Rowan and Citra take opposite stances on the morality of the Scythedom, putting them at odds, in the chilling sequel to the Printz Honor Book Scythe from New York Times bestseller Neal Shusterman, author of the Unwind dystology. The Thunderhead cannot interfere in the affairs of the Scythedom. All it can do is observe—it does not like what it sees. A year has passed since Rowan had gone off grid. Since then, he has become an urban legend, a vigilante snuffing out corrupt scythes in a trial by fire. His story is told in whispers across the continent. As Scythe Anastasia, Citra gleans with compassion and openly challenges the ideals of the “new order.” But when her life is threatened and her methods questioned, it becomes clear that not everyone is open to the change. Will the Thunderhead intervene? Or will it simply watch as this perfect world begins to unravel?

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

When your son can’t look you in the eye . . . does that mean he’s guilty? Jacob Hunt is a teen with Asperger’s syndrome. He’s hopeless at reading social cues or expressing himself well to others, though he is brilliant in many ways. But he has a special focus on one subject—forensic analysis. A police scanner in his room clues him in to crime scenes, and he’s always showing up and telling the cops what to do. And he’s usually right. But when Jacob’s small hometown is rocked by a terrible murder, law enforcement comes to him. Jacob’s behaviors are hallmark Asperger’s, but they look a lot like guilt to the local police. Suddenly the Hunt family, who only want to fit in, are directly in the spotlight. For Jacob’s mother, Emma, it’s a brutal reminder of the intolerance and misunderstanding that always threaten her family. For his brother, Theo, it’s another indication why nothing is normal because of Jacob. And over this small family, the soul-searing question looms: Did Jacob commit murder?

"For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice?s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother?s whereabouts. Desperate to find the truth, Jenna enlists two unlikely allies in her quest: Serenity Jones, a psychic who rose to fame finding missing persons, only to later doubt her gifts, and Virgil Stanhope, the jaded private detective who?d originally investigated Alice?s case along with the strange, possibly linked death of one of her colleagues. As the three work together to uncover what happened to Alice, they realize that in asking hard questions, they?ll have to face even harder answers." --Amazon.com.

Named a Best Book of the Year by: Boston Globe * New Yorker * NPR * PopMatters From the bestselling and award-winning author of The Fortress of Solitude and Motherless Brooklyn comes a sweeping story of community, crime, and gentrification, tracing more than fifty years of life in one Brooklyn neighborhood. "A blistering book. A love story. Social commentary. History. Protest novel. And mystery joins the whole together: is the crime 'time'? Or the almighty dollar? I got a great laugh from it too. Every city deserves a book like this." -- Colum McCann, author of Apeirogon and Let the Great World Spin On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and the laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory's prism, criminals and victims may seem to trade places. The voices of the past may seem to rise and gather as if in harmony, then make war with one another. A street may seem to crack open and reveal what lies behind its glimmering facade. None who lived through it are ever permitted to forget. Written with kaleidoscopic verve and delirious wit, Brooklyn Crime Novel is a breathtaking tour de force by a writer at the top of his powers. Jonathan Lethem, "one of America's greatest storytellers" (Washington Post), has crafted an epic interrogation of how we fashion stories to contain the uncontainable: our remorse at the world we've made.

"Jonathan and Barbara Rose are the perfect couple, living the dream in their beautiful house, filled with their precious antiques, their darling children, and their prized Ferrari in the garage. It's all any red-blooded American could possibly want. But when Jonathan experiences a sudden heart attack (or so he thinks) Barbara realizes that she wants a new life, without him. There's just one problem: they both want the house. For husband and wife, it's not just a residence: it's a passion, one that will escalate an ugly divorce into a full-blown battlefield, complete with weapons and casualties. In this viciously black comedy, the Roses will each do whatever they can to destroy their better half--no matter the cost to themselves..." -- Provided by publisher.

"Judy Glassman lives with her brother, Ira, and father, Noah, in a village at the foot of Evil Rock. Every winter, Ira accompanies their dad up to the mansion at the top of the mountain to assist the rich, eccentric Grendel family with their house repairs. But this year, Judy convinces her dad to let her come too. Judy has heard whispers about the Beast of Evil Rock -- a half-human creature who stalks the crags. And she's determined to find out for herself if it's true. Will Judy discover the secret of Evil Rock before the Beast finds her first?"--

