Lieutenant Detective Decker and his wife, Rina, investigate an apparent teen suicide witnessed by the son of a troubled former friend whom they have welcomed into their home.

"An updated and revised edition of the controversial classic--now more relevant than ever--argues that boys are the ones languishing socially and academically, resulting in staggering social and economic costs, "--Amazon.com.

'With the open-hearted rashness that belongs to every true writer, Saviano returns to tell the story of the fierce and grieving heart of Naples.' Elena Ferrante In Naples, a new kind of gang rules the streets: the 'Paranze', the 'Children's Gangs', groups of teenage boys who divide their time between Facebook or playing Call of Duty on their PlayStations and patrolling the streets armed with pistols and AK-47s, terrorizing local residents in order to mark out the territories of their Mafia bosses. Roberto Saviano's eye-opening novel The Piranhas tells the story of the rise of one such gang and its leader, Nicolas - known to his friends and enemies as the 'Maharajah'. But Nicolas's ambitions reach far beyond doing other men's bidding: he wants to be the one giving orders, calling the shots, and ruling the city. But the violence he is accustomed to wielding and witnessing soon spirals out of his control . . .

Once our society set aside time for adolescents to grow from children to adults, to become accustomed to their expanding bodies and minds. Now the markers that defined passage—differences in dress, behavior, and responsibilities—have vanished. The institutions that guarded adolescence, such as family and schools, now expect “young adults” to deal with adult issues. Those trends leave teens no time to be teens. All Grown Up and No Place to Go spotlights the pressures on teenagers to grow up quickly. The resulting problems range from common alienation to self-destructive behavior. Quoting teenagers themselves, Elkind shows why adolescence is a time of “thinking in a new key,” and how young people need this time to get used to the social and emotional changes their new thinking brings. Many of his ideas, such as the “imaginary audience” that makes teens so self-conscious, have become seminal in adolescent psychology.Already there are more than 175,000 copies of All Grown Up and No Place to Go in print. In this thoroughly revised edition, Elkind also explores the “post-modern family” in which teenagers are growing up. He helps parents and those who work with youth and understand teens in crucial ways, because the root of so many adolescent frictions is the gap between what teenagers need and what our culture provides.

"Eighteen-year-old Stony De Coco has to make a choice: either join his father in the tightly knit world of New York's construction unions or take off and find his own path. But Stony's family is not about to make that choice easy. As he tries to protect his little brother, Albert, from their dangerously unbalanced mother, and to postpone the difficult adult responsibilities that await him, he finds hope in a job working with children at a hospital - a job that promises not to make anyone happy but Stony."--Publisher description.

Presents profiles of fourteen teenagers from countries around the world, revealing their struggles to fit into American society and their personal triumphs.

For nearly a decade Marc Aronson ran an imprint dedicated to international and multicultural literature for teens. He was known in the industry for publishing "edgy" books, and for his commitment to bringing the experiences of non-dominant authors and illustrators to the world. Yet in the summer of 2001 he wrote an essay that argued against awards, such as the Pure Belpre and Coretta Scott King prizes, for which you must be a member of a given ethnic group to win. Not surprisingly, his article was very controversial; and the author and publisher Andrea Davis Pinkney who had created an imprint specifically designed to be of, by, and for African Americans, published a thoughtful reply. Here, in Beyond the Pale , Aronson explains the passionate convictions that led him to write his essay, and outlines objections made by others; then reprints the original alongside Pinkney's response. As Aronson prepared a formal response to his critics, the attacks of September 11th took place. This tragedy simultaneously made a squabble among authors seem petty, and the issues around art, society, and cultural diversity all the more important. Throughout 2001 and 2002, Aronson wrote essays in which he weighed out how art, history, and books for younger readers could respond to the altered world. As in his previous collection, Exploding the Myths, the Truth About Teenagers and Reading , he exposes the mythologies and false beliefs that distort our understanding of books and their readers. Provocative and informative, this collection of essays will challenge those who know children's literature well to think in new ways, while linking the debates within that industry to the wider intellectual currents of our time.