8 results for "Classics"

The Odyssey

Homer,Mendelsohn, Daniel
The most accurate and poetic translation of the world's greatest epic, which is now a film by Academy Award winner Christopher Nolan! “This may be the best translation of The Odyssey yet."—Edith Hall, The Telegraph A magnificent feat of translation, hailed by classicists and poets alike as a “momentous achievement”: “thrilling,” “rich and rhythmical,” “superb,” “mesmerizing,” “searingly faithful—yet absolutely original.” With this edition of Homer’s Odyssey, the celebrated author, critic, and classicist Daniel Mendelsohn brings the great epic to vividly poetic new life. Widely known for his essays on classical literature and culture in The New Yorker and many other publications, Mendelsohn gives us a line-for-line rendering of The Odyssey that is both engrossing as poetry and true to its source. Rejecting the streamlining and modernizing approach of many recent translations, he artfully reproduces the epic’s formal qualities—meter, enjambment, alliteration, assonance—and in so doing restores to Homer’s masterwork its archaic grandeur. Mendelsohn’s expansive six-beat line, far closer to the original than that of other recent translations, allows him to capture each of Homer’s dense verses without sacrificing the amplitude and shadings of the original. The result is the richest, most ample, most precise, and most musical Odyssey in English, conveying the beauty of its poetry, the excitement of its hero’s adventures, and the profundity of its insights. Supported by an extensive introduction and the fullest notes and commentary currently available, Daniel Mendelsohn’s Odyssey is poised to become the authoritative version of this magnificent and enduringly influential masterpiece.
University of Chicago Press 2026-04-20 565 pages

The rise of romance

Vinaver, Eugène
Explores medieval French and English romances in their relation to the literary aesthetic of that vanished age as well as to the evolution of narrative. The framework of this investigation is chronological, beginning in the twelfth century with the work of Chrétien de Troyes and following through to the great Arhurian Prose Cycle and its remodelling by Sir Thomas Malory, whose mind and art the author strives constantly to elucidate. As it seeks out the meaning and design of the early masterpieces, the study transcends its chronological framework: major problems of style and technique arise that are of fundamental importance to the contemporary novel as well. Related phenomena in medieval painting, sculpture and manuscript ilumination are drawn upon to illustrate and reinforce the significance of the author's discoveries.
D.S. Brewer 1984-02-23 158 pages

Post-Impressions

Simeon Strunsky
"[...] "I hardly ever go to the theatre nowadays," I said. He looked at me reproachfully. "Some day you will find yourself, quite unexpectedly, facing a crisis in which your ignorance of the duty on formaldehyde will cost you dear, and then you will have cause to regret your indifference toward the progress of the modern drama. However, the third act of 'Ad Valorem' is laid in the reception room of a Tenderloin resort." "What?" I said. "It was bound to be," he replied. "Freed from all Puritanical [...]."
CreateSpace Independent Publishing Platform 2017-12-24 126 pages

Potash and Perlmutter

Montague Glass
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
CreateSpace Independent Publishing Platform 2017-10-22 238 pages

Die Troerinnen des Euripides. [1915]

Franz Werfel
About the Book Books on Classical & Medieval Literature contain the works of many famous ancient, classical or medieval authors, as well as those whose names are no longer recognized as much. Titles include: Der Gebrauch des Infinitivs in Xenophons Anabasis, Die Troerinnen des euripides, Diomede: from the Iliad of Homer, Stories from Plato and Other Classic Writers: Hesiod, Homer, Aristophanes, Ovid, Catullus, and Pliny, The use of the prepositions in Apollonius Rhodius, compared with their use in Homer, dissertation, Petrarch and His Influence on English Literature, and "Know Thyself" in Greek and Latin Literature: A Dissertation. About us Trieste Publishing's aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. Our titles are produced from scans of the original books and as a result may sometimes have imperfections. To ensure a high-quality product we have: thoroughly reviewed every page of all the books in the catalog repaired some of the text in some cases, and rejected titles that are not of the highest quality. You can look up "Trieste Publishing" in categories that interest you to find other titles in our large collection. Come home to the books that made a difference
Trieste Publishing Pty Limited 2017-11-29 138 pages

In Bohemia with Du Maurier

Felix Moscheles
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
BiblioBazaar 2015-12-05 172 pages