The award-winning actor takes us behind-the-scenes into his professional and private life In Just One More Thing, Peter Falk takes us on an acting journey that begins not in Hollywood but in Hartford, where he worked as a management analyst for the Connecticut State Budget Bureau. His time there was no more successful than an earlier attempt to find work with the Central Intelligence Agency. At loose ends, Falk turned to an old college interest: acting. He came to prominence as an actor in 1956 in the highly successful Off-Broadway revival of The Iceman Cometh with Jason Robards. Although he worked continuously for the next three years, bouncing from one Off-Broadway theater to the next, a theatrical agent advised him not to expect much work in motion pictures because of his glass eye. Surgeons had removed his right eye, along with a malignant tumor, when he was three years old. But in 1958, the actor made the jump to Hollywood, where he landed his first movie, Murder Incorporated, and was nominated for an Oscar. Next came Frank Capra's A Pocketful of Miracles starring Bette Davis, which garnered Falk his second Oscar nomination. Falk was a favorite among moviegoers during the 1960s, admired for his roles in classic comedies such as It's A Mad, Mad, Mad, Mad World and The Great Race. However, it was through his collaboration with filmmaker John Cassavetes that Falk entered into his most creative period in 1970. Motion pictures such as Husbands and A Woman Under the Influence helped launch the independent film movement. Nevertheless, Falk continued to act in light film comedies, including The In-Laws and Neil Simon's The Cheap Detective and Murder by Death, among others. Yet it was through television that Falk reached his widest audience. He has portrayed the beloved Lt. Columbo since the 1970s, winning four Emmys. The series was so successful that ten years after it's demise, Columbo was re-launched, bringing Falk to a new generation of viewers. Just One More Thing also chronicles the author's later work, such as movie appearances in A Shark's Tale and Paul Reiser's The Thing About My Folks, as well stories of growing up in New York, Hollywood and Broadway luminaries, and the author's accomplished passion for drawing and painting.

Insightful, candid, and utterly entertaining, Steven Bochco's memoir TRUTH IS A TOTAL DEFENSE: My Fifty Years in Television is an in-studio view of the inception of the second Golden Age of television, delivered by the man who helped create it. Bochco reveals the mad genius, vision, mayhem, and brilliance behind his groundbreaking, widely popular hits (and near misses). Sparing no one, including himself, he shares insider anecdotes from his triumphs-"Hill Street Blues," "L.A. Law," "Doogie Howser, M.D.," and "NYPD Blue"-and turbulent times in broadcast TV. He started reading and synopsizing scripts, plays, and books for Sam Goldwyn, Jr. Moving through his 10-Emmy Award career (so far), to his hot, homicide detective show "Murder in the First" now on TNT, the prolific and successful TV writer and producer describes generous, tough, and conniving mentors and moguls. He shares the how-tos and better-nots of working with highly talented writers, directors, actors, and remembrances of building remarkable television and a memorable life. His remembrances include: Albert Einstein once wangling an invitation to one of his dad's Sunday musical soirees; being nominated for an Emmy for the first "Columbo" he wrote, directed by some young director on the lot named Steven Spielberg; Bruce Paltrow (father of Gwyneth and Jake) teaching him how to have fun at work; Brandon Tartikoff calling to say, "I'm moving 'L.A. Law' to a better time slot. You're replacing 'Hill Street'"; "NYPD Blue" co-creator David Milch asking for an advance because he'd lost $1 million betting on football games that day; Stephen J. Cannell turning down a cop show pilot at ABC, telling their head of development that "Hill Street Blues" was the best cop show ever made, and he didn't want to compete with it; fighting ABC to hire Neil Patrick Harris for "Doogie Howser, M.D."; and keeping friends and family close during his 70-day in-hospital cancer treatment with witty, heartfelt emails signed-as time went on-Cancer Boy, Remission and Retention Boy, Transplant Boy (Soon to be Transplanted Boy), and (The newly reconstructed) Steven. Writers, as he says, write. He also describes the creative arc of building his shows, including several script excerpts, the finances and finagling of modern television production, and more. Combining discerning and from-the-hip thoughts on the business of television writing and production, tales from the wild side, and personal lessons from his life-threatening and altering battle with a rare form of leukemia, Steven Bochco delivers a revealing, wryly humorous page turner. Praise for TRUTH IS A TOTAL DEFENSE: My Fifty Years in Television "An inside look at television from the man who transformed it. The origins of today's golden age of television dramas can be traced to one man: Steven Bochco. This juicy and fascinating account tells you how he did it. A must read." -David E. Kelley, Emmy Award winner and prolific creator of TV hits "Picket Fences," "Chicago Hope," "The Practice," "Ally McBeal," "Boston Public," and "Boston Legal" "Steven Bochco's Truth Is A Total Defense: My Fifty Years in Television is a great in-the-room chronicle of the modern television industry, told by a man who's created some of the most influential and popular shows of the last forty years. I highly recommend it." -Neil Patrick Harris, Emmy and Tony Award-winning actor "It's raucous, it's witty, and very savvy on the business of television. It's master storyteller Steven Bochco telling the story of his life and his life's work-creating groundbreaking TV shows. Fascinating and funny. Read it." -Danny DeVito, Golden Globe and Emmy Award-winning actor, director, and producer