8 results for "Classics"

In Sunlight and in Shadow

Mark Helprin
A literary love story that rivals those celebrated in earlier classics. "St. Louis Post-Dispatch" In Helprin s rhapsodic rendering . . . "In Sunlight and in Shadow" is . . . the romance of life itself. " Los Angeles Times" In the summer of 1946, New York City pulses with energy. Harry Copeland, a World War II veteran, has returned home to run the family business. Yet his life is upended by a single encounter with the young singer and heiress Catherine Thomas Hale, as each falls for the other in an instant. They pursue one another in a romance played out in Broadway theaters, Long Island mansions, the offices of financiers, and the haunts of gangsters. Catherine s choice of Harry over her longtime fiance endangers Harry s livelihood and threatens his life. In the end, Harry must summon the strength of his wartime experience to fight for Catherine, and risk everything. In its storytelling heft, its moral rectitude, the solemn magnificence of its writing and the splendor of its hymns to New York City, ["In Sunlight and in Shadow"] is a spiritual pendant to Winter s Tale and every bit as extraordinary . . . Even the most stubbornly resistant readers will soon be disarmed by the nobility of the novel s sentiments and seduced by the pure music of its prose. "Wall Street Journal" [NO AUTHOR PHOTO] Mark Helprin is the acclaimed author of Winter s Tale, A Soldier of the Great War, The Pacific, Memoir from Antproof Case, Freddy and Fredericka, Ellis Island, and numerous other works. "
Mariner Books/Houghton Mifflin Harcourt 2013 705 pages

Imaginary Magnitude

Stanisław Lem
These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book
Harcourt Brace Jovanovich 1985 264 pages

GenderQueer: voices from beyond the sexual binary

Riki Anne Wilchins,Clare Howell,Joan Nestle
When Genderqueer was first published in 2002, it was groundbreaking, even inventing a new word for those whose voices had been hidden behind the walls of the gender binary. Now-finally!-it's republished, and those voices are still fresh and compelling in a volume that can take its place as one of the field's early and most original "classics."Michael Kimmel SUNY Distinguished Professor of Sociology and Gender Studies Stony Brook University (retired) Perhaps more than any other issue, gender identity has galvanized the queer community in recent years. The questions go beyond the nature of male/female to a yet-to-be-traversed region that lies somewhere between and beyond biologically determined gender. In this groundbreaking anthology, first published nearly two decades ago, three experts in gender studies and politics navigate around rigid, societally imposed concepts of two genders to discover and illuminate the limitless possibilities of identity. Thirty first-person accounts of gender construction, exploration, and questioning provide the groundwork for cultural discussion, political action, and even greater possibilities of autonomous gender choices. Joan Nestle is the cofounder of the Lesbian Herstory Archives in New York and the writer and editor of six books including the groundbreaking Women on Women series. Riki Wilchins is the executive director of GenderPAC, the national gender advocacy group, and the cofounder of the Gender Identity Project of New York City's Lesbian and Gay Center. She is the author of Read My Lips: Sexual Subversion and the End of Gender, Gender Theory, Burn the Binary and TransGRESSIVE. Clare Howell is a senior librarian at the Brooklyn Public Library.
Riverdale Avenue Books 2020-08 294 pages

Killings

Calvin Trillin
True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first published in 1984 and expanded for this edition, shows Trillin to be such a reporter, drawn time after time to tales of sudden death. But Trillin is attracted less by violence or police procedure than by the way the fabric of people’s lives is suddenly exposed when someone comes to an untimely end. As Trillin says, Killings is “more about how Americans live than about how some of them die.” These stories, which originally appeared in The New Yorker between 1969 and 2010, are vivid portraits of lives cut short. An upstanding farmer in Iowa finds himself drastically changed by a woman he meets in a cocktail lounge. An eccentric old man in Eastern Kentucky is enraged by the presence of a documentary filmmaker. Two women move to a bucolic Virginia county to find peace, only to end up at war over a shared road. Mexican American families in California hand down a feud from generation to generation. A high-living criminal-defense lawyer in Miami acquires any number of enemies capable of killing him. Stark and compassionate, deeply observed and beautifully written, Killings is “that rarity, reportage as art” (William Geist, The New York Times Book Review ). Praise for Killings “Riveting tales of murder and mayhem. . . . [Calvin] Trillin is a superb writer, with a magical ability to turn even the most mundane detail into spellbinding wonder. Armed with this wealth of material, he utterly shines. Every piece here is a gem.” — The Seattle Times “What Mr. Trillin does so well, what makes Killings literature, is the way he pictures the lives that were interrupted by the murders. Even the most ordinary life makes a terrible noise . . . when it’s broken off.” —Anatole Broyard, The New York Times “Fascinating, troubling . . . In each of these stories is the basis of a Dostoevskian novel.” —Edward Abbey , Chicago Sun-Times “The stories . . . are unforgettable. They leave us, finally, with the awareness of the unknowable opacity of the human heart.” —Bruce Colman , San Francisco Chronicle “[Trillin] writes brilliantly. . . . These stories still hold up, as classics.” — The Buffalo News “In his artful ability to conjure up a whole life and a whole world, Trillin comes as close to achieving the power of a Chekhov short story as can anyone whose material is so implacably tied to fact.” —Frederick Iseman , Harper’s Bazaar “I have a book for you true-crime addicts if you’re caught up on the podcast Serial, the cascade on TV of 48 Hours and Dateline NBC episodes. . . . It’s time to pick up Calvin Trillin’s Killings .” — The New York Times Book Review “Well-crafted and thoughtfully composed, lacking judgment and admonishment, these are a true piece of quality journalism, which clearly continues to captivate audiences.” — Library Journal “With telling detail and shrewd insights, [Calvin Trillin] masterfully evokes the places and personalities that hatched these grim episodes.” — Publishers Weekly
Random House Publishing Group 2018-02-06 320 pages

The Eighth Stage of Fandom

Robert Bloch
Assembled here are Robert Bloch's best essays from fan-produced magazines, including such classics as "The Seven Ages of Fan," "Through a Picture-Tube, Darkly," "The Demolished Fan," "Poe and Me," "In Memoriam: Weird Tales," and "The Incredible Head-Shrinking Man." Bloch's blend of wry humor, insight, awful puns, and verbal play make the 46 essays and 3 poems in The Eighth Stage of Fandom some of the most interesting and remarkable work in a career filled with the interesting and remarkable.
Wildside Press, LLC 2001-08 212 pages

Descriptions of the Inferior Maxillary Bones of Mastodons In the Cabinet of the American Philosophical Society, With Remarks on the Genus Tetracaulodon, &C

Isaac Hays
This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy!
HardPress 2020-03-17 66 pages