The Art of Thinking by Dagobert D. Runes is a comprehensive guide to developing critical thinking skills. The book covers a wide range of topics, including logic, reasoning, problem-solving, decision-making, and creativity. Runes explores the importance of clear and concise communication, and provides practical techniques for improving one's ability to express ideas effectively.The Art of Thinking is divided into three main sections. The first section focuses on the foundations of critical thinking, including the nature of thought and the principles of logic. The second section delves into specific thinking skills, such as analysis, synthesis, and evaluation. The final section explores the practical applications of critical thinking in various contexts, including business, education, and personal relationships.Throughout the book, Runes provides numerous examples and exercises to help readers develop and apply their critical thinking skills. He also emphasizes the importance of self-reflection and continuous learning, encouraging readers to regularly evaluate their own thinking processes and seek out new information and perspectives.Overall, The Art of Thinking is a valuable resource for anyone looking to improve their critical thinking skills and become a more effective and thoughtful communicator.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

A personal journey leads a celebrated critic to discover “knights of the medium,” contemporary artists who battle the aesthetic meaninglessness of the post-medium condition. In Under Blue Cup , Rosalind Krauss explores the relation of aesthetic mediums to memory—her own memory having been severely tested by a ruptured aneurysm that temporarily washed away much of her short-term memory. (The title, Under Blue Cup, comes from the legend on a flash card she used as a mnemonic tool during cognitive therapy.) Krauss emphasizes the medium as a form of remembering; contemporary artists in what she terms the “post-medium” condition reject that scaffolding. Krauss explains the historical emergence of the post-medium condition and describes alternatives to its aesthetic meaninglessness, examining works by “knights of the medium”—contemporary artists who extend the life of the specific medium. These artists—including Ed Ruscha, William Kentridge, Sophie Calle, Harun Farocki, Christian Marclay, and James Coleman—reinstate the recursive rules of a modernist medium by inventing what Krauss terms new technical supports, battling the aesthetic meaninglessness of the post-medium condition. The “technical support” is an underlying ground for aesthetic practice that supports the work of art as canvas supported oil paint. The technical support for Ruscha's fascination with gas stations and parking lots is the automobile; for Kentridge, the animated film; for Calle, photojournalism; for Coleman, a modification of PowerPoint; for Marclay, synchronous sound. Their work, Krauss argues, recuperates more than a century of modernist practice. The work of the post-medium condition—conceptual art, installation, and relational aesthetics—advances the idea that the “white cube” of the museum or gallery wall is over. Krauss argues that the technical support extends the life of the white cube, restoring autonomy and specificity to the work of art.