"New superiour court judge Alex Cormier is assigned to preside over the case of the alleged Sterling High School shooter. Lawyer Jordan McAffee represents Peter--the boy who, on the day of the shooting, was found in the corner of the gymnasium holding a gun to his head with a shaky hand. Detective Patrick DuCharme has one star witness, but her story keeps changing. And then there's the biggest problem of all--the star witness happens to be Judge Cormier's daughter."--Container

"Diabolically clever."--New York Times "Horowitz dazzles with the brilliant third entry in his Susan Ryeland series . . . . [He is] is at the top of his game here, linking past and present in a virtuoso finale worthy of Agatha Christie."--Publishers Weekly (starred review) Murder links past and present once again in this mind-boggling metafictional mystery from Anthony Horowitz featuring detective Atticus Pünd and editor Susan Ryeland, stars of the New York Times bestsellers Magpie Murders and Moonflower Murders. Editor Susan Ryeland has left her Greek island, her hotel and her Greek boyfriend, Andreas, in search of a new life back in England. Freelancing for a London publisher, she's given the last job she wants: working on an Atticus Pünd continuation novel called Pünd's Last Case. Worse still, she knows the new writer. Eliot Crace is the troubled grandson of legendary children's author Miriam Crace who died twenty years ago. Eliot is convinced she was murdered--by poison. To her surprise, Susan enjoys reading the manuscript which is set in the South of France and revolves around the mysterious death of Lady Margaret Chalfont, days before she was about to change her will. But when it is revealed that Lady Margaret was also poisoned, alarm bells begin to ring. The more Susan reads, the clearer it becomes that Eliot has deliberately concealed clues about his grandmother's death inside the book. Desperately, Susan tries to prevent Eliot from putting himself in harm's way--but his behaviour is becoming increasingly erratic. Another murder follows . . . and suddenly Susan finds herself to be the number one suspect. Once again, the real and the fictional worlds have become dangerously entangled. And if Susan doesn't solve the mystery of Pünd's Last Case, she could well be its next victim.

The most beloved and enduring duo in American crime fiction is back. NEW YORK TIMES BESTSELLER • Psychologist Alex Delaware and Homicide Detective Milo Sturgis race against time to find a twisted killer in this riveting thriller from the #1 New York Times bestselling “master of suspense” ( Los Angeles Times ). People come to Los Angeles to chase their dreams. Sometimes they find themselves cast into a nightmare. And sometimes, the most ardent dreamers turn out to be the most vicious monsters. The body of an aspiring actress is found dumped near a hospital emergency room. She’s been drugged and murdered and the motive for the callous crime remains maddeningly out of reach. Until, a prime suspect materializes. Another Hollywood hopeful. Only to be shot dead by a sniper using a weapon that turns out to have been catalogued in a previous murder. And another, before that. It’s not long before more bodies begin piling up. What makes the murderous spree baffling is the apparent lack of connection among the victims. Is this the work of a random thrill killer, the toughest of all cases to unravel? But as Alex and Milo dig deeper they’re faced with an even knottier scenario: a highly complex killer with deep-seated motivation that will require all of their highly honed skills to decipher. The latest page-turner from #1 New York Times bestseller Jonathan Kellerman, is a tale of psychological complexity, dark suspense, and shocking surprises. A wild ride through L.A.’s surreal underbelly climaxed by an edge-of-the chair conclusion.

NEW YORK TIMES BESTSELLER • The iconic thriller series that inspired the upcoming streaming show on Prime Video, in development now! Psychologist Alex Delaware and Detective Milo Sturgis, the most beloved duo in American crime fiction, return in this electric novel from the #1 New York Times bestselling “master of suspense” (Los Angeles Times). This one looked like a slam dunk: a young woman found dead at her kitchen table, DNA on cigarette butts linking quickly to an ex-boyfriend with a criminal record. Or so homicide lieutenant Milo Sturgis thought. Then everything changed and a quick close turned into a mind-bending whodunit. That’s when Milo called in psychologist Alex Delaware, his best friend and a long-term consultant on “those cases.” The ones that are different. Then there’s another one: an old woman found brutally murdered, her body stashed in a deep freeze and mutilated. And when Milo learns who she is, he’s stunned. This victim is someone he once knew. Complicating matters further, her home is an extreme hoarder’s den, virtually impassable due to years of stored trash and apparently meaningless objects. Except for the envelopes of cash stashed among the garbage. As Alex and Milo dig deeper into the seemingly unrelated crimes, they discover shocking links between the victims and realize they have a labyrinthine—and deadly—puzzle to solve. Cast against the unforgettable L.A. ambience unique to the novels of Jonathan Kellerman, this is classic Delaware at its best.

"For more than a decade, Jenna Metcalf has never stopped thinking about her mother, Alice, who mysteriously disappeared in the wake of a tragic accident. Refusing to believe she was abandoned, Jenna searches for her mother regularly online and pores over the pages of Alice?s old journals. A scientist who studied grief among elephants, Alice wrote mostly of her research among the animals she loved, yet Jenna hopes the entries will provide a clue to her mother?s whereabouts. Desperate to find the truth, Jenna enlists two unlikely allies in her quest: Serenity Jones, a psychic who rose to fame finding missing persons, only to later doubt her gifts, and Virgil Stanhope, the jaded private detective who?d originally investigated Alice?s case along with the strange, possibly linked death of one of her colleagues. As the three work together to uncover what happened to Alice, they realize that in asking hard questions, they?ll have to face even harder answers." --Amazon.com.