By encouraging massive accumulations of debt from its underclass, a single corporation, Caerus, controls all aspects of society. Inesa lives with her brother in a half-sunken town where they scrape by running a taxidermy shop. Unbeknownst to Inesa, their cruel and indolent mother has accrued an enormous debt, enough to qualify one of her children for Caerus's livestreamed assassination spectacle : the Lamb's Gauntlet. Melinoe is a Caerus assassin, trained to track and kill the sacrificial Lambs. The product of neural reconditioning and physiological alteration, she is a living weapon, known for her cold brutality and deadly beauty. She has never failed to assassinate one of her marks. When Inesa learns that her mother has offered her as a sacrifice, at first she despairs, the Gauntlet is always a bloodbath for the impoverished debtors. But she's had years of practice surviving in the apocalyptic wastes, and with the help of her hunter brother she might stand a chance of staying alive. For Melinoe, this is a game she can't afford to lose. Despite her reputation for mercilessness, she is haunted by painful flashbacks. After her last Gauntlet, where she broke down on livestream, she desperately needs redemption. As Mel pursues Inesa across the wasteland, both girls begin to question everything : Inesa wonders if there's more to life than survival, while Mel wonders if she's capable of more than killing. And both wonder if, against all odds, they might be falling in love.

"There is no privacy more inviolable than that of the prisoner. To visualize that cell in which he is thinking, to reach what he alone knows; that is a blank in the dark." Privileged whites in post-apartheid South Africa, Harald and Claudia Lindgard have managed to live the better part of 50 years without ever confronting the deepest shadows in their culture or in their own souls. Though they conceive of themselves as liberal-minded, neither has ever taken any active political stand; neither has ever been in any black person's home. Harald sits on the board of an insurance company; Claudia is a compassionate doctor. Neither of them has ever been inside a courtroom before; neither has ever been inside a prison. When their architect-son, Duncan, is arrested for murder, both know that the charge is preposterous. But Duncan himself fails to deny his guilt, and his parents are brought by a harsh and ungainly process to accept the possibility that he has committed an unthinkable crime. Nadine Gordimer's The House Gun is a gravely sustained exploration of their long-delayed but necessary descent into an intimate acquaintance with the culture of violence that surrounds them and that is "the common hell of all who are associated with it." The novel is a mystery, but not in the usual sense of the whodunit. Here the question of who quickly gives way to why and thence to other, still deeper quandaries of culpability, both immediate and ultimate. The enigmatic Duncan becomes a dark mirror in which his stunned parents must desperately grope for a new vision of themselves and their world--a vision that will not shatter, as their old one has, under a single blow from reality. Gordimer's prose is mannered and severe; humor is rare, or absent. "As the couple emerge into the foyer of the courts, vast and lofty cathedral echoing with the susurration of its different kind of supplicants gathered there, Claudia suddenly breaks away, disappearing towards the sign indicating toilets. Harald waits for her among these people patient in trouble, no choice to be otherwise, for them, he is one of them, the wives, husbands, fathers, lovers, children of forgers, thieves and murderers." This difficult exposition is the reader's own dark mirror, where we as spectators fumble from one dubious explanation to the next--a twisted reflection always reminding us that, underlying this social tragedy, there is a mystery play in the old sense, and an unanswerable question: What is a human being? Paragraph after paragraph, the reader is led into deeper and deeper perceptions of the sensibilities and the dilemmas of these characters--into a quiet intimacy with their trouble that is sometimes acutely uncomfortable, but which pays off richly in an ending that reconciles our sense of the horror of violence with our desire to believe in the value of each life. --Daniel Hintzsche

"Nicolas Fiorilla and his gang of children - his paranza - control the squares of Forcella after their rapid rise to power. But it isn't easy being at the top. Now that the Piranhas have power in the city, Nicolas must undermine the old families of the Camorra and remain united among themselves. Every paranzino has his own vendettas and dreams to pursue--dreams that might go beyond the laws of the gang. A new war may be about to break out in this city of cutthroat bargaining, ruthless betrayal, and brutal revenge. Saviano continues the story of the disillusioned boys of Forcella, the paranzini ready to give and receive kisses that leave a taste of blood."--Provided by publisher.

