Here is Cheryl, a tightly wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other peoples' babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense nonprofit organisation where she works. She believes they've been making love for many lifetimes, though they have yet to consummate it in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter, Clee, can move into her house for a while, Cheryl's eccentrically ordered world explodes. And yet it is Clee the selfish, cruel blond bombshell who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual obsession and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic, and important voice today.

Ijon Tichy, Lem's Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride. Line drawings by the Author. Translated by Michael Kandel. A Helen and Kurt Wolff Book

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book

A farcical sendup of Donald Trump's rise to power and volatile partnership with Vladimir Putin...As a young boy, Donald Rump was less than precocious--a miserable student, prone to implacable tantrums, whose emotional intelligence ceased maturing at the age of 9. But the region of the brain responsible for egomaniacal self-assessment was prodigiously large. After some success and plenty more failure in real estate, he turns his attentions to reality TV and hosts a show called "Paycheck," each episode of which concludes with Rump singing "Don't Cry for Me Argentina." Meanwhile, Vladimir Poutine was raised by KGB agents during the early years of Khrushchev's reign. Poutine, a latent homosexual who immerses himself in the self-consciously manly world of "physical culture," reads magazines about bodybuilding. Crushed by the demise of the Soviet Union, he copes in the most peculiar way: "he would slip into a silver lamé gown, pop on a curly wig and perform Marlene Dietrich classics at a local drag bar." Rump decides he'd like to try his hand at politics and recruits shock jock Alex Clamz from the popular but frothing radio show, "Disinfowarz." He runs for president opposite Mallory Claxton, a sensible woman with a sterling career in public service. Despite a bizarre campaign and a trail of seedy scandals, Rump wins with clandestine help from Poutine. And then, the fun really begins.

In "Men I'm Not Married To," Dorothy Parker offers a sharp, witty collection of essays and character sketches that explore the complexities of love, desire, and disillusionment through her incisive lens. Known for her acerbic humor and keen observations of the societal norms of her time, Parker employs a conversational yet poignant literary style, weaving personal anecdotes with broader social critiques. This work emerges from the early 20th century, a pivotal era in American literature marked by a burgeoning feminism and shifting gender dynamics, which Parker critiques with a blend of irony and authenticity. Dorothy Parker, a prominent member of the Algonquin Round Table, was known for her biting wit and advocacy for women's rights, often reflecting her personal experiences with romance and disappointment. Her own tumultuous relationships and her struggles within the patriarchal society profoundly influenced her writing. Parker's work not only illuminates her individual concerns but also resonates with the broader existential questions of her generation, establishing her as a significant voice in American literature. "Men I'm Not Married To" is an essential read for those who appreciate humor laced with wisdom. Parker's insightful commentary on relationships remains relevant, inviting readers to reflect on the intricacies of human connections, making this collection a timeless exploration of love's transient nature.