The investigations of the obsessive, compulsive, Detective.

They’re making a major feature film of the first Hawthorne/Horowitz mystery novel. Except—they’re behind schedule, they’ve run out of money and . . . oh! The star has just been murdered. Ex-Detective Inspector Daniel Hawthorne is dead. Or, rather, the actor playing him in the film adaptation of The Word is Murder is. Rising star David Caine has been stabbed, and it seems that everyone on the set had a motive. Caine had just fired his PA. He had fallen out with his director, slept with the screenwriter, humiliated his co-star and dropped his agent days before he was about to sign a multi-million-dollar deal to appear in the next Spider-Man movie. But what if Caine’s murderer had made a mistake? What if it was the real Hawthorne who was the intended victim? For it turns out that the brilliant detective may have got it wrong ten years earlier. An innocent man has died in jail. And perhaps someone has decided that Hawthorne must pay the price. From the film set on the south coast of England, the story moves to Reeth, in Yorkshire, the village where Hawthorne grew up. A burned-down school, a car accident that isn’t what it seems, blackmail and murder in an Elizabethan country house . . . somehow they combine to unlock the secret of what has happened in Hastings. For once, the local police are helpful. DS Sarah Milnes gives Hawthorne carte blanche to investigate and there may even be a hint of romance in the air. Which leaves his hapless sidekick, Horowitz, on his own, stumbling his way to the truth. A riddle wrapped in a mystery inside an enigma, A Deadly Episode is an intriguing page-turner that once again demonstrates why Anthony Horowitz is the reigning king of the modern whodunit.

Unravel a chilling mystery in Ben Hecht's "The Florentine Dagger," a gripping novel for amateur detectives steeped in historical intrigue. Journey into the depths of the human psyche as this classic work of historical fiction explores the complex intersection of crime and insanity. Hecht, a master storyteller, crafts a tale where the line between sanity and madness blurs, challenging readers to question what they believe. A timeless exploration of psychological suspense, "The Florentine Dagger" delves into the dark corners of the mind. This meticulously prepared print edition offers a new opportunity to experience Hecht's masterful prose. Perfect for fans of classic detective stories and those fascinated by the intricacies of psychological thrillers, this novel remains a compelling and thought-provoking read. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A high-caliber police procedural mystery from the acclaimed author Warren Adler, well-known for the iconic novel turned international box-office hit The War of the Roses. The poison pen of Polly Dearborn, an infamous Washington Post investigative reporter, has gone silent. When Polly is found hanging from her balcony in the Watergate apartments, Washington's elite and powerful rejoice-the Witch of Watergate is dead! But Polly's voice reaches beyond the grave, and her final articles may contain clues to some big secrets. Homicide detective Fiona Fitzgerald, well-versed in the behind-the-scenes dealings of Washington, doesn't buy the suicide angle. But secret alliances between the police, the Post, and the mayor make Fiona's job difficult. What's worse is that her new and unlikable partner, Charleen Evans, seems to be working against Fiona when she takes control of the evidence herself. All challenges aside, Fiona knows the political world and is determined to find the truth. The Witch of Watergate is the fourth book in the Fiona Fitzgerald Mystery series.

Based on the screenplay to the terrifying 1998 horror film StrangeLand The Internet was supposed to connect people. For Captain Howdy, it's the perfect hunting ground. Behind the screen waits a sadist who lures teenagers into his world of ritual piercing, body suspension, and unrelenting torment. To him, pain is truth. Flesh is canvas. And his victims are masterpieces. When Detective Mike Gage's daughter disappears, the hunt leads the police into a nightmare of needles, hooks, and cages. A carnival of body modification ruled by a madman who believes he's a prophet. But Howdy isn't just another predator; he's a believer, and his gospel is written in pain. StrangeLand drags you screaming through the shadows of suburbia into a world where torture is transcendence, horror wears a human face, and salvation may come too late. Welcome to Captain Howdy's playground. Once you enter, you don't come back the same.

This book is the first attempt to produce a critical edition of a large number of Kathy Acker's unpublished early works. Apart from the posthumous publication, in 2002, of the early manuscript Rip-off Red, Girl Detective and The Burning Bombing of America: The Destruction of the U.S. by Amy Scholder and Grove Press in one volume, in 2002, as well as Gabrielle Kappes' chapbook, no other important publication had been attempted in this field. These – mostly unpublished – texts were all composed between 1969 and 1976. Yet they are representative of Acker's published output only for the period running from 1971 to early 1974. These texts all exist as “clean” typewritten copies, probably intended to be kept, shown, maybe even published. The editor chose not to include Acker's manuscripts. The transcriptions in this volume were made directly from the original typescripts. Original pagination, manuscript addenda, missing pages and other idiosyncrasies of each file have been preserved; our editorial notes at the end of the texts all feature a material description of the source version used. The organization of this volume is chronological. The texts' respective date of composition is often the result of an estimate based on their content and form (an estimate that is then justified and defended). Such a collection shows how prolific, diverse and always in-progress Acker's production was in those years. It isn't, however, Acker's complete early works. More typescripts exist at the Fales Library which aren't featured or alluded to in this book. Their publication and analysis may in the future suggest a whole new set of interpretations that will, or might not, contradict the present editor's exegesis. Moreover, the comparison of the typescripts with manuscript versions will undoubtedly inspire new perspectives on Acker's creative process and intentions during those years.