Now in paperback! Best of the Year: New York Public Library - Chicago Public Library - American Indians in Children's Literature - Cooperative Children's Book Center Tightly woven Indigenous YA thriller that explores masculinity and love between generations of family Ezra Cloud hates living in Northeast Minneapolis. His father is a professor of their language, Ojibwe, at a local college, so they have to be there. But Ezra hates the dirty, polluted snow around them. He hates being away from the rez at Nigigoonsiminikaaning First Nation. And he hates the local bully in his neighborhood, Matt Schroeder, who terrorizes Ezra and his friend Nora George. Ezra gets into a terrible fight with Matt at school defending Nora, and that same night, Matt’s house burns down. Instantly, Ezra becomes a prime suspect. Knowing he won’t get a fair deal, and knowing his innocence, Ezra’s family sends him away to run traplines with his grandfather in a remote part of Canada, while the investigation is ongoing. But the Schroeders are looking for him… From acclaimed author Anton Treuer comes a novel that’s both taut thriller and a raw, tender coming-of-age story, about one Ojibwe boy learning to love himself through the love of his family around him. P R A I S E “Where Wolves Don't Die will lift you up and not let you down. Anton Treuer knows how to tell a gripping story and the suspense doesn't let up for a single page. Along the way you'll learn about Ojibwe lifeways, languages, sharp jokes, gentle humor, and how to keep romantic love alive from youth to old age. I couldn't put this book down until I'd finished it, and then, I could not forget it.” —Louise Erdrich, Pulitzer Prize Winner and owner of Birchbark Books “I am in awe, crying and smiling at the same time. Where Wolves Don’t Die is a love letter to our Ancestors. This beautiful story is full of cultural teachings and characters so familiar that I'm pretty sure we're related.” —Angeline Boulley, #1 NYT bestselling author of Firekeeper’s Daughter “It is quite likely that I will never stop reading Where Wolves Don’t Die. First of all, it’s an excellent piece of writing, and second of all, each time that I would read through one section I would want to go back and read that section or another one over again. I enjoyed the writing so much because the author’s thoughts reflected mine in terms of what I knew my life to be and what I had hoped could have been. I think it is one of the best pieces of writing I have ever read.” —The Hon. Senator Murray Sinclair, Chair of Canada’s Truth and Reconciliation Commission “A nuanced adventure centering family and growth.” —Kirkus “Where Wolves Don’t Die gives voice to all of us who survived residential boarding school, visibility to all of us who love and live our language and culture, and hope to all good humans who quest for healing, connection, and love. Everyone should read this.” —Dennis Jones, Nigigoonsiminikaaning First Nation Elder and Retired Instructor of Ojibwe, University of Minnesota and residential school survivor “Where Wolves Don’t Die will immerse you in the northern wilderness more completely than Hatchet, rivet you to a storyline faster than a Harry Potter book, and transport you into Indigenous culture more authentically and compellingly than anything in print. This is the best book I have ever read.” —Charles Grolla, author of Binesi-dibaajimowinan: Ojibwe Bird Stories and Makazinataagewin: Ojibwe Style Moccasin Game

They met as children, innocents from two different worlds. And from that moment their lives were fated to be forever entwined. Timothy : Abandoned at birth, he finds a home--and a dazzling career--within the Catholic Church. But the vows he takes cannot protect him from one soul-igniting passion. Daniel : The scholarly son of a great rabbi, he is destined to follow in his father's footsteps. And destined to break his father's heart. Deborah : She was raised to be docile and dutiful--the perfect rabbi's wife--but love will lead her to rebellion. And into world's the patriarch would never dare imagine. Reaching across more than a quarter of a century, from the tough streets of Brooklyn to ultramodern Brasilia to an Israeli kibbutz, and radiating the splendor of two holy cities, Rome and Jerusalem, here is Erich Segal's most provocative and ambitious novel to date--the unforgettable story of three extraordinary lives...and one forbidden love. From the Paperback edition.

Dame Edna Everage - housewife, megastar, investigative journalist, social anthropologist, children's book illustrator, chanteuse, swami, monstre sacre, polymath, adviser to British royalty, grief counselor, spin doctor, and gifted woman in the world today. The seeds of stardom were planted in Melbourne, Australia when her career as a performing artiste was strictly a cult following. In the 1960's, she did a series of one-woman shows and occasional stage and TV appearances in England with Barry Humphries. She spends her time visiting world leaders and jet-setting between her homes in Malibu, London, Sydney, and Switzerland. Her hobbies are having afternoon tea with Stephen Hwking and doing compassionate photography.

When any biological matter can be used to create life, stolen celebrity DNA sells to the highest bidder–or the craziest stalker–in this propulsive thriller. With a vivid imagining of the future, Gattaca meets Black Mirror in Kira Peikoff’s Baby X . In the near-future United States, where advanced technology can create egg or sperm from any person’s cells, celebrities face the alarming potential of meeting biological children they never conceived. Famous singer Trace Thorne is tired of being targeted by the Vault, a black market site devoted to stealing DNA. Sick of paying ransom money for his own cell matter, he hires bio-security guard Ember Ryan to ensure his biological safety. Ember will do anything she can to protect her clients. She knows all the Vault’s tricks–discarded tissues, used straws, lipstick tubes—and has prevented countless DNA thefts. Working for Thorne, her focus becomes split when she begins to fall for him, but she knows she hasn’t let anything slip–love or not, his DNA is safe. But then she and Thorne are confronted by a pregnant woman, Quinn, who claims that Thorne is the father of her baby, and all bets are off. Brilliantly plotted and terrifyingly prescient, Baby X is an unpredictable and relentless speculative thriller perfect for fans of Blake Crouch and John Marrs.