"The virtuoso performances of a sophisticated stylist ... compact, skilful, and hilarious." - Randall Reid American modernist Nathanael West's first novel, The Dream Life of Balso Snell, is an anti-künstleroman; it's a portrait of a young artist discovering his powerlessness. The title character, a lyric poet, takes a nightmare tour through the bowels of the Trojan Horse, meeting a series of failed and frustrated writers along the way. Each surrealistic episode underscores the futility of the literary vocation and gleefully mocks the pipe dreams of amateurs who aspire to wealth and immortality. It was first published in 1931 in an edition of only 500 copies. "West's aesthetic sensibilities transform ugly material into a beautiful composition ... that, by its very artistry, celebrates that which it wishes to destroy" - Deborah Wyrick "[Balso] undertakes not just a disavowal of high modernism and the idealism of its art-for-art's sake aestheticism, but a critique of nothing less than the grand tradition of Western culture upon which it depends. That critique results in a thorough housecleaning, an operation that will dispense with everything from Plato to Picasso" - Jonathan Veitch 'Beneath this gloom that [West] was pouring at you, there was a streak of the most diabolical humor, you couldn't imagine ...' - John Fante "Scenes of extraordinary power ... vividly drawn grotesques." - F. Scott Fitzgerald "By applying the magpie aesthetics of Surrealism and T.S. Eliot to the 'American Grain, ' by delving into the popular culture and emerging not with surrender or refusal but a razor-cool critique, West became the great precursor to Heller, Pynchon, Philip K. Dick, George Saunders, and so much else." -Jonathan Lethem "[West's] novels say more about the way we live now - and the things that brought us to our present pass - than any other work of fiction I can think of." - The New Yorker "Nathanael West's stunning four novels are American tales, rooted in our transmogrifying soil. Morality plays they are, classified as comedies. They are indeed often funny. Funny as a crutch." - Elizabeth Hardwick, The New York Review of Books About the author Nathanael West published four novels during the thirty-six years of his life. The first, The Dream Life of Balso Snell, an experimental work written in the 1920s, was well-received but sales were poor. The second, the brilliant Miss Lonelyhearts, was published in 1933, a few months before his publisher went bankrupt. The third, A Cool Million, vanished into the depths of the Depression. It was at this point that West went to Hollywood to earn his living as a scriptwriter. From his Hollywood experience came The Day of the Locust. Publishing in 1939, the novel received very little recognition. The following year, on December 22nd, the day after his neighbour F. Scott Fitzgerald died of a heart attack, Nathanael West and his wife were killed in a California highway accident. When West died, at the age of thirty-seven, his originality and brilliance were little known outside an intensely admiring circle of fellow writers: William Carlos Williams, Edmund Wilson, S. J. Perelman, and others. Not until West's four novels were reissued in the late 1950s was he acknowledged as one of the most gifted writers of his generation. His masterpieces blend manic farce and despairing compassion, and their vision of an America awash in its own mass-produced fantasies, read like a prophecy of much that was to come in American literature and life.

A dark, moving, and beautifully written novel about family, honor, and justice - exploring the world of young Russian immigrant Slava Gelman who stumbles from one tragicomic incident to another.

In London, before the First World War, where in society love and money predominate, Bertha and Nigel had been inseparable. But then Nigel felt he had to focus on the economics of life, and after all Bertha's family were quite modestly off. Whereas the heiress Mary, also interested in him but not anywhere near so charming, was very well set up. His decision was made. Though initially heartbroken, Bertha realises quickly that she has escaped from a delusion. Equanimity returns, and she finds in Percy Kellynch a devoted lover, though one a little more sober and less racy. They marry, as do Nigel and Mary, and over time the two become friends again, though now with wise awareness on Bertha's side. Nigel begins to see his error, as Mary's jealousy and her wish to supervise his life take their toll. He finds comfort in simply seeing Bertha initially, but inevitably begins to wish for more. Bertha is not interested, having moved on, but, if noticed, Nigel's attentions could be misconstrued... In the meantime, Bertha is also looking out for the future of a young friend, Madeline Irwin, who is smitten with Rupert Denison, a young man with rather too much of a penchant for patronising and "educating" young women. Madeline is impulsive, a little inexperienced and quite needy. Her headlong qualities precipitate problems very readily. As Bertha negotiates several crises arising from Nigel's reviving attachment, she also tries to assist Madeline in avoiding her own self-created disasters. Much depends on Bertha's talent for good management and wise counsel in the perils of both their lives. She is determined to win over adversity, but it will be a strong test of her skills.... Bird of Paradise, Leverson's fifth novel, as radiant with wit and wisdom as those which preceded it, was first published in 1914.

Before he became one of America’s most celebrated humorists, S.J. Perelman unleashed his razor-sharp wit in Dawn Ginsbergh’s Revenge, a dazzling debut filled with linguistic acrobatics, absurdist storytelling, and sheer comic genius. Overflowing with rapid-fire puns, genre-bending satire, and wordplay that bends the English language to his will, Perelman’s first collection of sketches captures the youthful energy and anarchic spirit that would later influence the Marx Brothers. Whether lampooning pulp fiction, skewering popular culture, or crafting surreal scenarios where no paragraph ends where you expect, this book is a wild ride through the mind of a master humorist in the making. For fans of clever comedy, literary playfulness, and vintage satire, Dawn Ginsbergh’s Revenge is a rare and delightful glimpse into the early brilliance of a writer who redefined American humor.