Susan Sontag's On Photography is a seminal and groundbreaking work on the subject. Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere, and the 'insatiability of the photographing eye' has profoundly altered our relationship with the world. Photographs have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. In these six incisive essays, Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives. 'Sontag offers enough food for thought to satisfy the most intellectual of appetites' The Times 'A brilliant analysis of the profound changes photographic images have made in our way of looking at the world, and at ourselves' Washington Post 'The most original and illuminating study of the subject' New Yorker One of America's best-known and most admired writers, Susan Sontag was also a leading commentator on contemporary culture until her death in December 2004. Her books include four novels and numerous works of non-fiction, among them Regarding the Pain of Others , On Photography , Illness as Metaphor , At the Same Time , Against Interpretation and Other Essays and Reborn: Early Diaries 1947-1963 , all of which are published by Penguin. A further eight books, including the collections of essays Under the Sign of Saturn and Where the Stress Falls , and the novels The Volcano Lover and The Benefactor , are available from Penguin Modern Classics.

"In 1950, mathematician-philosopher Norbert Wiener ended this classic book on the place of machines in society with a warning: "We shall never receive the right answers to our questions unless we ask the right questions.... The hour is very late, and the choice of good and evil knocks at our door." Wiener, the founder of the science of cybernetics--the study of the relationship between computers and the human nervous system--was widely mislabeled as an advocate for the automation of human life. As The Human Use for Human Beings reveals, his vision was much more complex and interesting, and is more relevant in today's world of AI than anyone could have anticipated. In his new introduction, Brian Christian aptly calls Wiener the "progenitor of contemporary AI-safety discourse." Wiener hoped that machines would release people from relentless and repetitive drudgery to achieve more creative pursuits, yet he anticipated the danger of dehumanizing and displacement. His pioneering views on the human-machine relationship as a "communicative process" are only more crucial now, as we carry in our pockets AI devices that we can literally speak to. His prescient warnings illuminate our contemporary relationships with language, art, and even social media. The Human Use of Human Beings examines the implications of cybernetics for education, law, language, science, technology, as Wiener anticipates the enormous impact--in effect, a third industrial revolution--that the computer has had on our lives."-- Provided by publisher

With his classics of social commentary "The Geography of Nowhere and "Home from Nowhere, James Howard Kunstler has established himself as one of the great commentators on American space and place. Now, with "The Long Emergency, he offers a shocking vision of a post-oil future. The last two hundred years have seen the greatest explosion of progress and wealth in the history of mankind. But the oil age is at an end. The depletion of nonrenewable fossil fuels is about to radically change life as we know it, and much sooner than we think. As a result of artificially cheap fossil-fuel energy we have developed global models of industry, commerce, food production, and finance that will collapse. "The Long Emergency tells us just what to expect after we pass the tipping point of global peak oil production and the honeymoon of affordable energy is over, preparing us for economic, political, and social changes of an unimaginable scale. Are we laboring under a Jiminy Cricket syndrome when we tell ourselves that alternative means of energy are just a few years away? Even once they are developed, will they ever be able to sustain us in the way that fossil fuels once did? What will happen when our current plagues of global warming, epidemic disease, and overpopulation collide to exacerbate the end of the oil age? Will the new global economy be able to persevere, or will we be forced to revert to the more agrarian, localized economy we once knew? Could corporations like Wal-Mart and McDonald's, built on the premise of cheap transportation, become a thing of the past? Will the misguided experiment of suburbia--considered a birthright and a reality by millions of Americans--collapse when the car culturebecomes obsolete? Riveting and authoritative. "The Long Emergency is a devastating indictment that brings new urgency and accessibility to the critical issues that will shape our future, and that we can no longer afford to ignore. It is bound to become a classic of social science.

During World War II, Honor Carmichael and her two young children are uprooted to Linfield, to join Honor's husband Colin, a dapper, small-town doctor stationed at the military hospital. She is visited by her sister Claudia, whose fiance, Andrew, waits to be invalided out of the Army. Whilst Andrew dismisses himself as 'damaged goods', Colin becomes absorbed by the petty feuds and power games of uniformed life - most particularly with the arrival of Captain Herriot, a commando, and the C.O.'s current favourite. Apparently peripheral to this 'male pirouetting' Honor and Claudia are nevertheless deeply affected by this war - for its threat to notions of masculinity forces both women to reassess the roles they're always played. First published in 1945, this exploration of the crushing psychological effects of war was described by Stevie Smith as a sensitively and beautifully told story ... perfectly drawn. This edition carries a new foreword by Sir Jonathan Miller C.B.E., the author's son