An orphan and a thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automation will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life, and his most precious secret, are put in jeopardy.

"The Mandalorian and Grogu continue their journey to find more of Grogu's kind as they make their way through a dangerous galaxy in the tumultuous era following the fall of the Empire. They will encounter strange creatures, mysterious Jedi, old friends, and the sinister Moff Gideon, who wants the Child for his own purposes"--

After being told that his father was an assassin for a criminal organization, fourteen-year-old Alex goes to Italy to find out more and becomes involved in a plan to kill thousands of English school children.

In 1904, New York nuns brought forty Irish orphans to a remote Arizona mining camp, to be placed with Catholic families. The Catholic families were Mexican, as was the majority of the population. Soon the town's Anglos, furious at this "interracial" transgression, formed a vigilante squad that kidnapped the children and nearly lynched the nuns and the local priest. The Catholic Church sued to get its wards back, but all the courts, including the U.S. Supreme Court, ruled in favor of the vigilantes. The Great Arizona Orphan Abduction tells this disturbing and dramatic tale to illuminate the creation of racial boundaries along the Mexican border. Clifton/Morenci, Arizona, was a "wild West" boomtown, where the mines and smelters pulled in thousands of Mexican immigrant workers. Racial walls hardened as the mines became big business and whiteness became a marker of superiority. These already volatile race and class relations produced passions that erupted in the "orphan incident." To the Anglos of Clifton/Morenci, placing a white child with a Mexican family was tantamount to child abuse, and they saw their kidnapping as a rescue. Women initiated both sides of this confrontation. Mexican women agreed to take in these orphans, both serving their church and asserting a maternal prerogative; Anglo women believed they had to "save" the orphans, and they organized a vigilante squad to do it. In retelling this nearly forgotten piece of American history, Linda Gordon brilliantly recreates and dissects the tangled intersection of family and racial values, in a gripping story that resonates with today's conflicts over the "best interests of the child."

Widely heralded for her bestselling first novel ( Feed My Dear Dogs ) and award-winning stories ( Sister Crazy , also nominated for the Orange Prize), Emma Richler finally returns with a dazzling major novel with the power of A.S. Byatt's Possession , the wit and wonder of Peter Carey's Oscar and Lucinda and Kate Atkinson's Life After Life --about a sister and her adopted brother with a one-of-a-kind connection: a profoundly moving, original love story about the unbreakable ties that bind, and the choices we make or create for ourselves. Zachariah and Rachel are brother and sister. Well, not exactly. They are star-crossed lovers. Well, not exactly. Rachel is the cherished daughter of a Russian family living in London--the richly imagined, mysterious Wolffs; Zach is her parents' adopted son who arrived from the orphanage with one sweater, a head of curls and a dexterous set of fists. As children, they became as close as two people can be. But when they crossed a forbidden line, there was no going back. Now, as an adult, coping with their father's furious rebuttal of Zach, Rachel sets herself the task of inventing a family history for her beloved. And so she brings to life his imagined ancestry--from a tavern-educated boxer in Dickensian times, to a Hussar at the Battle of Borodino during the Napoleonic Wars--even as their troubles in present-day Camden Town build to yet another point of no return. Cartwheeling through history, filled with art and science, fairy tales and folk songs, tsars and foundlings, epic battles in the prize ring and on the Eastern Front, and characters that take over our hearts, Be My Wolff is riveting--wondrous, funny and tragic and of astonishing imagination and beauty.

A family of nice ghosts protects a British orphan from the diabolical plans of his evil guardians.

Cynthia Ozick is an American master at the height of her powers in Heir to the Glimmering World, a grand romantic novel of desire, fame, fanaticism, and unimaginable reversals of fortune. Ozick takes us to the outskirts of the Bronx in the 1930s, as New York fills with Europe"s ousted dreamers, turned overnight into refugees. Rose Meadows unknowingly enters this world when she answers an ambiguous want ad for an "assistant" to a Herr Mitwisser, the patriarch of a large, chaotic household. Rosie, orphaned at eighteen, has been living with her distant relative Bertram, who sparks her first erotic desires. But just as he begins to return her affection, his lover, a radical socialist named Ninel (Lenin spelled backward), turns her out. And so Rosie takes refuge from love among refugees of world upheaval. Cast out from Berlin"s elite, the Mitwissers live at the whim of a mysterious benefactor, James A'Bair. Professor Mitwisser is a terrifying figure, obsessed with his arcane research. His distraught wife, Elsa, once a prominent physicist, is becoming unhinged. Their willful sixteen-year-old daughter runs the household: the exquisite, enigmatic Anneliese. Rosie's place here is uncertain, and she finds her fate hanging on the arrival of James. Inspired by the real Christopher Robin, James is the Bear Boy, the son of a famous children's author who recreated James as the fanciful subject of his books. Also a kind of refugee, James runs from his own fame, a boy adored by the world but grown into a bitter man. It is Anneliese's fierce longing that draws James back to this troubled house, and it is Rosie who must help them all resist James's reckless orbit. Ozick lovingly evokes these perpetual outsiders thrown together by surprising chance. The hard times they inherit still hold glimmers of past hopes and future dreams. Heir to the Glimmering World is a generous delight. --

There Is No Me Without You is the story of Haregewoin Tefarra, a middle-aged Ethiopian woman of modest means whose home has become a refuge for hundreds of children orphaned by AIDS. It is a story as much about the power of the bond between children and parents as about the epidemic that every year leaves millions of children, mostly healthy themselves, without family. Originally a middle-class woman with a happy family life, Haregewoin fell into a deep depression after the death of her recently married daughter. But then a priest brought her two children, AIDS orphans, with nowhere to go. Unexpectedly, the children thrived, and Haregewoin found herself drawn back into daily life. As word got out, an endless stream of children began to arrive at her door, delivered by dying parents and other relatives who begged for her help, and, pushing against the limits of her home and bank account, she took more and more in. Today, Haregewoin runs a school, a daycare system, and a shelter for sick mothers. Without medication for her charges―some HIV-positive, some uninfected, and some infants trying to fight off the virus, but almost all of whom come to her terrified and malnourished―she forges on, caring for as many as she can handle. Increasingly, she also places them for adoption with families like that of journalist Melissa Fay Greene, who has two children adopted from Ethiopia. In Haregewoin Tefarra's story, Greene gives us an astonishing portrait of a woman fighting a continent-wide epidemic.

The world of ten-year-old Jacob and his younger brother Solly falls apart when they are orphaned and pitched into a Sydney children's home, where other refugee Jewish children are gathering as Hitler rises to power in Europe.

Followed by an assassin and her poisonous snakes, ten-year-old twins Wally and Cheyenne Shluffmuffin try to get from their Ohio home to the FBI training facility in Quantico, Virginia, to get help in freeing human hostages from the onts.