From #1 New York Times bestselling author Neil Gaiman, an outstanding array of short fiction that surveys the terrain between the illusory and the ordinary and reveals the terrors and wonders reflected in the funhouse mirrors of our dreams―one of ten classic Gaiman works repackaged with elegant original watercolor art by acclaimed artist Henry Sene Yee "He is a treasure-house of story, and we are lucky to have him." --Stephen King Spanning the realms of dark imagination, Smoke and Mirrors surveys the terrain between the illusory and the ordinary, treating readers to a gift of wonder and delight from one of the most unique literary artists of our time. The miraculous inventions contained herein - stories, novellas, and poems - reveal Gaiman to be a writer of immense talent and sophisticated invention. In his deft hands, magic is no mere illusion, but a powerful means of illumination, revelation, and reflection on what it means to be human. Poignant and haunting, humorous and unorthodox, Smoke and Mirrors is an outstanding array of short fiction from one of the world's most distinguished literary masters.

Self-consciously staging itself in the psychotherapy sessions of a disturbed young man, Peter Shaffer's Equus is a shocking exploration of the limits of faith, of the intersecting worlds of the sacred and profane, and of the paltry value of a 'mundane' life, published in Penguin Modern Classics. When a deranged boy, Alan Strang, blinds six horses with a metal spike he is sentenced to psychiatric treatment. Dr Dysart is the man given the task of uncovering what happened the night Strang committed his crime, but in doing so will open up his own wounds. Dysart struggles in secret to define sanity, to justify his marriage, to account for his career, and finds himself questioning the 'normality' of his way of life. Ultimately, he must ask himself: is it patient or psychiatrist whose life is being laid bare? The most shocking play of its day, Equus uses an act of violence to explore faith, insanity and how the materialism of modern life can destroy humanity's capacity for pain and passion. Peter Shaffer (b. 1926), born in Liverpool, is an English playwright. Among his plays are The Salt Land (1954), Equus (1973) which won Shaffer the 1975 Tony Award for Best Play, as well as the New York Drama Critics Circle Award and Amadeus (1979) which won the Evening Standard Drama Award and the Theatre Critics Award for the London production, as well as being adapted into a 1984 film starring F. Murray Abraham and Simon Callow. If you enjoyed Equus , you might like Tennessee Williams's A Streetcar Named Desire , also available in Penguin Modern Classics. 'Sensationally good' Guardian 'A very important play' The New York Times

Perfectly preserving the tone and mood of the novel whilst condensing it into two acts, David Malouf, with the gift for language already evident from his novels and poetry, presents afresh the timeless story of Charlotte Brontë's Jane Eyre, one of the most enduring literary classics of all time. The love between Jane and Mr Rochester, and the mystery of the woman behind the locked door, are here set to music in the opera composed by Michael Berkeley.

The sequel to the phenomenal national bestseller and enduring classic Love Story. Can the love of your life appear twice in a lifetime? Oliver Barrett IV found his soulmate in Jenny Cavilleri. Their love was magical and exhilarating...and though heartbreakingly brief, it was a love to last a lifetime. Two years have passed since Jenny was taken from him, and Oliver believes he will never love again. Then one day, Marcie--beautiful and mysterious--enters his world and suddenly the future holds new promise. From the running track in New York's Central Park to the hushed executive suites of a mightly department store empire, from a snowy Massachusetts Christmas to a shattering moment of turth in exotic Hong Kong--the story of Oliver Barrett IV is a story of passion and principle, of a young man's journey out of sadness, into love.

The graduating seniors of a Seven Sisters college, trying to decide whether to pattern themselves after Katharine Hepburn or Emily Dickinson. Two young women besieged by the demands of mothers, lovers, and careers--not to mention a highly persistent telephone answering machine--as they struggle to have it all. A brilliant feminist art historian trying to keep her bearings and her sense of humor on the elevator ride from the radical sixties to the heartless eighties. Wendy Wasserstein's characters are so funny, so many-sided, and so "real" that we seem to know them from their Scene One entrances, though the places they go are invariably surprising. And these three plays--"Uncommon Women and Others," "Isn't It Romantic," and the Pulitzer Prize-winning "The Heidi" "Chronicles"--Manage to engage us heart, mind, and soul on such a deep and lasting level that they are already recognized as classics of the modern theater.

The first appearance of Alice Goodman's two internationally-renowned and controversial libretti, alongside one of her masterful translations. An NYRB Classics Original Nixon in China and The Death of Klinghoffer played a crucial role in bringing opera back to life as a contemporary art form, and they have been popular—and, in the case of Klinghoffer , highly controversial—ever since they were first staged by the director Peter Sellars in the eighties and nineties. Both operas were conceived from the start as collaborations between composer and writer, and their power is due as much to the dazzlingly constructed and deeply felt libretti of the poet Alice Goodman as they are to John Adams’s music. Nixon in China is a story, at once heroic, comic, and unnerving, of men and women making history and of their different conceptions of what history is and what it means to makes it. Klinghoffer , by contrast, has at its center the tragedy of an innocent man condemned at the cost of his life to play a part in history. History Is Our Mother , which takes its title from a line sung by the title character in Nixon in China , brings Goodman’s two libretti together for the first time in book form. Included alongside Goodman’s no less inspired translation of Emanuel Schikaneder’s famous libretto to The Magic Flute , these vivid dramas of character and searching meditations on fate are here revealed as among the most original, ambitious, and accomplished poetic achievements of our time.

This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!