty describes one of the most successful European systems of assistance for families, that of France, and through comparison with American programs offers a valuable guide to improving our own safety net for children and reforming our dysfunctional welfare system. Saving Our Children from Poverty details the array of benefits available to both high- and low-income families in France. Government-run nursery schools provide free, high-quality care for almost all children between the ages of three and six. Children also receive guaranteed medical care under a national health insurance plan. The French system offers married couples most of the same benefits as single parents, and creates strong incentives to seek and hold jobs rather than remain on welfare. A French single mother who chooses to work still receives substantial income supplements, housing assistance, subsidized health care, and access to public child care facilities. In stark contrast, her American counterpart loses most of her cash benefits if she takes a job and receives no government assistance with child care. Because American policies focus disproportionately on aiding the poorest non-working families, parents forced to rely on low-wage jobs are frequently left without the resources to provide their children with an adequate standard of living. As the public debate on welfare reform continues to rage, ever more American children fall into poverty. Why does the nation remain so unresponsive to their plight? Saving Our Children from Poverty probes the American aversion to national assistance programs, citing the negative attitudes that have seeped into the current political discourse. A lack of faith in the federal government's administrative abilities has bolstered a trend toward decentralization of programs, as well as a growing resistance to taxation. Racial antipathies and a belief that financial support encourages irresponsibility further undermine the development of programs for those in need. Saving Our Children from Poverty illustrates what a nation no wealthier than ours can realistically accomplish and afford, and concludes with a viable blueprint for successfully applying aspects of France's system to the United States.

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

Marcel Schwob's 1896 novella The Children's Crusade retells the medieval legend of the exodus of some 30,000 children from all countries to the Holy Land, who traveled to the shores of the sea, which--instead of parting to allow them to march on to Jerusalem--instead delivered them to merchants who sold them into slavery in Tunisia or delivered them to a watery death. It is a cruel and sorrowful story mingling history and legend, which Schwob recounts through the voices of eight different protagonists: a goliard, a leper, Pope Innocent III, a cleric, a qalandar and Pope Gregory IX, as well as two of the marching children, whose naive faith eventually turns into growing fear and anguish. Though it is a tale drawn from the early 13th century, Schwob presents it through a modern framework of shifting subjectivity and fragmented coherency, and its subject matter and its succession of different narrative perspectives has been seen as an influence on and precursor to such diverse works as Alfred Jarry's The Other Alcestis, Ryunosuke Akutagawa's "In a Grove," William Faulkner's As I Lay Dying and Jerzy Andrzejewski's The Gates of Paradise. It is a tale told by many yet understood by few, a mosaic surrounding a void, describing a world in which innocence must perish.--Amazon.prime

"As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence"--Back cover.

Text: English, French (translation)

When a group of hedonistic West European tourists gather to celebrate Christmas in a remote French chateau, an English woman is murdered. Tatiana, 'the unloved child', declares she knows who did it. The subsequent inquiry into the death proves to be more of an investigation into the nature of love, insatiable rage and sadistic desire, framed within an unfolding narrative of colonial violence which will change the tourists' version of history for ever. The Unloved is a pivotal novel in Levy's career, first published in 1994 and reissued now for a new generation of readers.

"This book tells the largely unknown story behind the rescue activities of several remarkable young Jewish women in Vichy France during World War II and their role in the resistance against Nazi and Vichy France deportation policies. Few studies of Vichy France and the Holocaust have looked at the rescue of Jews by those prepared to risk everything to escort them to safety in the border regions, and even fewer have considered Jewish rescue of Jews, specifically of Jewish children by women. This work will be arguably the first book in which the experiences and efforts of a number of female rescuers—all of whom knew or knew of each other—have been brought together in a single volume, with the object of honoring their memory and showing how the value of human life was sustained through the Holocaust. Focusing on a number of young Jewish women who defied the Nazis, this narrative highlights their courage and sacrifice in their efforts to rescue Jews in France during World War II. Additionally, it shows how these French women responded to Nazi and Vichy France policies of deportation through resistance activities. This is a story that will captivate anyone with an interest in the innate goodness of human beings that can shine even when confronted with the darkest expressions of depravity that occurred during the Holocaust." -- From publisher's website.

"An entertaining and openhearted tale of a naïf eventually getting to understand a complex, glittering, beautiful and often cruel society - at least a little. When Simon Kuper left London for Paris in his early thirties, he wasn't planning to make a permanent move. Paris, however, had other plans. Kuper has grown middle-aged there, eaten the croissants, seen his American wife through life-threatening cancer, taken his children to countless football matches on freezing Saturday mornings in the city's notorious banlieues, and in 2015 lived through two terrorist attacks on their neighborhood. Over two decades of becoming something of a cantankerous Parisian himself, Kuper has watched the city change. This century, it has globalized, gentrified, and been shocked into realizing its role as the crucible of civilizational conflict. Sometimes it's a multicultural paradise, and sometimes it isn't. This decade, Parisians have lived through a sequence of shocks: terrorist attacks, record floods and heatwaves, the burning of Notre Dame, the storming of the city by gilets jaunes, and then the pandemic. Now, as the Olympics come to town, France is busy executing the "Grand Paris" project: the most serious attempt yet to knit together the bejewelled city with its neglected suburbs. This is a captivating memoir of the Paris of today, without the Parisian cliches"--