And the Rat Laughed is a unique book. Unlike other Holocaust-related books that focus on the historical horrific events, this novel deals with the act of remembering them. It resembles a relay race in which the characters transfer memory from one another, while travelling on the axis of time. The book begins in the last day of 1999, when a survivor Grandmother in Tel Aviv shares her tragic life story as a hidden child in a pit, with only a rat for company with her granddaughter. The day after – 2000 already – the granddaughter tells the legend of "Girl and Rat" to her teacher and in 2009 those who heard it through her classmates establish an internet website with poems. From now on this memory is spread all over the world and becomes a myth. In 2099 a future anthropologist discovers it and tries to uncover its mysterious roots. In her research, she reveals the first man who created this myth in the past. Father Stanislaw, a Catholic priest, saved that little Jewish girl (who later became the Grandmother in Tel Aviv) and returned her after the war to her Jewish people. In his personal journal he documented everything, to make sure the world will never forget. The chain of remembearers, therefore, moves from the present to the future and back to the past. The novel is written in 5 genres: story, legend, poems, science fiction and diary, creating a cycle of 150 years. And the Rat Laughed got acclaim for its use of unconventional and original literary devices and became a ground breaker for exploring the act of memory itself. How do we tell our painful story? Does it change while we recall it? How will our next recipient recall it in his own individual way? Is Art the only corridor to transfer emotional memory?

A novel of ordinary, every day life in Israel during multiple plagues ― deadly flu, economic collapse, apocalyptic weather, and suicide bombings. “It was an exceptional winter.” With understatement, Orly Castel-Bloom draws back the curtain on her disturbing, revelatory novel set in Israel during the Al Aksa intifada. This is a world already regularly interrupted by terrorist ambushes and suicide bombs. And now it is further plagued―by a Saudi flu that is decimating the population, and by weather that brings a ruinous winter after eight years of drought. The economy is shot to pieces. Hail stones as big as dinner plates are falling from the sky. And yet, against this backdrop of monumental affliction, ordinary people are still trying to lead normal lives. Kati Beit-Halahmi, an impoverished cleaner, is snatched up by a community television program and given her full fifteen-minutes-of-fame. Iris Ventura, divorced with three children, is wondering how she can afford both to replace her broken washing machine and have some essential dental work done. And the Israeli president, Reuven Tekoa, travels from hospital to funeral, musing on the state of the nation from the back of his limousine. First published in 2002, Orly Castel-Bloom spins a web of filament-fine connections between her characters. Death or disaster might intrude at any moment, but people still watch game shows on TV, go to the laundromat and train to be beauticians. Holding a mirror up to her country, Castel-Bloom shows us a society in microcosm, struggling for continuity and normalcy in a fractured world. Sardonic, topical and wholly engrossing, this is a novel capturing the maelstrom of contradictions that is life today.

When Flora Elhayani is twelve years old, God appears to her through the television and suddenly, after being mute for two months, she can speak again. Flora changes her name to Ori, and acquires a new, fantastical vantage point of her life in the desert town of Netivot. Trying to decipher what the revelation holds for her, Ori comes across a rare series of young adult novels about a strange wonderland whose heroine plays special part in Ori's own coming of age. Twenty years later, we meet Ori again. She now lives in Tel Aviv, where she is married to a successful man and the mother of a little girl. She has become a writer for young adults, focusing her work on various Wonderland themes. Life is good until a second revelation, very different from the first, rattles the very foundations of her life and puts all in doubt. Sunburnt Faces examines the nature of revelation in a world in which the fantastical takes place only in situations of error and misunderstanding. But will the social and political nature of this world allow Ori to find the certainty without which she cannot live?