Before gentrification, New York City was a gritty and inspiring place. In its midst was Arlene Gottfried, whose eye for the sublime caught it all. Sometimes Overwhelming is a manic yet romantic ode to the people of New York City in the 1970s and 80s. From Coney Island to a Hasid at Riis Beachs nude bay to the disco nights of sexual abandon and the children in the original Village Halloween parade, this book is a delightfully lighthearted look at the most outrageous people you might ever see.

The unspoken poetry of our nation revealed by an American master. The first collection of the extensive and superlative work realized by Mary Ellen Mark in the United States, Mary Ellen Mark is composed of many previously unpublished images, as well as photographs from several of her best-known projects. From "Streetwise" to "The Damm Family," Mary Ellen Mark includes the most iconic images from these groundbreaking stories, as well as powerful, never-before-seen photographs Mark accomplished in subsequent years. She makes a deeply felt commitment to her subjects, and her empathy and humanity come through in every image. Mark is unsurpassed at shaping not only the odd but the everyday into genuinely surprising visual icons. With an eye for symbolism and a gift for meticulous composition, she is drawn to a variety of spectacles and situations, and demonstrates a particular affinity for children. Her elegantly revealing imagery creates a fascinating portrait of our complex, amusing, and occasionally unsettling country.

In the early 1970s, Milton Rogovin set out to document the neighborhood near his house. He made a series of portraits of working-class people in Buffalo's Lower West Side. Then he returned to photograph the same people in the early 1980s and again in the 1990s. The result is this remarkable and moving portrait of time and place in America. Here are fifty of an acclaimed photographer's engaging Triptychs - a visual chronicle of change, aging, endurance, and finally survival. As Robert Coles writes in his foreword, "These photographs constitute a major contribution to the American documentary tradition. They represent the insistence of one careful, gifted, attentive photographer upon seeing through, as it were, his self-assigned job of seeing." Here we see working people who, like most Americans, find partners, have children and grandchildren, sometimes separate, and sometimes die early. Some age considerably in the ten years between photographs, others almost not at all. Some lose children, change partners and houses, and some visibly change lifestyles. What remains constant is the passing of time and its effects upon his subjects, so evident in Rogovin's work. These are among the themes observed and discussed in Stephen Jay Gould's illuminating introduction.